Sentences with phrase «new solo effort»

Two years and a gallery switch later, the pop surrealist, street artist and culture jammer is back — in the streets as well as indoors with Skin Deep: Post-Instinctual Afterthoughts On Psychological Portraiture, his new solo effort (previewed) at Lazarides Gallery in London.

Not exact matches

Weston's newest project is his first solo music effort simply titled «Wes Cage».

The Los Angeles critics also gave Gerwig, whose film is her first solo directorial effort, its «new generation» award.

Now, after a decade of research, writing and rewriting, Caldwell is back with a solo effort, a new novel that promises to live up to The Rule of Four.

This month Scharf will be unveiling two prominent new efforts that will take his impishly playful, cartoonish style in different directions: a solo show at Paul Kasmin Gallery (April 4 — May 4) debuting a new series of squiggly monochromes that tackle one of the more austere schools of painting, and a Munch-esque blue sculpture of a screaming cartoon head at the Standard Hotel by the High Line.

Until now, his efforts have mostly been seen in New York in solo shows at commercial galleries.

In her first New York City solo exhibition, Raman looks at the most available body, her own, in an effort to locate herself in the here and now; and opens it up to performativity of gender.

Playful yet very much attuned to a notion of found beauty, these sculptures ($ 5,500 for the cheese ones, $ 6,000 for the basketball) were the most recent efforts by Chiappa, who on the side does high - profile design work — his company built the store Moss in New York — and who currently has a solo show at MASS MoCA running through next spring.

Pipilotti Rist's current solo exhibition at the New Museum, entitled Pixel Forest, incorporates video, light, and technology in a multi-media effort to help New Yorkers relax.

Opening tomorrow night, May 19th, the exhibition will mark the first solo effort by the New York contemporary heavy weight with the blue chip LA institution, presenting a brand new body of paintings to be complimented by a selection of classic works from a range of -LSB-.New York contemporary heavy weight with the blue chip LA institution, presenting a brand new body of paintings to be complimented by a selection of classic works from a range of -LSB-.new body of paintings to be complimented by a selection of classic works from a range of -LSB-...]

Jones celebrated his first museum solo show last night when he debuted new ambitious works in his site specific installation Unbound big huge congratulations to Samuel and the great effort that went into this show!

Solo Exhibitions 2018 «Material Longevities», Galeria Francisco Fino, Lisbon (upcoming) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell», Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Brussels 2016 «Register», T293, Rome 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Brussels 2015 «Capitol Complex», Appleton Square, Lisbon 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, London 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Brussels 2013 «Pebble Dash», T293, Rome 2013 «Capitol Complex», Jan Mot, Mexico City 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaboration with Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Naples 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlin 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Paris 2009 «Tris Vonna - Michell», Tensta Konsthall, Stockholm 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Brussels 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, London 2008 «Auto - Tracking», Kunsthalle Zurich 2008 «The Trades of Others», T293, Naples 2007 «Tall Tales and Short Stories», Cubitt, London 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Brussels 2006 «Down the Rabbit - Hole», Milliken Gallery, Stockholm

Her last solo effort in New York was in 1984 at women's collective and exhibition space A.I.R. Gallery.

Sixteen of these paintings and one etching appear in «At the Well,» a solo exhibition opening Thursday at David Zwirner Gallery, part of Mr. Rauch's efforts to make himself better known in New York and outside Europe after a 2007 show at the Metropolitan Museum of Art.

Anthony Campuzano, a Philadelphia - born - and - based Tyler School of Art graduate who has had one - person shows in New York and elsewhere (including Philadelphia's ICA), is showing his recent efforts in a solo show at Fleisher / Ollman, the gallery that has represented him from the beginning of his career.

Contributed by Sharon Butler / In his first solo show at Greene Naftali, Peter Halley contends with the new American reality of an increasingly shameless and authoritarian state under which, despite the best efforts of an overstretched free press and an embattled political opposition, the difference between fact and fiction has become increasingly obscured.

Baseera Khan's iamuslima at Participant Inc., her first solo exhibition in New York City, presents work that, at least in part, challenges such sardonic views in an effort to excite, complicate, and open dialogue about Muslim femininity and by extension Islam.

Esteemed for both her solo artistic production and her maverick efforts to champion creative forms that are «vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content,» she has been described by New York Times critic Holland Cotter as one of «the half - dozen most important people for art in downtown Manhattan in the 1970s.»

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