Sentences with phrase «new public sphere»

How do we deal with the new public sphere as it operates?»»

Not exact matches

As such, by limiting the currently available data as contained within the new law would make harder the already tedious «sifting through often - byzantine layers of shell companies and nominee shareholders to identify the true owners of certain assets,» and the ability for third parties to add information to the public sphere and marketplace of ideas is unnecessarily curtailed.

The Naked Public Square catapulted Richard to a new sphere of intellectual celebrity.

Let's face it goalkeepers tend to march to the beat of a different drum and Szczesny certainly fell into that category, but most of his antics were relatively harmless and simply reflected a certain level of immaturity that isn't uncommon for someone thrust into the limelight at such a young age... lord knows we've seen that happen with numerous players throughout the years and very few were ever banished for such behaviour... the only on - field action that drove me crazy was his inability to take a deep breath and not try to rush the play with an ill - timed throw at certain points in the game when common sense suggested holding the ball and slowing things down... the fact that he continued to do this probably had a lot to do with the glaring lack of coaching time spent with the goalkeepers... ultimately he made the fateful decision to take his frustrations out into the public sphere and paid dearly for it... in the end, his services were wanted by several of the best Italian squads, which is significant considering the historical importance placed on the defensive side of the ball in Serie A... all I know is that if someone asked me to pick the most athletically gifted goalkeeper we have had in our squad since the arrival of Wenger, without hesitation, he would be my pick and for that reason his departure is more than a little disappointing... what else is new though

Moreover, this new revolutionary context promoted regionally the public sphere and public participation, which put pressure on many Arab monarchies, fearing a domino effect, to reconsider their governance policies.

The problem, however, arises when this social sphere, which traditionally transcended the boundaries of the public / personal distinction, and which preserved, until the dawn of the modern age social integrity and conventional values, becomes encroached by the intervention of the new social — in the sense in which Arendt used the term.

The educational force of the wider culture is now the primary site where education takes place, what I have called public pedagogy — modes of education largely produced, mediated, and circulated through a range of educational spheres extending from the new media and old broadcast media to films, newspapers, television programs, cable TV, cell phones, the Internet, and other commercial sites.

World events are being shaped by fervent believers at home and abroad, while a new atheism is asserting itself in the public sphere.

My friends in other cities speak about the new war, the roots of this atrocity and its relationship to other atrocities around the globe; they worry over the notion of «evil,» whether it's a reality or a concept with no use in the public sphere.

Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self - determination with the broader public sphere.

The Public Events and Exhibition Program comprises our Artist Lab series, focusing on mid-career Los Angeles based artists with accompanying solo exhibitions and artist - driven events; a new Moveable Lab series exploring engagement in the public sphere, presentations of emerging artists in our Atrium Gallery, and a diverse set of community - focused projects including our ground - breaking Culture Mapping 90404 interactive website and archive, and semi-annual Pico Block Party FesPublic Events and Exhibition Program comprises our Artist Lab series, focusing on mid-career Los Angeles based artists with accompanying solo exhibitions and artist - driven events; a new Moveable Lab series exploring engagement in the public sphere, presentations of emerging artists in our Atrium Gallery, and a diverse set of community - focused projects including our ground - breaking Culture Mapping 90404 interactive website and archive, and semi-annual Pico Block Party Fespublic sphere, presentations of emerging artists in our Atrium Gallery, and a diverse set of community - focused projects including our ground - breaking Culture Mapping 90404 interactive website and archive, and semi-annual Pico Block Party Festival.

2006 Deconstruction, Barbara Gladstone, New York, NY, USA Audio, Cabinet des Estampes, Geneva, Switzerland Le Sphere Punk, Le Magasin, Grenoble, France The Secret Public: The last days of the British Underground 1978 — 1988, Kunstverein Munich, Germany

This Visiting Artist initiative is a new addition to Girls» Club public programming, and aims to addresses itself to the national sphere by fostering dialogue between South Florida artists and institutions and...

Whiteout, a newly commissioned public art project by artist Erwin Redl (Austrian, b. 1963, lives and works in Ohio and New York City) is comprised of hundreds of transparent white spheres, each embedded with a discrete, white LED light and suspended from a square grid of steel poles and cabling.

Four artists known for their work in the public sphere were invited to form individual teams featuring an architect or planner to conceive new approaches to development in this area of Long Island City that Noguchi and di Suvero helped to shape.

This Visiting Artist initiative is a new addition to Girls» Club public programming, and aims to addresses itself to the national sphere by fostering dialogue between South Florida artists and institutions and their counterparts throughout the country.

I had not staked this review on any one outcome or recommendation for Ground Zero, so much as a unified vision of art, politics, rebuilding, New York, and the public sphere.

New York hasn't the precise thing that makes London work in the way it does: a vigorous scene that continues seamlessly across both public and commercial spheres.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

Four exhibitions in a year is rare exposure for an artist in New York City, yet Yevgeniy Fiks (b. 1972 Moscow) has accomplished just that: The Lenin Museum, a solo exhibition exposing the duplicity of expediency and erasure in the instrumentalization of gay culture in Soviet Russia, currently on view at the James Gallery at the CUNY Graduate Center, and three collaborative projects, which confront issues of representation within historical practices of commemoration and identity formation within the public sphere.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

This survey will showcase nearly 50 years of work, including new fabric and wallpaper commissions that bridge the gap between the public and private spheres as well as high and low art.

The selected works drawn from the Library's extensive collections highlight the gradual broadening in both the private and public spheres of women's roles and interests, addressing such themes as evolving ideals of feminine beauty, new opportunities emerging for women in society, changes in gender relations and issues of human welfare.

A collaboration between ICI and Artists Space, The New Normal examines the boundaries between public and private spheres and confronts our idea of privacy in an increasingly broadcasted and media - saturated society.

Hauser & Wirth Zürich presents a new and unseen work by Jenny Holzer, the New York artist celebrated for her evocative use of language and interventions in the public sphenew and unseen work by Jenny Holzer, the New York artist celebrated for her evocative use of language and interventions in the public spheNew York artist celebrated for her evocative use of language and interventions in the public sphere.

EYE to EYE Flashcards is an innovative new educational tool created by New Arts Journalism student Noël Jones (MA 2019), which aims to bring dense academic theories into the public sphenew educational tool created by New Arts Journalism student Noël Jones (MA 2019), which aims to bring dense academic theories into the public spheNew Arts Journalism student Noël Jones (MA 2019), which aims to bring dense academic theories into the public sphere.

Having such a hugely complex problem that 1) doesn't really respond so well to the old tools, and 2) is of monumental importance to get right, without experiment, while 3) having to share the public sphere with new kinds of very demanding clients, 4) hoards of people speaking excitedly with a range of different skill levels about their own ideas, and 5) a web world of creative thinkers like us too.

But it does advance a number of worthy ideas in the public sphere, and potentially turns a new audience on to green eating ideas.

Over the past 25 years or so, we've seen the emergence of a new (or newly restored, some would say) legal and cultural understanding of religion, driven in part by the insight that for many believers, religious faith isn't a private «hobby» that can be relegated to the home and church; rather, religious belief and identity are integral parts of a person, necessarily and appropriately informing public roles and the public sphere.

Her assumption was that the new government, on coming to power, had removed all traces of the previous government's documents from the public sphere.

To this end we made the decision to integrate a new direction in our business, and release the public platform Apla on the market, keeping the name eGaaS to indicate the private blockchain platform meant for projects in the eGovernment sphere.»