Sentences with phrase «new social object»

I'm also interested how you would approach a case when the context does not favor the introduction of a new social object.

In the last year, you and your spouse have acquired three beautiful new Social Objects: The marriage, the firstborn, and your own new family.

Not exact matches

A new series of studies by academics at Royal Holloway, University of London and at University of London College found that people who have social power are strongly influenced by internal body cues stemming from their motor system when making judgements about preferences of paintings, objects, movements or letter sequences.

To illustrate, this talk will focus on infants» knowledge of objects, agents, and social beings, and on two new systems of concepts that emerge quite suddenly at the end of the first year: concepts of objects as kinds whose forms afford specific functions for action, and concepts of people as social agents whose mental states are shareable experiences of the things they act upon.

Players can reset the controller buttons for any object and change the rules to any level through an ability called Direct Control and new multiplayer abilities advance the types of games possible for a social / competitive experienceâ $» imagine racing games, flying games, shooters, puzzle games, sports, action / adventure, and more.

See also minutes of a 1970 meeting of the Woodside Housing Tenant Council, in which middle - class tenants objected to the declining social class of new residents, and unsuccessfully beseeched the Housing Authority to reinstitute home visits to applicants.

A wider exposure to new people, dogs, objects and places will help Fido hone his social and adjustment skills.

We will work on behaviors such as loose leash walking, social walking, crossing streets, seeing new objects, climbing up on objects, giving attention to handler, and other behaviors which make dog walking enjoyable for all.

This class will test your dog's knowledge of basic social skills and add some new ones such as; pick up things you drop, turn off / on the lights, carry objects, and self - control exercises.

As museums ponder ways to lure people from their little screens and social media apps to see some real art, the Cleveland Museum has a new strategy involving giant screens with lots of apps — with the express purpose, that is, of engaging with real objects in its collections.

Suddenly you are awash with a whole new pile of Social Objects.

Another video our new company, Social Object Factory did for Rackspace at SXSW..

Jesus, Church, The Bible, the Church Picnics, the choir rehearsals, the Christmas fund drive, the cookies and coffee after the 11 o'clock service, yes, all of them are Social Objects for you and new friends to share.

How long before every social object has at least one «Like» in the new -LSB-...]

If I had one big insight from the last year, is how The New Marketing has everything to do with how your product or service acts as a «Social Object».

Everything Is Happening At Once includes new and recent work that cuts across conventional notions of the scale and status of the photographic object, opening up its potential to represent cultural, social and physical realities.

In this new body of work consisting of sculptures, works on paper, and video, Ward articulates a dialogue surrounding the idea of support — physical, spiritual, social, and judicial — while introducing contemplation of everyday objects.

New Marketing, Social Objects, Social Markers and Social Gestures.

She explores the possibilities of performance art as a way to continue her research on the relationship between people and objects, and to further investigate the commoditization of culture, assimilation, and how cultural meaning is transformed in the multicultural urban environment and is absorbed into new social contexts.

We're adapting how we connect to one another and also constructing new roads for sharing, filtering, and ranking relevant social objects.

Jesse Butcher mines texts and objects to create new visual forms and provide social commentary on hegemony.

In the undulation of data fluxes, Datumsoria as well implicates that the politics of the real no longer only lies in the sphere of actual bodies and social sites recognized in the form of the traumatic and abject subject as the predominant contemporary experience and object of artistic inquiry but also alludes to how grasping this new reality of bits and bytes is as ethically imperative as it is epistemologically fundamental.

Rowland first gained traction with his 2014 show at ESSEX STREET gallery, «Bait, Inc,» where the New York - based artist showed a series of found and made objects that illuminate some of the social injustices embedded in everyday tools.

This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.

The Pulitzer, in collaboration with the George Warren Brown School of Social Work at Washington University in St. Louis, has organized programs that build upon Matta - Clark's desire to imbue abandoned objects, buildings, and parcels of land with new meaning.

This curated exhibition of new work by our current 3D Design students will explore how today's most pressing challenges — such as social and economic inequalities, rampant material consumption, and environmental degradation — can become subjects for critical and poetic reflection in design objects.

The fiercely un-curated show blurred the boundaries between art and real life: the store, consisting of readymades and multiples, proved that the distance between artworks and everyday objects is established by the art market, and the 24/7 access suggested new forms of social interaction.

Yes, TV commercials can be social objects [«Dude, did you see that crazy new Progressive Insurance commercial?

In his new exhibition at Jay Jopling's White Cube, Theaster Gates takes a turn away from explicit social meaning, and lets the objects speak for themselves.

Her curatorial projects include Immune Stability, a collaboration between Amalia Ulman and Lauren Elder, Steve Turner Contemporary, Los Angeles; Maybe New Friends, a social media satire viewable on American Medium TV; Art Object Culture, Cirrus Gallery, Los Angeles and Rhizome ArtBase.

In addition to the traditional galleries in the Main Section, the fair will also invite 19 galleries to present solo projects by artists under the age of 35 in New Proposals, 21 galleries presenting work that confronts social identity in the world in Zona MACO South, 6 galleries focusing on Modern Art, and 22 galleries that fuse art and design by presenting limited editions of utilitarian objects.

This is not a new story: artists have been gathering from the streets and use the original source to make new work since maybe a hundred years, since the rise of a social system that throws away and keeps buying; the replaced object is usually a different quality, a different material and design to the previous.

The human body as subject matter became increasingly scandalous and provocative in the post-war climate, whether in Hans Bellmer's dark surrealist masterpiece Les Jeux de la Poupée, Allen Jones's typically fetishistic Waitress I, or for the body's new role as a medium of experience, object of analysis, and tool of social protest through performance, seen in the Aktionism of Gunther Brus (Patent Merde).

By incorporating a selection of memorabilia and design objects into the works that reinterpret the Interlocking Sculptures, the project expands this notion and approximates new aspects in which the formal becomes historical, whilst the exhibition itself becomes a sort of stage linking the aesthetic to the social and political.

The same year, objecting to a work that exposed New York slumlords because the museum was not a proper place for social and political activism, Mr. Messer canceled a show by Hans Haacke shortly before it was to open, leading to accusations of censorship.

In their own manner, these artists inquire the notion of a recycled object, its social, economic and political value, in order to offer new systems of vision and communication.

Known for deftly employing found objects that speak to African - American experience, urban communities, social issues, and politics, Ward presents a new series of sculptures in his first institutional show in New Yonew series of sculptures in his first institutional show in New YoNew York.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Combining and reconfiguring familiar objects into new material forms, Wermers addresses the structures of ritualised social relations and the material objects through which these associations are communicated.

The general philosophy of social objects (conversations / context around objects) is inspired from Bronislaw Malinowski's his observations on Kula, a ceremonial exchange system conducted in Papua New Guinea.

Hans Richter, Still from Filmstudie, 1926 35 mm film transferred to video (black and white, silent) March 19 — June 23, 2008 This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, -LSB-...]

This exhibition includes examples from ongoing bodies of work such as Cosmic Slops, The New Negro Escapist Social and Athletic Club, recent shelf sculptures featuring found objects, early examples of his photographs, and a special commission that will cover a gallery floor.

One of his new shticks is business cards for selected influencers, pushing the social object angle.

«Although software controls in Second Life are supposed to require that an object obtain permission before animating an avatar, it is not difficult to imagine a situation where a combination of skillful scripting and social engineering could lead to one user's control of another (unwilling) user's avatar, particularly if the victim is new to virtual worlds and unfamiliar with the often bewildering array of controls, dialog boxes, and objects.»