Sentences with phrase «new public art installations»
You can't see it all, and alongside the fairs are gallery openings, new public art installations and parties, to boot.
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Earlier this week, a series of new public art installations went on display along the...
Also at 10 a.m., NYC Parks Commissioner Mitchell J. Silver joins Uniqlo Global Director of Corporate Social Responsibility Jean Shein to celebrate the new public art installations, Joyce Kilmer Park, E. 161st Street, the Bronx.
Kate Bush and Jeanette Winterson to commemorate the Brontë sisters in new public art installation
A look at this week's art news, including a new public art installation by Martin Puryear, and events and exhibitions everywhere from Los Angeles to Barcelona.
Success by protest is often indiscernible, and yet there is still a reminder to maintain hope and band together, much like Hank's shining, neon - lit statement, Love Over Rules, recently unveiled in a new public art installation in San Francisco.
Not exact matches
The inaugural ride will begin at 10:30 p.m. at 72nd Street and make stops at the new stations, which feature high ceilings, column free design, vibrant lighting and the largest permanent public art installation in state history.
Photos of the New Second Avenue Subway Available Here New Stations Feature Largest Permanent Public Art Installation in State History
On Saturday, I attended the unveiling ceremony of Chicago's newest modern art public installation by Tony Tasset.
On Wednesday, July 31, the Golden Gate National Parks Conservancy will showcase its proposal for the Presidio Exchange (PX)-- an open - platform cultural center in this world - class location that will maintain the prime views of the Golden Gate Bridge, forge a new pedestrian link between the Presidio Main Post and the waterfront, and engage the public in a dynamic and ever - evolving series of public programs — from art installations to «hackathons», film festivals to green - tech expositions, dance performances to history lectures.
Anchoring nearly 18 acres of new and revitalized national parkland, the PX will be a 97,000 - square foot multi-use facility offering a set of interconnected indoor and outdoor spaces designed to accommodate a wide range of interactive public programs and activities, including installations, art exhibits, workshops, forums, demonstrations, concerts, performances, and more.
Marriott calls it New York's first «digitally enhanced hotel,» since its public areas feature interactive digital art installations; there's also a four - story - high digital clock on top of the building.
When Tony Feher, who's known for building sculptures out of disposable materials, was asked to design a public - art installation for the new federal courthouse in Rockford, Illinois, he wasn't sure he was the best artist for the job.
IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art, West Bend, WI
Most recently, she created Open House, an installation for the Public Art Fund in New York City's Central Park.
PUBLIC INSTALLATIONS Weir Farm National Historic Site / National Park Service, Wilton, CT CowParade, New York City / Museum of the City of New York, New York, NY Islip Art Museum, East Islip, New York, NY SELECTED PERMANENT COLLECTIONS Centre Pompidou, Paris, France
PUBLIC ART Major public art installations by Chuck Close, Jean Shin, Vik Muniz and Sarah Sze are unveiled on the new Second Avenue subway line in New YorkPUBLIC ART Major public art installations by Chuck Close, Jean Shin, Vik Muniz and Sarah Sze are unveiled on the new Second Avenue subway line in New York CiART Major public art installations by Chuck Close, Jean Shin, Vik Muniz and Sarah Sze are unveiled on the new Second Avenue subway line in New Yorkpublic art installations by Chuck Close, Jean Shin, Vik Muniz and Sarah Sze are unveiled on the new Second Avenue subway line in New York Ciart installations by Chuck Close, Jean Shin, Vik Muniz and Sarah Sze are unveiled on the new Second Avenue subway line in New York Cinew Second Avenue subway line in New York CiNew York City.
2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT
The installation was subsequently shown in New York (USA) with Public Art Fund, Genoa (Italy), and was included in the 2005 Venice Biennale (Italy).
Brit Bunkley is a New Zealand - based artist whose current art practice includes public art, sculpture, installation, and video.
Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adaart of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.
A large installation of his work was recently acquired by the Centre Georges Pompidou (Paris) and he is represented in public collections worldwide, including the Museum of Modern Art (New York), the Solomon R. Guggenheim Collection (New York), The National Gallery of Art (Washington), the Tate collection (London), The South African National Gallery (Cape Town) and the Johannesburg Art Gallery.
Centering on his fragmentary - Statue - of - Liberty installation We the People, which was the subject of a Public Art Fund show in New York last summer, the exhibition also includes a «dialogue» between Vo and the late photographer Peter Hujar.
Although Smith has worked with glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund installation of 2012, Kiki Smith's Chorus, and the 16 - foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in New York and from 2012.
Presented by the Whitney Museum of American Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this monArt in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this monNew York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this monArt in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this monart installation, and a new artist record at auction achieved at Christie's London earlier this monnew artist record at auction achieved at Christie's London earlier this month.
Art Production Fund is pleased to present Ryan McGinley: Taxi TV, one of the first public art installations to harness the format of Taxi TVs throughout New York City, from January 9th through February 5th 20Art Production Fund is pleased to present Ryan McGinley: Taxi TV, one of the first public art installations to harness the format of Taxi TVs throughout New York City, from January 9th through February 5th 20art installations to harness the format of Taxi TVs throughout New York City, from January 9th through February 5th 2013.
Olaf Breuning has collaborated with the Public Art Fund, Maja Hoffman's LUMA Foundation and Art Basel for large public installations at New York's Central Park, Elevation 1049 in Gstaad and Collins Park, Public Art Fund, Maja Hoffman's LUMA Foundation and Art Basel for large public installations at New York's Central Park, Elevation 1049 in Gstaad and Collins Park, public installations at New York's Central Park, Elevation 1049 in Gstaad and Collins Park, Miami.
Tolle, who's celebrated for his public art installation Irish Hunger Memorial in New York's Battery Park City, is presenting eleven of these poetic pieces, along with a whimsical model of the façade of a 17th - century Flemish canal house, in his current solo exhibition, BENT, at C24 Gallery in New York.
Following New York, Big Bling will travel for installation in Philadelphia by the Association for Public Art, opening in May 2017 where it will be on view for six months.
His photographs, multi-media projects, and public installations have been exhibited internationally, and are included in many public collections, including the Metropolitan Museum of Art, New York; the Los Angeles County Museum of Art; the Victoria & Albert Museum, London; the National Gallery of Art, Washington, D.C.; the J. Paul Getty Museum, Los Angeles; the Brooklyn Museum, New York; the Santa Barbara Museum of Art; the Yale University Art Gallery; and the Museum of Fine Arts, Houston, among others.
The installation in Petrosino Square marks the artist's second public project in New York following her hugely successful debut in Times Square this past February, as part of Midnight Moment organized by s [edition], the Times Square Advertising Coalition, and Times Square Art.
assume vivid astro focus first explored the concept of the roller rink as an interactive installation with Public Art Fund in Central Park, New York City in 2004 as part of the Whitney Biennial.
Art Production Fund is pleased to announce the first public installation in New York by Los Angeles based artist Karl Haendel.
In 2005, New York's Public Art Fund commissioned Diaz to create four large sculptures for the Grand Concourse in the Bronx, resulting in the installation A Can for All Seasons.
Katharina Grosse's new Public Art Fund installation Just Two of Us at Brooklyn's Metro Tech Center is amazing.
The Public Art Fund is New York's leading presenter of artists» projects, new commissions, installations, and exhibitions in public sPublic Art Fund is New York's leading presenter of artists» projects, new commissions, installations, and exhibitions in public spacNew York's leading presenter of artists» projects, new commissions, installations, and exhibitions in public spacnew commissions, installations, and exhibitions in public spublic spaces.
These whimsical installations by the Danish artist Jeppe Hein will animate Brooklyn Bridge Park beginning on May 17 in the Public Art Fund's new exhibition, «Please Touch the Art.»
In 2012, The Art Production Fund presented Kiki Smith: Chorus, a public installation comprised of the artist's multicolored stained - glass stars at The Last Lot project space on 46th Street and 8th Avenue in New York City.
A public art installation by Sari Carel, commissioned and produced by More Art, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York Ciart installation by Sari Carel, commissioned and produced by More Art, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York CiArt, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York Ciart to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York City.
Our public programme has encompassed talks, residencies, performances, commissioning new site - specific installations, and supporting cultural initiatives in Ghana and beyond so we are delighted to have an off - site project in Dubai for the first time in advance of our participation at Art Dubai fair.»
As an art educator and artist, Smith frequently involves student artwork in her monumental public installations, created for the New York Metro, Los Angeles Metro Transit Authority, and the Chicago Transit Authority, among others.3
After being off view for more than five years, the Virginia Museum of Fine Art's Classical Art gallery has reopened to the public in an expanded space with an all - new installation
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The Korean Cultural Center Washington, D.C. presents The Prismatic, a new contemporary art exhibition that explores the universal human tension between self and other, individual and group, and private and public, through innovative mixed media and installation works from seven accomplished artists.
In 2009 Batchelor was commissioned by the British Council to make a new installation, HK Fesdella, Further public art commissions include Big Rock Candy Fountain, at Archway, London.
Learn how two college art museums have increased their connections to students, faculty, and their public audiences through new installations.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openinew galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpeniNew Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpeniNew York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpeniNew Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings
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Florida - based public artist, JEFRË and New York - based Michael Counts and 3 - Legged Dog create The Beacon, an art installation for Orlando community, Lake Nona The multimedia installations will...
The Public Art Fund commissioned Huyghe to create «A Journey that Wasn't» (2006), which included an expedition to Antarctica, a performance in Central Park, and a video installation at the Whitney Biennial in New York.