Sentences with phrase «new solo music»

Not exact matches

RELEVANT looks at the music of Sigur Ros» Jonsi, who has a new solo album.

Hip - hop diva Kelis discusses her life and career in music, from the early days with various bands in New York to the launch of her solo career with the single Caught Out There, which established her as a leading light on the music scene.

Weston's newest project is his first solo music effort simply titled «Wes Cage».

Steven Tyler: Out on a Limb: An intimate portrait of rock icon Steven Tyler as he embraces the challenges of shifting gears, both as a solo performer and in a new genre of music.

Covering about sixty years of music history, 20 Feet From Stardom comes to a bittersweet ending, as these women variously find success on solo terms, retire from singing altogether, or find that there simply isn't that much backing vocal work required in the new age of auto - tune and multi-tracking.

Factory) Frank Sinatra had hosted variety specials and even a TV series in the fifties but his 1965 Frank Sinatra: A Man and His Music ushered in a new kind of television special: the mature, confident, at times even swaggering saloon singer and balladeer in a solo showcase revisiting the songs that defined his career.

The complimentary restaurants include many that are new to Norwegian Cruise Line such as Manhattan Room, reminiscent of an elegant supper club complete with music, dancing and entertainment; O'Sheehan's Neighborhood Bar & Grill, serving American favourites, Spice H20, serving Latin and Asian - influenced cuisine; the Studio Lounge, serving snacks and light fare to solo travellers and Epic Club, the exclusive dining venue for Norwegian Epic's Suites and Villa guests.

I try to upload new music on my phone before I set out on a solo holiday, and before I know it, I'm building new associations between places I haven't seen before and songs I haven't heard before.

Rock Band 4 builds on the core gameplay people love, with brand new features, including game - changing Freestyle Guitar Solo gameplay that allows players to craft their own face - melting and truly original guitar solos as well as over 1600 playable tracks available for purchase on the Rock Band 4 Music Store.

This time I made a conscious decision to present the audience with a new interpretation, one involving a chamber music arrangement and solo piano performance.

Tokyo, Japan (guitars, saxaphone) Los Angeles, CA (percussion overdubs, music arrangement / orchestration / copying) San Juan Capistrano, CA (guitars, synth overdubs, pre-mixing) Hollywood, CA (final mastering) San Francisco, CA (final mixing, electric bass & acoustic guitars) Denver, CO (electric bass & guitar) Atlanta, GA (pro-tools sessiion & pre-mixing) Philadelphia, PA (certain orchestral percussion overdubs) New York City, NY (lead vocals & solo flute) Paris, France (vocals / choir) Prague, Czech Republic (orchestra & choir) Dubia, UAE (pre-mixing, music prep) Santiago, Chile (live music & audience recording) Sao Paulo, Brazil (live audience recording) Lima, Peru (live audience recording) Buenos Aires, Argentina (live audience recording) Toronto, Canada (pre-mixing & recording prep) Washington, D.C. (Chrono remix with BT, vocals) The Netherlands (partial orchestral arrangement) Musical Special Guests!

In 2005, Martin's classical music performances included, in January, performing solo recitals at Chapman University and for the Foothill Philharmonic Society, in February, winning second place in the Cleveland Institute of Music Darius Milhaud Society competition, in April, performing at Pianofest in Chagrin Falls, Ohio, performing at the American Liszt Society Festival at the University of Nebraska - Lincoln, performing at the Arts Orange County Awards at the Balboa Bay Club in Newport Beach, California, in June, performing a solo recital as part of the Keyboard Guest Artist series at the Cal State University, Long Beach, in July and August, attending Pianofest and performing in Pianofest concerts around the Hamptons in Long Island, New York, in October, performing at the CIM Ernst Bloch Society and performing for the Youngstown Music Teachers» Association of Ohio, and in November, performing at the Country Club in Pepper Pike, music performances included, in January, performing solo recitals at Chapman University and for the Foothill Philharmonic Society, in February, winning second place in the Cleveland Institute of Music Darius Milhaud Society competition, in April, performing at Pianofest in Chagrin Falls, Ohio, performing at the American Liszt Society Festival at the University of Nebraska - Lincoln, performing at the Arts Orange County Awards at the Balboa Bay Club in Newport Beach, California, in June, performing a solo recital as part of the Keyboard Guest Artist series at the Cal State University, Long Beach, in July and August, attending Pianofest and performing in Pianofest concerts around the Hamptons in Long Island, New York, in October, performing at the CIM Ernst Bloch Society and performing for the Youngstown Music Teachers» Association of Ohio, and in November, performing at the Country Club in Pepper Pike, Music Darius Milhaud Society competition, in April, performing at Pianofest in Chagrin Falls, Ohio, performing at the American Liszt Society Festival at the University of Nebraska - Lincoln, performing at the Arts Orange County Awards at the Balboa Bay Club in Newport Beach, California, in June, performing a solo recital as part of the Keyboard Guest Artist series at the Cal State University, Long Beach, in July and August, attending Pianofest and performing in Pianofest concerts around the Hamptons in Long Island, New York, in October, performing at the CIM Ernst Bloch Society and performing for the Youngstown Music Teachers» Association of Ohio, and in November, performing at the Country Club in Pepper Pike, Music Teachers» Association of Ohio, and in November, performing at the Country Club in Pepper Pike, Ohio.

in January, performing solo recitals at Chapman University and for the Foothill Philharmonic Society, in February, winning second place in the Cleveland Institute of Music Darius Milhaud Society competition, in April, performing at Pianofest in Chagrin Falls, Ohio, performing at the American Liszt Society Festival at the University of Nebraska - Lincoln, performing at the Arts Orange County Awards at the Balboa Bay Club in Newport Beach, California, in June, performing a solo recital as part of the Keyboard Guest Artist series at the Cal State University, Long Beach, in July and August, attending Pianofest and performing in Pianofest concerts around the Hamptons in Long Island, New York, in October, performing at the CIM Ernst Bloch Society and performing for the Youngstown Music Teachers» Association of Ohio, and in November, performing at the Country Club in Pepper Pike, Ohio.

Recent solo and two - person exhibitions include Pommel and Six - Thirty at Jack Hanley Gallery, 8.30 at And Now in Dallas, and Music Stand at Eli Ping, New York.

Explore the world of William Merritt Chase in this montage from the exhibition set to waltz - like music for solo piano by Victor Herbert, a popular figure in New York City's musical scene in Chase's day.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

Selected solo shows include: Persona, Mac Val - Paris, France (June 2016); Music for bird, Art Center le Quartier, Quimper, France (2016); Almost a Kiss, Tracy Williams Ltd, New York, USA (2015); Fêlure, Manifacture Terramica, Nove, Italy (2013); Seuils, Fondation d'Entreprise Ricard, Paris, Francia (2012); Swing» nd Roll & Bubbles, CRAC Languedoc - Roussillion, Sete, France (2012); Space Oddity, Passages / Centre d'Art Contemporain, Troyes, France (2012).

Recent solo projects have been presented at the Bergen Kunsthall, Norway (2014); South London Gallery (2014); The Museum of Modern Art, New York (2011); the PERFORMA Biennial (2011); the Ultima Contemporary Music Festival, Oslo (2010); the Liverpool Biennial (2010); and the Whitney Biennial (2002 and 2008).

EDUCATION 1988 - 90 MFA, Tulane University 1985 - 86 BM Loyola University 1970 - 72 Berklee College of Music EMPLOYMENT HISTORY 1990 - present Profeessor of Saxophone Loyola University 1987 - 90 Instructor of Music Theory Tulane University 1987 - 88 Instructor of Saxophone Loyola University SELECTED SOLO EXHIBITIONS 2018 Books Transposed, Jonathan Ferrara Gallery, New Orleans, LA 2017 Open Call, Contemporary Arts Center, New Orleans, LA 2017 Art of the Book, Seager / Gray Gallery, Mill Valley, CA 2017 Codex Book Fair & Symposium, Craneway Pavilion, Richmond CA

Her recent inclusion in the traveling exhibition «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» has changed that, and in her New York solo debut at Bridget Donahue, «Sound Talisman,» Ms. Alvarado is a painting star.

The latest solo exhibition Silence of the Music at Lehmann Maupin gallery in New York was conceived as a site - specific, where each of the five rooms had a unique selection of paintings and objects covering the walls, from the floor to the ceiling.

Solo exhibitions) Staempfli Gallery, New York City, 1960, 1962, 1964, Hansen Fuller Gallery, San Francisco, 1968, 1969, 1971, 1972, 1974, 1978, What Is Not Music?

Recent solo and two person exhibitions include; «Music Stand», Eli Ping Frances Perkins (New York), «Rich With Nothing», Hungry Man Gallery (San Francisco), «YESWAY», Carhole (Portland).

For his fifth solo exhibition at Marianne Boesky Gallery, New York, the artist has created an exhibition that is dominated by a sinewy floor - based installation, which evolved from drawings within Heikes's Music for Minor Planets series.

Carrie Mae Weems joins ART21 at the Brooklyn Academy of Music, Jeff Koons drops by The New School, Allan McCollum prepares for a solo show, and more in this week's roundup.

Ahead of their first major museum solo show at MCA Chicago in June, the Ho Chi Minh City - based collective presents a new show including The Living Need Light, The Dead Need Music (2014), a video work that blends documentary and reenactment in a musical meditation on funeral rites.

Her love of music is apparent in the 2010 solo exhibition, Put A Little Sugar in My Bowl, which showed at Susanne Vielmetter Projects in Los Angeles and at Lehmann Maupin Gallery in New York.

Recent solo and two - person exhibitions include Elizabeth Jaeger at And Now, Dallas, Six - Thirty at Jack Hanley Gallery and Music Stand at Elil Ping, New York.

Jacob Feige's work has been exhibited in solo exhibitions at Rule Gallery, Denver, Lombard Freid Projects, New York, and Movement, Worcester, UK, with other exhibitions at Chambers Fine Art, Beijing, China, Watergate Gallery, Seoul, Korea and the Brooklyn Academy of Music, among other venues.

The British artist and former Turner Prize nominee pens a poetic, personal essay on the place of music and history in the work of Anri Sala, the Albanian - born subject of a solo retrospective at the New Museum.

Idris Khan's second solo show with the gallery, will consist of two major sculptural installations and a number of new photographic works that interlink seemingly disparate ideas of religion, Minimalism, music and poetry Khan's new body of work has a more formal engagement with the material he appropriates, in order to elicit a kind of lyricism and spirituality using a Minimal aesthetic.

With major solo exhibitions including «All Those Vanished Engines» at MASS MoCA, North Adams, MA (2011 - 2016); «A Bell For Every Minute» on The High Line, NYC (2010 - 2011); «More Songs About Buildings and Bells» at Museum 52, New York (2011); and «Stephen Vitiello» at The Project, New York (2006), the artist has also performed nationally and internationally, at locations such as the Tate Modern, London; the San Francisco Electronic Music Festival; The Kitchen, New York; and the Cartier Foundation, Paris.

Recent solo and group exhibitions and screenings include: «Everything and More», Whitney Museum of American Art, New York (2015); «Palisades», Serpentine Galleries, London (2015); «Cloud Cover», CCS Hessel Museum, New York (2015); «The Importance of Being a (Moving) Image», National Gallery, Prague (2015); Taipei Biennial, «The Great Acceleration», Taipei (2014); «Phantom Limbs», Pilar Corrias, London (2014); «Geographies of Contamination», David Roberts Art Foundation, London (2014) and BAM (Brooklyn Academy of Music), New York (2014).

His recent exhibitions in London in March and April were a solo show at Vilma Gold and a collaboration with Mika Tajima and New Humans for the South London Gallery, where the main space was transformed in into an installation and film set for live performance, music, video and sculpture.

Her projects — often inspired by interest in cultural anthropology, cultural clashes, and music — have been exhibited in both solo and group exhibitions in the United States and Europe, at venues including the Sculpture Center, Art in General, Postmasters, and CANADA in New York; Espace Culturel Louis Vuitton in Paris; Saatchi Gallery and Nottingham Contemporary in Great Britain; Centre for Contemporary Art Ujazdowski Castle and Zachęta National Gallery of Art in Warsaw.

Barry Blinderman, who gave Mr. Pettibon his first solo exhibition, at the Semaphore Gallery in New York in 1986, said that from the start Mr. Pettibon used words in his drawings to hijack our minds» drive to find meaning in images, in something like the way lyrics hijack music.

She makes solo music as New Chance, DJs and organizes events with the Toronto - based collective Boop!

He has had solo exhibitions and presentations at Matt's Gallery, London; SASA Gallery Adelaide, Australia; School of Fine Arts University of Canterbury, New Zealand (2014); Phoenix and Two Queens Gallery, Leicester; Rhubaba, Edinburgh, Scotland; Wysing's Music Festival (2013) and Whitstable Biennale; Outpost, Norwich; Cell Project Space, London; Zabludowicz Collection, London; Circa Site / AV Festival, Newcastle (2013).

For Storey's fourth solo exhibit at Anno Domini he has created a new body of work inspired by the lyrics and music of Bob Dylan.

Sharon Hayes» selected solo exhibitions include Public Appearances, Tanya Leighton Gallery, Berlin, Germany (2013); There's so much I want to say to you, The Whitney Museum of American Art, New York, NY (2012); Habla, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (2012); Elevator Music 20: Sharon Hayes, The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY (2012); 9 Scripts from a Nation at War (collaboration), Museum of Modern Art, New York, NY (2012); focus: Sharon Hayes, The Art Institute of Chicago, Chicago, IL (2011); In the near future, Vancouver Contemporary Art Gallery, Vancouver, British Columbia, Canada (2011), and others.

His extensive exhibition history includes major venues on both sides of the Atlantic that include several solo shows in New York at the Studio Museum in Harlem, Omi International Arts Center, Ghent, and the Brooklyn Academy of Music.

He has had solo exhibitions at venues including D. M. Allison Gallery, Houston TX (2013); The Station Museum, Houston TX (2009); G Gallery, Houston, TX (2007); New Braunfels Museum of Art and Music, TX (2004); Artscan Gallery, Houston, TX (1999 - 2000); Art Car Museum, Houston TX (1999); Museum of Contemporary Art, Washington D.C. (1998); Oakland Museum of Art, California (1997); Project Row Houses, Houston TX (1995); Art Museum of Southeast Texas, TX (1991); Midtown Art Center, Houston, TX (1991); Lawndale Art and Performance Center, Houston, TX (1989); and Hiram Butler Gallery, Houston, TX (1987).

A South African Moment in New York As the first solo museum show of work by black South African photojournalist Ernest Cole hangs at the Grey Art Gallery at NYU, Carnegie Hall prepares its Ubuntu festival of South African jazz, classical, and folk music, which will also feature a program of films by William Kentridge.

Solo exhibitions include Nothing to Learn, Galeria Habana, Havana (2011); Some Information is Now Available, Teck Gallery, Vancouver; Tonel, Miart 08, Milan International Art Fair of Modern and Contemporary Art, Paolo Maria Deanesi Gallery, Milan (both 2008); A Music of The Body, Paolo Maria Deanesi Gallery, Roveretto (2006); Tonel, Gallery Paule Anglim, San Francisco (2002); Some of the Houses, Several Documents, the Rocket, Detour 888, San Francisco; and Tonel: Lessons of Solitude, Art in General, New York (both 2001).

on Maestro Arts inaugurates a brand new gallery space with Alexander Polzin's solo exhibition «Remains — Art, Opera, Music»

Tags: alexander polzin, maestro arts, rachel van walsum, riverside, vikki nelson Posted in Exhibition, London, Members Comments Off on Maestro Arts inaugurates a brand new gallery space with Alexander Polzin's solo exhibition «Remains — Art, Opera, Music»

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, PeNew Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, PeNew Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Penew music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Residential / Special Projects 2015 — Art Dubai (solo Project) Galería Sabrina Amrani, Dubai, Arab Emirates 2014 — Librespacio, Plaza Arcos — NoMinimo Galeria, Guayaquil, Ecuador 2013 — The Drawing Center Viewing Program, New York, NY, USA — Rodeo, Video projection on building façade, Geneva, Switzerland (curated by Karine Tissot)-- Art Lima (solo project), Galería Marilia Razuk, Lima, Peru (curated by Octavio Zaya)-- Zona Maco (solo project), Galería Max Estrella, Mexico City, Mexico 2012 — Arezzo Wave Love Festival, Arezzo, Italy — Art Rotterdam (solo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Repusolo Project) Galería Sabrina Amrani, Dubai, Arab Emirates 2014 — Librespacio, Plaza Arcos — NoMinimo Galeria, Guayaquil, Ecuador 2013 — The Drawing Center Viewing Program, New York, NY, USA — Rodeo, Video projection on building façade, Geneva, Switzerland (curated by Karine Tissot)-- Art Lima (solo project), Galería Marilia Razuk, Lima, Peru (curated by Octavio Zaya)-- Zona Maco (solo project), Galería Max Estrella, Mexico City, Mexico 2012 — Arezzo Wave Love Festival, Arezzo, Italy — Art Rotterdam (solo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Repusolo project), Galería Marilia Razuk, Lima, Peru (curated by Octavio Zaya)-- Zona Maco (solo project), Galería Max Estrella, Mexico City, Mexico 2012 — Arezzo Wave Love Festival, Arezzo, Italy — Art Rotterdam (solo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Repusolo project), Galería Max Estrella, Mexico City, Mexico 2012 — Arezzo Wave Love Festival, Arezzo, Italy — Art Rotterdam (solo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Repusolo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech RepuSolo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Repusolo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Republic

Her work has been exhibited in solo shows at the Museo Nacional Centro de Arte Reina Sofia, MoMA PS1, and White Columns, and included in group exhibitions at the National Arts Club in New York, the Brooklyn Academy of Music, the International Center of Photography, the New Museum, and the Saatchi Collection, among other venues.

A past Marcel Duchamp Prize finalist, Céleste Boursier - Mougenot's work has been presented in major exhibitions by leading museums and galleries internationally, including solo exhibitions at the Barbican Centre (London), Hangar Bicocca (Milan), La Maison Rouge (Paris), Pinacoteca do Estado (Sao Paulo), FRAC (Reims), Chagall Museum (Nice), and a group exhibitions including Art & Music: Search for New Synethesia, Museum od contemporary art, Tokyo, 2012; French art Today, National Museum of Contemporary Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 2009.