Sentences with phrase «new sense of history»

The spirit of Marfa is unlike anything else in the region, with its aging and antiquated town and powerful yet comparatively new sense of history and purpose.

Not exact matches

Unfamiliar Territory Several speakers shared a sense that we're at the dawning of some new age in terms of technology, of ethics, and of human history.

It has taken years to digest this material and make sense of it, but new and striking findings have made it possible to rewrite the history of what has come to be know as the Terror, or the Great Purge.

One response to this situation is to understand Christianity as the creation in history of a new and in some sense final mode of human existence.

The Kingdom of God which Jesus proclaimed, and which he may have sensed as dawning in his own ministry, was the Kingdom of this kind of God and was to be realized in a new history.

There is reason to think that such a conceptuality can make more adequate sense of the possibility of new beginnings and new creations in history than a pure humanism can.

Three major themes are rooted in Judaism without which Christianity, especially at this moment in the life of the church, would be adversely, perhaps fatally, affected: the Jewish sense of history as God's arena, the Jewish passion against idolatry, and the Jewish background which illumines the New Testament.

While Paz's approach seems somewhat cumbersome, he is, after all, not only presenting a picture of a 17th - century Mexican nun; he is also in a sense rewriting the history of the Counter-Reformation church in New Spain.

The history of art is, in one sense, the story of the effort to keep searching for new ways to bring together the most different elements imaginable.

Some of us who have no deep learning in history, but yet a sense of history, found that assertive title — The New Theology — a little ominous.

In deep communion there is a transcendence of time and history in one sense, namely, the past takes on a new character relative to the present.

In his celebrated «Answer to an Inquiry of the Protestant Consistory of Brandenburg» (1919), the 33 - year - old pastor made it clear that he believed a new age in Western history was dawning, and that this age would be, in some sense, socialist.

The surge decades of pop history were characterized by the emergence of new subcultures and an overall sense of forward propulsion.

This investigation is so thorough, the emerging history of tradition so convincing and the application of what we have called the criterion of dissimilarity so careful, that we feel no need to do more than quote Bultmann's conclusion: «All these sayings contain something characteristic, new, reaching out beyond popular wisdom and piety and yet (they) are in no sense scribal or rabbinic, nor yet Jewish apocalyptic.

These interpreters take the third meaning as normative and assert not only that Jesus expected the imminent and catastrophic end of history and the present world and God's establishment of a new order in which his righteous purpose would be perfectly fulfilled, but also that whenever he spoke of the «kingdom of God» he used the phrase in that sense and in that sense only.

The class outlines include religion (often based in Bible study), morality (frequently centered in Victorian virtues) and social problems (heavily laced with metaphysical views of Indian cultural history) These topics are being woven into a new mix which includes a dedication to an interfaith sense of the urgent need to reconstruct the spiritual and moral values of the nation.

With biblical «conservatives» he shares reverence for the sense of the given text, the «last» text.8 He is not concerned to draw inferences from the text to its underlying history, to the circumstances of writing, to the spiritual state of the authors, or even to the existential encounter between Jesus and his followers.9 Indeed, Ricoeur, in his own way, takes the New Testament for what it claims to be: «testimony «10 to the transforming power of the Resurrection.

In a sense every new philosophical position requires a reinterpretation of history.

As a second observation concerning our newly awakening sense of the Earth, we could say that a new phase in the history of the madonna figure of Western civilization has begun.

Thus I should say that if the story of Jesus» life had been told just as it seemed — and in a sense was — at the time it was occurring, that story would not have been adequately or truly told or that life was a part of a supremely significant, a divine event, the event through which God, the Creator and the Ruler of all nature as well as the Lord of history, was entering into man's life with new redemptive power; but that fact was not grasped clearly, if at all, till the event had reached its culmination in the resurrection, the coming of the Spirit, and the creation of the community.

The second challenge to what many commentators are now calling America's «holiday from history» came, of course, on September 11, 2001 — a day of infamy that, in a very real sense, marked the beginning of a new century and a new millennium.

Buber — who was, in an elevated sense, a pragmatic realist — worked continually for these aims and insisted that the new «political enterprise» (the State of Israel) was normatively subordinate to the «religious idea» (Zion), and «that as long as such a reality [i.e., the idea of Zion] lives, history should be responsible to it rather than that it should be responsible to history» (preface to Israel and Palestine: The History of anhistory should be responsible to it rather than that it should be responsible to history» (preface to Israel and Palestine: The History of anhistory» (preface to Israel and Palestine: The History of anHistory of an Idea).

Speaking of The hidden history of Christianity in Asia, John C. England, a church historian from New Zealand, rightly points out that unfortunately only a few churches in the region have retained a strong sense that their history began in the early century of Christian era.

«Coupling MGM's rich legacy of hospitality and entertainment with Sydell Group's expertise in creating hotels that cultivate a strong sense of place will result in a destination that both celebrates the history of Las Vegas and ushers in a new era.»

In the midfield, (including RWB & LWB) we have a whole bunch of tweeners... none offer the full package, none make sense in our manager's current favourite formation, except for Sead on the left and Ox on the right, and all of them have never shown any consistency for more than a heartbeat... Sead, who I'm including in this category because of our present formation, looks like a positive addition, minus his occasional brain farts, but I would rather see what he could do in a back 4 before making my mind up... Ox, who has never played better, which isn't saying much considering his largely underwhelming play in previous seasons, seems to have found a home in this new formation; unfortunately, can we really expect this oft - injured player to handle the taxing duties that come with said position over the long haul, not to mention, it looks like he has no intention of staying... Ramsey has relied on the empathy that stems from his gruesome injury years ago and the excitement that was generated a few years back when he finally seemed to put in altogether, but on the whole he has been a big disappointment (neither he nor the Ox have scored enough to warrant a regular spot)... Wiltshire should be put on a weekly contract then played until he suffers his first injury, if and when that occurs he should be shipped - out and no one should very be allowed to say his name on club grounds ever again... Elnehy & Coq are average players who couldn't make any of the top 7 teams currently in the EPL... both have showed some great energy on the pitch, but neither are top quality and no good team can afford to have that many average players on their bench playing the same position, especially with Coq's injury history / discipline concerns and Elheny's headless chicken tendencies... as for Xhaka, his tenure here so far has been incredibly underwhelming... we know he has some skills to provide the long ball but his defensive work is piss poor and he gives the ball away too cheaply and far too often... finally, the enigma himself, Ozil, so much skill with his left foot but his presence has been more frustrating than uplifting... in many respects his failure has been directly related to the failure of this club to provide him with the necessary players up front, minus Sanchez of course, and unless something drastic happens very soon his legacy will be largely a negative one (much like Wenger's)

(A fault of New Labour was that, in 1996 - 97 it was sometimes good at broadening the sense of who was included in the nation to bring in those Tebbit seemed to reject, and its critics may not realise that this was important at the time, yet it also seemed to think it needed to reject those with an attachment to tradition or history to do so in the name of perennial New - ness.

«In some sense it is an eerie return to some of the histories of the novel written by Victorians themselves, which tended to single out Austen and Scott as progenitors,» says Nicholas Dames, chair of the department of English and comparative literature at Columbia University in New York.

The new discovery, reported Aug. 31 in the journal Cell by King's lab and the lab of Jon Clardy at Harvard Medical School, suggests that choanos «eavesdrop» on bacteria to make sense of their environment and regulate their life history.

NEW YORK (Reuters Health)- Cigarette smoking and a family history of alcoholism both alter how women perceive sweet foods and what foods they crave, according to studies conducted by two researchers from the Monell Chemical Senses Center in Philadelphia.

The stencils, labeled New York, Boston, Georgetown, Delaware and Chicago, date back to 1830, and bring a sense of history into the space.

An index of Winner & co.'s sense of film history: at the world premiere of the new Rudy Montague (Rudolph Valentino by way of Ron Leibman) picture, the image on the screen is blocked - up, ultracontrasty, and scratchy («Gee, didn't old movies always look like that?»).

Sarah Polley doesn't just understand this slippery sense of personal truth, she opens a throbbing vein of her own history in the stunning new documentary Stories We Tell.

I came across the new Senses of Cinema too recently to have sampled much beyond their «Special Dossier» on the cinematic history of Tasmania, but even that's provided several articles of interest, including Jeannette Delamoir's history of the now mostly - lost silent Jewelled Nights (whose star and chief creative force, Louise Lovely, claimed she here innovated the shortcut of using shots of ship's funnels and locomotive wheels to stand in for long voyages); director John Honey on the making of the state's first self - produced feature, 1980's Manganinnie; and two looks at the island's most famous son: Robert de Young on how Tasmania's wildlife and raging seas formed Errol Flynn, and Adrian Danks on the star's superb collaboration with Raoul Walsh.

There's a new interview between Leigh and musical director Gary Yershon, Leigh's short film A Sense of History (1992), deleted scenes, and trailers.

New modes of communication and sense making have come and gone, she says, and «proclaiming the virtuousness of one way of forming a «j' over others is a trope that occurs throughout handwriting's history.»

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Because I have a whole range of interests (and I'd like to think a well - developed sense of humor and fun), I have also authored a «brief history of disco / dance music» called HOT STUFF, and a collection of my newspaper columns and feature articles focused on eastern Connecticut (sometimes nicknamed «the other» — poorer, working - class, more rural and typically «New England» — Connecticut) called TOUGH LOVE.

So it makes sense that Rana Dasgupta would set his new novel here: Solo is the story of a 100 - year - old Bulgarian man, who happens to be an amateur chemist with an ad hoc lab in his apartment, reflecting on his life as it was shaped by the huge, transformative, uncontrollable forces of history.

Diane Ackerman is the author of two dozen highly - acclaimed works of poetry and nonfiction, including New York Times bestsellers The Zookeeper's Wife, A Natural History of the Senses, The Human Age, and Pulitzer Prize Finalist, One Hundred Names for Love.

By making successful and poor investments, sitting on boards, and paying attention to investment history, a great investor builds a rich foundation of prior outcomes from which he can make sense of new opportunities and make informed decisions.

Likewise, Sonic has shared many of the same adventures, but in his own sense and I think that Nintendo and Sega can utilize the characters shared history to create a new collaborative adventure.

Every level is new, but the game retains the charm, sense of wonder and beauty in line with Mario's history.

The behind the scenes video doesn't show off any new gameplay, but it does provide a better sense of Sucker Punch's approach to the game's open world and the history the creative team is pulling from.

There's the growing sense that the industry as a whole, from small teams like Yacht Club and WayForward to larger firms like Nintendo and Capcom, is beginning to fully appreciate the richness of a relatively new medium's history.

It gives a sense of familiarity and history to a new product line.

«A keen sense of history pervades their work, even as they are involved in forging new ways to consider identity, nationality, technology, community and genre.

Af Klint is now finally credited with making the first non-objective painting in the Western fine - art tradition, and it is both her grand imagination and sense of purpose, and the idea of how histories are and can be constantly re-written, that has informed and inspired McElheny's new works.

His publications include Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996; second edition, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954 — 1962 (2014), among others.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.