Sentences with phrase «new public art institutions»

Not exact matches

The new IDNYC municipal identification card has been popular and comes with a year's free membership to dozens of cultural institutions, and $ 23 million was added to the art education budget for public schools last year after an audit by Comptroller Scott Stringer showed major disparities.

This summer, HGSE hosted 58 new college and university presidents, representing institutions of all types throughout the country, from public and private to community colleges and art institutes.

SUPERFLEX are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico Ciart institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico City.

His work is included in the public collections of leading institutions such as: the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and Tate, London.

The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.

Atlanta Contemporary is a participating institution in Pledges of Allegiance, a nationwide, year - long public art project featuring a serialized commission of flags created by acclaimed artists and presented by New York - based public art nonprofit Creative Time.

It amounts to many a postmodern critique of art institutions and arts funding — starting well before Jeffrey Deitch took over LA MOCA, the New Museum sold out to the Joannou collection, or the New York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new museNew Museum sold out to the Joannou collection, or the New York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new museNew York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new musenew museum.

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

«We are proud to expand our support of the Tang Teaching Museum, an institution that continues to pioneer new ways of integrating the fine arts with a diversity of disciplines, creating deeply meaningful experiences for the communities it serves — whether through on - campus scholarship or access and education initiatives that serve public schools and build audiences well beyond the region,» said Laurie M. Tisch, President of the Laurie M. Tisch Illumination Fund.

The gallery has also fostered ties with other prominent galleries, as well as major public institutions including MoMA, The Whitney Museum of American Art, San Francisco MoMA, The Walker Art Center, MoCA Los Angeles, Fogg Art Museum, Cooper - Hewitt National Design Museum and internationally The Serralves Museum, Porto, Portugal, as well as the Devi Art Foundation, New Delhi, to name a few.

TAM served the public with more than 375 exhibitions and over 500 concerts and panel discussions as it provided a new paradigm for contemporary arts institutions.

September 30 Nato Thompson is a curator at the New York — based public arts institution Creative Time.

Landy's works are held in many public institutions, including the Tate Collection, London; the Arts Council England; the Walker Art Center, Minneapolis; the Museum of Modern Art, New York; and the Centre Pompidou, Paris.

As the leading contemporary art institution in Virginia, MOCA provides an opportunity for Virginia artists to gain professional and public recognition through New Waves.

His work is held in the collections of many public institutions, including the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the Musée d'Art Moderne de la Ville de Paris, Paris; the Museum für Moderne Kunst, Frankfurt; the Museum of Modern Art, New York; and the Tate, London.

Undertaken as a public - private initiative with support from the City of New York, the five - story, 82,000 - square - foot project will provide the custom - built and expanded facilities, enriched visitor experience and strong architectural presence appropriate to a premier center for contemporary artists of African descent, the principal visual art institution in Harlem and a magnet for visitors from around the world.

She has exhibited at such venues as the 2011 Istanbul Biennial, Turkey; the Manifesta 9 Biennial, Belgium; the Getty Center, Los Angeles; Atlanta Contemporary Arts Center; Rowan University, New Jersey; SUNY, New York; galleries in Los Angeles, Düsseldorf, Belgrade, and Tijuana; and many other public sites and institutions.

His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.

The photographs of Jill Freedman (born 1939) are held in the permanent collections of major art institutions including The Museum of Modern Art, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, Houstart institutions including The Museum of Modern Art, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, HoustArt, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, HoustArt Museum, Washington, DC; and the Museum of Fine Arts, Houston.

Public collections include The Metropolitan Museum of Art, New York; Tate, London; and the British Museum, London, amongst other international institutions.

Ortiz - Torres's work has been collected by such prominent institutions as The Metropolitan Museum of Art, Museum of Modern Art, Brooklyn Museum, and the New York Public Library, NY; Los Angeles County Museum of Art, Museum of Contemporary Art, and the Grunwald Art Center for the Graphic Arts, UCLA Hammer Museum of Art & Cultural Center, Los Angeles, CA; Museum of Fine Arts, Houston, TX; Mexican Museum of Fine Arts, Chicago, IL; Instituto Nacional de Bellas Artes, Mexico City, Mexico; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

His work is held in numerous prominent public institutions including the Armand Hammer Museum, Los Angeles; Broad Foundation, Los Angeles; Louisiana Museum of Modern Art, Humblebaek, Denmark; Miami Art Museum, Miami; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Nasher Sculpture Center, Dallas; San Francisco Museum of Modern Art, San Francisco; Solomon R. Guggenheim Museum, New York and Whitney Museum of American Art, New York.

Her work is also in many public collections including the Brooklyn Museum, New York; Museum of Modern Art, New York; National Museum of Women in the Arts, Washington, D.C.; New Orleans Museum of Art, Louisiana; and Smithsonian American Art Museum, Washington, DC, among other institutions.

KW Institute for Contemporary Art's educational and mediation program tests together with artists and different communities new spatial, thematic, and political constellations, that investigate KW in its function as a public institution and react to the current exhibition program and its concept with flexible feedback processes.

Kami's work has been featured in public collections including the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the British Museum, London; and many other institutions worldwide.

is a nonprofit cultural and educational institution that shares its unparalleled art collection with the public, organizes special exhibitions, and presents programming that fosters new ways of thinking about human creativity.

Artistsʼ works have been acquired through LMAKgallery by such institutions as Public Library of New York; Museo del Barrio, New York; Contemporary Museum of Photography, Chicago; Guggenheim, New York; the Whitney Museum of American Art, New York; The Philbrook Museum, Tulsa OK; Kadist Art Foundation, Paris, France and San Fransisco, US; Rhode Island Museum of Art, RI; Minneapolis Institute of Art, MN; Bonnefanten Museum, Maastricht; William Benton Museum of Art, CT; Mott Warsh Collection, MI.

Fleming has exhibited internationally in public spaces, non-profit galleries, commercial galleries, and art institutions including Massachusetts Museum of Contemporary Art, Borusan Contemporary of Istanbul Turkey, National Film Museum of Frankfurt Germany, San Francisco Symphony, Colburn School of Music Los Angeles, University of California at Los Angeles, Hammer Museum Los Angeles, Creative Time New York City, University of Austin Texas, and 356 Mission Road Los Angelart institutions including Massachusetts Museum of Contemporary Art, Borusan Contemporary of Istanbul Turkey, National Film Museum of Frankfurt Germany, San Francisco Symphony, Colburn School of Music Los Angeles, University of California at Los Angeles, Hammer Museum Los Angeles, Creative Time New York City, University of Austin Texas, and 356 Mission Road Los AngelArt, Borusan Contemporary of Istanbul Turkey, National Film Museum of Frankfurt Germany, San Francisco Symphony, Colburn School of Music Los Angeles, University of California at Los Angeles, Hammer Museum Los Angeles, Creative Time New York City, University of Austin Texas, and 356 Mission Road Los Angeles.

His work is exhibited in numerous museums and prominent institutions and is part of public and private collections all around the world including the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; George Eastman House, Rochester; Phillips Collection, Washington D.C.; National Gallery of Art, Washington D.C.; The Art Institute of Chicago; Philadelphia Museum of Art; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.

Public institutions include the Metropolitan Museum of Art, New York; The Guggenheim, The Museum of Contemporary Art, Los Angeles The Hirshhorn Museum and Sculpture Garden, Washington DC; and Tate, London, among others as well as collaborating with Merce Cunningham on the production of Ground Level Overlay.

Her work is in the public collections of institutions including the Whitney Museum, the Guggenheim Museum, and the ICP, New York; the Corcoran Gallery in Washington, D.C.; and the Museum of Fine Arts, Montreal.

Perez's work is held in the permanent collections of numerous international public institutions, including the Berkeley Art Museum and Pacific Film Archive, Berkley; the British Museum, London; the Corcoran Art Gallery, Washington, D.C.; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Miami; the RISD Museum of Art, Providence; the San Francisco Museum of Modern Art, San Francisco; the Tang Museum, Saratoga Springs; the Whitney Museum of American Art, New York; the Williams College Museum of Art, Williamstown; and the Yale University Art Gallery, New Haven.

For seven years, she was the Assistant Curator at the Visual Arts Center of New Jersey which is one of the largest public institutions in New Jersey devoted exclusively to contemporary art.

The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institutiArt and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institutiart in spaces outside of the traditional museum or exhibition institution.

In collaboration with museums and other public / private spaces and institutions, it initiates and delivers ambitious art projects through a sustained dialogue with visual, performance, and new media artists.

Her work is in the public collections of institutions including the Whitney Museum, the Guggenheim Museum, and the International Center of Photography, all in New York; the Corcoran Gallery in Washington, DC; and the Museum of Fine Arts in Montreal.

He has also shown widely, including at the Venice Biennale and other notable international exhibitions and at the Metropolitan Museum of Art and the Museum of Modern Art in New York and the British Museum in London, as well as at other museums, galleries, public and non-profit spaces and academic institutions.

MacDonald has had a two - person exhibition at Projekt722, in Brooklyn, NY, and her work has been collected by such public institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahasseepublic institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, TallahasseePublic Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahassee, FL..

Ali's works are included in the permanent collections of numerous public institutions, including the Albright - Knox Art Gallery, Buffalo, NY; the Museum of Contemporary Art Chicago; the Museum of Modern Art, New York; and the Walker Art Center, Minneapolis; among many others.

Several exhibitions in public institutions — Tate Modern's Frida Kahlo exhibition in 2005, the Royal Academy's tremendous «Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection» in 2014, and two Saatchi Collection initiatives, «Tectonic Shift: Contemporary Art from Chile» (2011), curated by Brunson, and «Pangaea: New Art from Africa and Latin America» — have drawn attention to the history and vivacity of art - making on the contineArt of South America from the Patricia Phelps de Cisneros Collection» in 2014, and two Saatchi Collection initiatives, «Tectonic Shift: Contemporary Art from Chile» (2011), curated by Brunson, and «Pangaea: New Art from Africa and Latin America» — have drawn attention to the history and vivacity of art - making on the contineArt from Chile» (2011), curated by Brunson, and «Pangaea: New Art from Africa and Latin America» — have drawn attention to the history and vivacity of art - making on the contineArt from Africa and Latin America» — have drawn attention to the history and vivacity of art - making on the contineart - making on the continent.

Her work can be found in notable private foundations and public institutions such as the Museum of Modern Art, New York; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; Moderna Museet, Stockhom; Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; among many others.

Napoleone is an experienced collector who exclusively purchases work by contemporary female artists, and is on a mission to support «those realities which are overlooked and ignored», while CAS has long helped public art institutions acquire new art for their collections.

Lines Which Do Not Exist was published for the artist's Fall 2010 exhibition at The Drawing Center in New York — his first overview in a public institution in New York since 40 Years of Painting at The Museum of Modern Art (2002).

The Barnes Foundation is a nonprofit cultural and educational institution that shares its unparalleled art collection with the public, organizes special exhibitions, and presents programming that fosters new ways of thinking about human creativity.

Outside of the last 80 shows at Postmasters, Bebecka has also worked on over 40 contemporary art projects with institutions such as MoMA, The New Museum, Performa, ICP, Times Square Alliance, CUNY Segal Theatre, Socrates Sculpture Park, MoMA PS1, AICA, Public Art Fund, and The NYC Department of Parks and Recreatiart projects with institutions such as MoMA, The New Museum, Performa, ICP, Times Square Alliance, CUNY Segal Theatre, Socrates Sculpture Park, MoMA PS1, AICA, Public Art Fund, and The NYC Department of Parks and RecreatiArt Fund, and The NYC Department of Parks and Recreation.

In recent years, Pace has continuously expanded the possibilities for its role in the contemporary art ecosystem, engaging in collaborations with cultural institutions around the world, establishing the Pace Art + Technology new media center, and the Future \ Pace public art brand in a demonstration of the organization's focus on the futuart ecosystem, engaging in collaborations with cultural institutions around the world, establishing the Pace Art + Technology new media center, and the Future \ Pace public art brand in a demonstration of the organization's focus on the futuArt + Technology new media center, and the Future \ Pace public art brand in a demonstration of the organization's focus on the futuart brand in a demonstration of the organization's focus on the future.

Uecker's work is included in numerous public institutions such as the Albright - Knox Art Gallery, Buffalo; Tate Modern, London; Museum of Modern Art, New York; Georges Pompidou Centre, Paris; and the Peggy Guggenheim Collection, Venice, Italy.

Ness has had works exhibited at a number of public and private institutions, including the Museum of Contemporary Art in San Diego, the Tel Aviv Museum of Art, and the Jewish Museum in New York.

She has had solo exhibitions in the UK and USA and in Italy during the prestigious Venice Biennale in 2011, and her works are in the permanent collections of many private and public institutions including The New Art Gallery Walsall and the Zabludowicz Collection.

Amy Sillman Is New York - based artist Amy Sillman whose major 2014 solo exhibition «One lump or two» travelled from Institute of Contemporary Art, Boston to Aspen Art Museum, Colorado and the Center for Curatorial Studies at Bard College, New York and whose works are held in the public collections of many prominent US institutions.