Sentences with phrase «new pieces on the floor»

From the new pieces on the floor, the real questions take shape.

Not exact matches

It inspired us to put a brand new piece of contact paper on the floor with duct tape and play on it.

On this edition of the Campbell Conversations, State Senator Dave Valesky, a founding member of the Independent Democratic group, discusses how this new arrangement will work, and why joining with the Republicans may actually bring more progressive pieces of legislation to the Senate floor.

New metal on the car is 1 Piece floor, 1 piece trunk, 2 full quarters, 2 front fenders, SS hood, Rear Deck lid, Rear tail panel, Rear filler between the quarters, Bucket Seat Brackets, Driver Door, Passenger Side cowl, 1 piece RH & LH Inner and outer wheel hoPiece floor, 1 piece trunk, 2 full quarters, 2 front fenders, SS hood, Rear Deck lid, Rear tail panel, Rear filler between the quarters, Bucket Seat Brackets, Driver Door, Passenger Side cowl, 1 piece RH & LH Inner and outer wheel hopiece trunk, 2 full quarters, 2 front fenders, SS hood, Rear Deck lid, Rear tail panel, Rear filler between the quarters, Bucket Seat Brackets, Driver Door, Passenger Side cowl, 1 piece RH & LH Inner and outer wheel hopiece RH & LH Inner and outer wheel houses.

The mind - boggling Chiron is more like a piece of engineering artwork than a car, and it'll be on the show floor in New York.

• NEW Taste: Located on the ground floor, it is based on the iconic Favela Chair, with columns covered in long narrow strips of wood, reminiscent of the favelas in Brazil, and pieces of furniture from the old Olympic hotel.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rulNew York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rulnew crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Monique Mouton, a former student of McIntosh's at Emily Carr, will show new work on paper and a two dimensional floor piece, a continuation of her critically praised debut exhibition in New York last Januanew work on paper and a two dimensional floor piece, a continuation of her critically praised debut exhibition in New York last JanuaNew York last January.

The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion of the room where the ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace Gallery or the Jewish Museum in New York during the»80s and»90s, before the advent of the enormity of scale that typifies so many of the new exhibition spaces of todNew York during the»80s and»90s, before the advent of the enormity of scale that typifies so many of the new exhibition spaces of todnew exhibition spaces of today.

In celebration of the American sculptor Joel Shapiro, the Nasher Sculpture Center, which holds six examples of his work in their permanent collection, has unveiled a new piece specifically designed for the central gallery on the ground floor.

GLASS marks the first time Lin's glass marble work has been publicly displayed in New York and follows Folding the Chesapeake (2015), which was installed for the reopening at the Renwick Gallery in Washington, D.C.. Also on view will be Dew Point 11 (2007), a multi-unit floor piece comprised of clear blown glass discs resembling drops of water.

Along with the works Untitled (Corner Piece) and Untitled (Wall / Floor Slab), presented on the Upper Floor, they were first shown by Morris in 1964 at the Green Gallery in New York as components of a seven - part group.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Granite, Cor - Ten, Plywood, and Enamel on Aluminum, featuring thirteen wall and floor pieces from 1978 through 1992 by Donald Judd is on view until March 26th, at the Pace Gallery, 534 West 25th Street, New York.

The work on the ground floor is new to the gallery, while the piece on the second floor incorporates a reconfiguration of a recent work - Tilting Planet - initially shown at Malmö Konsthall, Sweden.

For his exhibition in the Third Floor galleries of the New Museum, Cuoghi presents Šuillakku — corral version (2014), an ambitious sound piece in the form of an imagined ancient Assyrian lament from 612 BC performed on a collection of handmade instruments carefully researched, built, and played by the artist himself.

The work on the ground floor is new to the gallery, while the piece on the second floor incorporates a reconfiguration of a recent work - Tilting Planet - initially...

The semi-permanent exhibition occupies the whole first floor of the Ca» Pesaro building, while on the second floor both contemporary works from the museum's collection and pieces on long - term loan from the Sonnabend Foundation in New York are currently on display; the second floor is also used for temporary exhibitions.

In addition to the new site - specific floor pieces, Face (Geometry)(Naked) Eyes will also include over 100 ceramic and wooden sculptures produced between 1988 - 2016, many of which have never been exhibited before, as well as handmade ceramic beads suspended on thread.

All his new pieces, until the late 60s, sat on the floor, in real space, and had to earn their right to be there by involving us in their doings or impressing us by their presence.

Performance: Will Rawls at New Museum For this piece, titled Persona Not Granted, the choreographer, writer, and performer Will Rawls is staging a work that will interface with Anna Craycroft's exhibition on the museum's fifth floor.

Opening: Takashi Murakami at Perrotin Taking over three floors of Perrotin gallery's outpost on the Lower East Side, Japanese artist Takashi Murakami presents a new suite of paintings inspired by the art of Francis Bacon along with other recent pieces.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

In her current show at David Zwirner, titled simply Isa Genzken, the artist presents sculptures from her Shauspieler (Actors) series, two new large - scale architectural sculptures, pieces from her Nefertiti series, as well as panel works both on the floor and along the walls.

Installed on the 5th floor in Kiasma, Neto's new piece contains strong references to the culture of the Huni Kuin, both symbolically and tangibly.

The Irish - US performance artist Máiréad Delaney attracted curious onlookers to the stand of the New York - based gallery Fergus McCaffrey with a piece entitled Stoppage I, for which she sat and laid immobile on the floor with 200 pounds of wet concrete between her legs until it set — a process that took around five hours.

Across the street at the New Museum, only a few examples, such as Kerstin Brätsch's large scale oil on paper pieces, Kitty Kraus» light bulb and mirror boxes commanding large areas of the third floor and Tala Madani's small scale oil paintings evidence a similar confidence in the object as a vehicle.

Combining a wide range of colors, Judd used the material to create five large - scale floor pieces (including one in the Museum of Modern Art, New York) and horizontal wall works in unique variations of color and size, such as those on view in this exhibition.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyon Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyOn Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

«The new pieces came in, and they tended to take a prominent place on the first floor» before eventually being pushed up to the second and third floors.

Patching and piecing remains an important element for the show with the exhibition of new quilt - like pieces on canvas, floor sculptures, suspended articles, as well as larger installation work.

Whether the floor collapse happens due to causes beyond your control — like an old faulty floor succumbing to years of aging and collapsing when you get a new piece of furniture and set it down inside the second story of your home — or happens on the job, it is important to consult with an experienced personal injury attorney who understands how to handle an injury claim and get you the money you need to continue living your life.

Ikea said it is making the new range as part of a long - term commitment plan called Home Smart, which we're assuming is a spin on smarthome, and the furniture pieces include floor lamps, table lamps, and work lamps with integrated charging pads.

I am seeing a theme, account for the items that make the house habitable first - roof, foundation, HVAC, electrical, plumbing, windows and then move on the to the rest (new kitchens and baths, flooring, paint, drywall, accent pieces, etc...).

We are just completing a renovation in a new to us home in the mountains and in the great room / kitchen / main floor we have medium hickory distressed wide plank floors, BM seashell paint on walls, white cabinets in kitchen, lots of wood antique furniture and several rustic wood pieces, and white / natural slipcovered sofa and chairs.