Sentences with phrase «new sculptural language»

Spanning the late 1940s through the early 1960s, these works examine abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

Spanning the late «40s through the early «60s, these works examine Abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

Not exact matches

The New Generation i30 evolves Hyundai's design language with a timeless and sculptural design combining precise, tensed lines and refined rich surfaces.

Recent sculptural installations, such as Cracks in the Clouds (2010) at New York's Seagram Building and At Least They Died Together (2014) at the Brant Foundation, Greenwich, CT, imbue the spare language of Minimalism with emotional depth.

In his pursuit of a new language, the artist helped to move sculptural practice from the «modern'to the «contemporary.»

This new, fascinating sculptural language established him as a key figure in the development of 20th century sculpture alongside David Smith, Mark Di Suvero and Richard Serra.

Mark Delong's new ceramic work uses a primitive visual language to explore sculptural realizations of childlike animations.

Michelangelo, with an eye trained to the material weight of color, might have been comfortable with this form of sculptural painting, even if Tsao's abstract language is more akin to the late 1950s New York School, with Pollock's spattering giving way — at certain turns of mood or emotion — to sublime color fields reminiscent of Helen Frankenthaler or Ellsworth Kelly.

At a new presentation of his work — titled «Flow / / Flow», curated by Paul Luckraft, and part of the Zabludowicz Collection's «Invites» series — Ireland uses ubiquitous everyday items, a mainstay in the language of his sculptural installations: burger cartons, shoelaces, cable ties, breeze blocks, plastic bags and fluorescent tubing are all utilised.

With SPREAD funding, I want refine the language of abstraction articulated in my recent ceramics, and expand my sculptural practice from objects to environments, through larger works and new installations.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

In it the writer and curator questions the value of «doing» in favour of a sort of «undoing», which in Diagonal Z Jeans, Olabarrieta takes further by emptying these actions and objects of their function and developing a new «sculptural semi-abstract language» from all the confusion.

In 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formation.