Sentences with phrase «new poetic form»

Musician and facilitator Rachel Bagby has created an elegant group reflection tool — a new poetic form called dekaaz.
This is a new poetic form for proselytizing is called Christian rap, shortened to it's popular and accurate name, C.rap.

Not exact matches

Igor Stravinsky, in his Poetics of Music in the Form of Six Lessons (New York: Random House, Vintage Books, 1959), pp. 66 - 68, writes of the terror he feels at the thought that perhaps everything is permissible.
Published writings by Pereira include: Light and the New Reality (1951), The Transformation of Nothing (1952), The Paradox of Space (1952), The Nature of Space (1956), The Lapis (1957), Crystal of the Rose (1959), Space, Light and the Infinite (1961), The Simultaneous «Ever - Coming To Be» (1961), The Infinite Versus the Finite (1962), The Transcendental Formal Logic of the Infinite (1966), and The Poetics of the Form of Space, Light and the Infinite (1968).
Natural phenomena are often shown alongside more surreal elements with both form and content constantly transformed through repetition of motifs, which lead to new and absurd connections that are often playful and poetic.
What appears to be a utilitarian object meant for functionality is a poetic sculptural gesture, and what looks to be the seductive swath of glitter reveals itself to be corporeal fluid hardened in a new form.
A new series of ceramic floor works referred to as «code poems» gather a range of references to the interaction of visual form and language, namely a nod to the American L = A = N = G = U = A = G = E poetics through an appropriation of Hannah Weiner's experimental text Morse Code (2002), as well as the spatial elegance of Carl Andre's minimal floor sculptures.
Artworks by 19 participating artists are at times playful and poignant, including: Jim Hodges's eerily captivating pink crystal skull, divided in two, forming a (broken) heart; Felix Gonzalez - Torres's poetic light strands and touching brass rings; Louise Bourgeois's hand - sewn couple merged at the belly; Ron Mueck's miniature yet monumental spooning couple; Juan Muñoz's wall - mounted men sharing a hearty laugh at each other's expense; Katharina Fritsch's fantastical octopus embodying fear, control, and helplessness; Yinka Shonibare MBE's headless ballerinas concealing revolvers behind their colorful skirts; and Maurizio Cattelan's slyly humorous pair of inverted police officers, which take on a new resonance in the wake of recent violence and protest.
In poetic compositions of vibrant color and organic form, Suzanne LaFleur evokes the serene atmosphere of summer retreat in her newest work now on display at Lawrence Fine Art through August 18.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
The traces to traditional art mediums and the representation of mundane material make the works unfamiliar yet aesthetic; by stripping objects off its original function, replacing them within an art context, and combining them to form a new sculptural entity, Stramrud unavoidably points at Surrealist juxtaposition techniques with its aim to create an image of poetic reality.
Pousette - Dart's Abstract Expressionism, in «The New York Times», 9 October 1981, with ill.; Michael Kimmelman, Richard Pousette - Dart, 76, Dies — An Early Abstract Expressionist, in «The New York Times», 27 October 1992 «Suspended light presents an oculus form, circled by an oval framing edge, floating within an energized field of stained and dripped black pigment marks that evoke poetic association with the starry sky and sublime nature phenomena.
The artists in this exhibition are connected by their deep involvement in specific places, namely, Beijing, Guangzhou, Hong Kong, and New York; their critical examination of our systems of exchange, communication, and production; and their imagination of multiple futures as a form of poetic revolution.
Two concurrent exhibitions in New York this fall refer to natural and cultural forms in poetic installations with entirely different, conceptually framed takes.
Allied Works Architecture — a firm with offices in Portland and New York — has earned a reputation for remarkably evocative, poetic buildings infused with inventive materials, textures, and forms.
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