Sentences with phrase «new photography publication»
Published by Kehrer Verlag, Berlin this new photography publication presents artist Rolf Sachs's yearlong exploration of landscape and speed across the UNESCO World Heritage Rhaetian Albula / Bernina Railway line.
http://www.annarosathomae.com/ Not exact matches
Andrew Rowat's photography has been featured in GQ, Vanity Fair, and The New Yorker, among other publications.
The show is also accompanied by a brand - new publication, self - published by Finch, which documents his journey creating The Wish Post and includes behind - the - scenes photography and personal sketches.
Craig - Martin's photography has appeared in publications such as Vogue, Vanity Fair, and The New York Times Magazine.
Her work has appeared in numerous publications including The Philosophy of Photography Journal, The New York Times, The Philadelphia Inquirer, Hyperallergic, Vanity Fair, The Art Blog, and Phaidon.
A writer for numerous publications and websites, including The New York Times, Art in America, Artforum, Design Observer, Gagosian Quarterly, and Aperture, his most recent book is Photography Changes Everything (Aperture, 2012).
* The categories include: — Painting — Photography — Sculpture and Installation Art — Performance — Video & New Media Art * Timeline: May 17, 2017: Close submissions Between June and December 2017: Young Korean Artists Show Series 2017 March 1, 2018: Expected publication date of «CICA Young Korean Artists # 1» * How to submit your work: — Please send us up to 10 JPG portfolio images and / or up to 3 direct links to video / web / interactive art, your artist statement, and bio.
She has curated and contributed to a number of exhibitions and publications including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016).
He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.
With a mixture of archival imagery of the sculptures in situ in Münster, new photography of these works installed at David Zwirner in 2016 and an expanded selection of sculpture, this publication is both a historical document and a source for the renewed attention to this body of work.
Keyssar has contributed to publications such as the New York Times Magazine, Time, Bloomberg Businesweek, and California Sunday Magazine and been awarded by organizations including the Philip Jones Griffith Award (Finalist 2017), the Aaron Siskind Foundation, PDN 30, Magenta Flash Forward, and American Photography.
Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.
His writing and photographs have appeared in such publications as Social Science Research, Places, and The New York Times, as well as in numerous exhibitions including the inaugural Belfast Photo Festival and the Museum of Contemporary Photography's Midwest Photographers Project.
Finnish Academy of Fine Arts Fulbright fellow; exhibitions include California Museum of Photography, Museum of Contemporary Art Chicago, The Andy Warhol Museum, Finnish Museum of Photography, Art Institute of Chicago, Kunsthal Charlottenborg (Copenhagen); awards include Jerome Foundation New York City Film / Video Grant, Creative Capital Award, Joan Mitchell Foundation Residency Fellowship; publications include Modern Painters, The New York Times, The New Yorker, PHOTO (France), Photograph magazine, Chicago Tribune, Artforum, Frieze.
His publications include The New Vision: Photographs from the Ford Motor Company Collection (with Maria Morris Hambourg, 1989), Photography in the Modern Era: European Documents and Critical Writings, 1913 - 1940 (1989), and Between Past and Future: New Photography and Video from China (with Wu Hung, 2004).
Cyr earned his MFA from the School of Visual Arts in 2010 and his work has been featured in various publications including the New York Times, BBC News, ARTnews, TIME, NPR, Popular Photography, the Telegraph and Photo District News and is the author of the powerHouse published monograph, Developer Trays.
She has written for a wide variety of publications, including Artforum, Aperture, and The New York Times and has contributed essays to a number of books and catalogs on subjects such as crime photography, art, fashion photography, pornography, and photojournalism.
Her work has been featured in numerous publications and magazines including Passages: Indian Art Today (Daab Media, 2014), Lines of Control, Partition as a Productive Space (Green Cardamom 2012), Unfixed: Postcolonial Photography in Contemporary Art (Jap Sam Books, 2013); and Manual for Treason: Sharjah Biennial (2011), and featured in the New York Times, New Yorker Magazine, Art India, Artforum, Art in America, Frieze, Vogue India, Artpapers, and Art Economist.
French Moroccan photographer Carolle Bénitah launches new Kickstarter campaign for the publication of the artist's first photography book.
Kelton's work has been featured in numerous exhibitions and publications and is in the collections of the Museum of Fine Arts Boston; Bibliothéque nationale de France; Norton Museum of Art, West Palm Beach, Florida; International Center of Photography, New York; and New York Public Library.
She has curated and contributed to number of exhibitions and publication, including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Beatrice Glow: Spice Roots / Routes (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), Intertwined (2016), and One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016).
Designed by acclaimed Madrid practice This Side Up, in close collaboration with the artist, the publication features a specially - conceived artist's cover, a poster of his largest «palette» work to date, and extensive photography by Thierry Bal, illustrating the process of creating the new bodies of work featured in the exhibition.
FOTOFILMIC / / SOLO EXHIBITION AWARDS are a series of juried international calls and publications for emerging and mid» career film and analogue photographers ready to break new ground and take their most accomplished work to contemporary photography industry's public eye!
A year after the publication of Mother and Child, Dorr was included in Edward Steichen's landmark photography exhibition, The Family of Man, at the Museum of Modern Art in New York.
Celebrating the publication of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip - Lorca diCorcia author and curator Katherine Bussard joins two leading lights of contemporary art, Martha Rosler and Philip - Lorca diCorcia to discuss how cities, especially New York, have shaped their practice's engagement with street photography.
PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, SelfPUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, SelfPublications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Published
New Irish Works 2016 is a year - long project of 10 presentations and 20 publications that aims to highlight the current dynamism of Irish photography.
Featuring new photography of the spectacular evening dresses James produced between 1947 and 1955, this publication includes details of these intricate creations alongside vintage photographs and rarely seen archival items, such as patterns, muslins, dress forms, and sketches.
Post-Analogue Photography in the Digital Age will take place on Friday 16 October from 4.30 pm as part of Frieze London's new concept to create a space for visitors to browse and experience a curated selection of the world's best arts publications.
Jiang's book publications include Burden or Legacy: from the Chinese Cultural Revolution to Contemporary Art (Hong Kong University Press, 2007), the Revolution Continues: New Art from China (Jonathan Cape, 2008), Red: China's Cultural Revolution (Jonathan Cape, 2010) and An Era without Memory: Chinese Contemporary Photography on Urban Transformation (Thames and Hudson, 2015), and he is Principal Editor of the Journal of Contemporary Chinese Art (Intellect).
In addition to her fine art photography, Tese's editorial work has been included in publications such as the New York Times, Whitewall Magazine, CREEM and international editions of Vogue, Harper's Bazaar, Esquire and others.
She has curated and contributed to a number of exhibitions and publications, including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Beatrice Glow: Spice Roots / Routes (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), Intertwined (2016), and One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016).
The publication of his books Five Girls (1962), Cowboy Kate & Other Stories (1964), November Girl (1967) and Haskins Posters (1972) earned him international recognition for a new kind of nude photography.
Eva Respini is a former Curator in the Department of Photography at The Museum of Modern Art, New York where she contributed to numerous publications including Robert Heinecken: Object Matter (2014); Cindy Sherman (2012); and Into the Sunset: Photography's Image of the American West (2009); Fashioning Fiction in Photography since 1990 (2004).
A new publication by Hatje Cantz tracks the ongoing relationship between the swimming pool and photography.
Current Forehead and Brain, Albright - Knox Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern Art, New York March 18 — August 19, 2018 - Kiss the architect on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her come a gang and a run, Document, Chicago Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV / Bio
In 2010 she was tapped for the Museum of Modern Art's influential «New Photography» series; her work is now in the collections of the Whitney Museum of American Art and SFMOMA, and she's a regular contributor to publications like W and Vogue.
Indeed, her practice moved the boundaries of portraiture in photography, while her photo essays and portraiture were exhibited worldwide, and appeared in famous publications, including LIFE, The New York Times Magazine, and The New Yorker.
This new book, which accompanied an exhibition at Tate Modern, examines Tillmans's evolving practice, showcasing his photography but also his video, digital slide projections, publications, and recorded music.
Organized by MIA curator of photography and new media David E. Little, Embarrassment of Riches upends the usual attention given to images of poverty in publications and museums; instead analyzing the cultural impact of wealth.
Working closely with the artist, CAMH has commissioned an entirely new body of work: a dynamic installation that combines sculpture, light, and photography; a participatory work in which visitors can converse with the artist via phone; and an artist's publication.
AWARD / HHONOR Feb. 26: The International Center of Photography honors LaToya Ruby Frazier (publication) and «Question Bridge: Black Males» (new media), the project created by Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith, Kamal Sinclair, and Jesse Williams, with 2015 Infinity Awards.
Cardboard box containing 1 exhibition catalogue and 17 artists books / artists publications: Mel Bochner, Misunderstandings (A theory of photography); Christo, Packed Tower - Spoleto (proposals & projects); Jan Dibbets, perspective correction - 5 piles; Tom Gormley, Red File Cabinet; Dan Graham, Two Parallel Essays: Two Related Projects for Slide Projector & Photographs of Motion; Douglas Huebler, Location Piece # 2, New York City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain of Six Stops on a Section); Bernar Venet, Exploited Subjects; Andy Warhol, Portraits.
Frank and Tracey's work has been featured in publications such as The New York Times, The British Journal of Photography, Bloomberg Businessweek, Photo District News, Collector Daily, OjodePez and the Huffington Post as well as Cool Hunting, NPR, Foto8 and Daylight Magazine.
She has recently been featured in publications such as Printed Web and Mossless magazine, both of which are premiering at the opening of the International Center of Photography's new location this month.
Tsegaye's work has been featured in publications such as Snap Judgments: New Directions in African Photography, 2007 and The New York Times.
Her work has been featured in publications like The New Yorker, Excerpt Magazine, Title Magazine, Photography Quarterly, and the Pittsburgh Post Gazette.
His work has been featured in numerous publications such as Snap Judgments: New Directions in African Photography, edited by Okwui Enwezor and published by the International Center for Photography, New York (2007).
Some 400 works spanning painting, drawing, photography, film, architectural models, installations and publications, by over 160 artists including Camille Pissarro, Robert Delaunay, Kasimir Malevitch, László Moholy - Nagy, Paul Klee, Margaret Bourke - White, Sam Francis, Robert Smithson, Harun Farocki and Zoe Leonard offer a new perspective on modern and contemporary art.
This year's jurors are: Ruba Katrib, curator at SculptureCenter in Long Island City, New York, where she organizes exhibitions, educational and public programs, and publications, and coordinates program presentation; Clifford Owens, a New York - based contemporary artist who works in performance, photography, text, and video; and Nat Trotman, associate curator at the Solomon R. Guggenheim Museum.