The painters Eckhart Hahn, Vincent Wenzel, Daniel Kannenberg, Mikel Glass and Emmanuel Bornstein investigate the domain of a «
new surrealism» as a means of assuaging our existential agitation.
of 3 photography,
new surrealism, nude photography...
Not exact matches
International About Blog Carollyne Yardley, Canadian artist who specializes in
new contemporary movement, squirrealism, pop
surrealism, art, fine art in oil, costume & fashion design.
, the romance of Woody Allen, the confrontational attitude of the
new stand - ups and perfect
surrealism of Martin's own live act.
The collection contains eight
new stories that promise the same combination of
surrealism and insight as those in her striking debut, St. Lucy's Home for Girls Raised by Wolves (2006).
International About Blog Carollyne Yardley, Canadian artist who specializes in
new contemporary movement, squirrealism, pop
surrealism, art, fine art in oil, costume & fashion design.
Motherwell took the haptic magic of the best of dada /
surrealism and the cool hedonism of late Matisse and mixed it up with the high velocity and headstrong lunge for originality that he had absorbed from his
New York painter peers of the 1940s.
New oil paintings on view are filled with dynamic figures that span reality (an upside down figure on a roller coaster) and a sense of
surrealism (a figure lounging on the beach in red flips flops, atop clouds, with some body parts replaced by shapes).
Drawing on the aesthetic traditions of
surrealism, Pop, and minimalism, Fritsch has created something entirely
new.
«The
new series of paintings comprising «Nowhere» continue Esao's haunted and lonely landscapes, portraits and scenes that merge
surrealism with real world emotion along with inanimate objects and anthropomorphized animals -LSB-...]
The rapid and breathtaking succession of avant - garde movements, which invented
new ways of understanding space, are represented in groups of works devoted to dadaism, constructivism, neoplasticism,
surrealism and abstraction - création.
2013 Visiting Artist Lecture Series, Columbia University,
New York NY Performa Institue «GET READY FOR THE MARVELOUS: BLACK SURREALISM IN DAKAR, FORT - DE-FRANCE, HAVANA, JOHANNESBURG, NEW YORK CITY, PARIS, PORT - AU - PRINCE, 1932 - 2013» Conference NYU Steinhardt School of Culture, Education, and Human Development organized by Adrienne Edwa
New York NY Performa Institue «GET READY FOR THE MARVELOUS: BLACK
SURREALISM IN DAKAR, FORT - DE-FRANCE, HAVANA, JOHANNESBURG,
NEW YORK CITY, PARIS, PORT - AU - PRINCE, 1932 - 2013» Conference NYU Steinhardt School of Culture, Education, and Human Development organized by Adrienne Edwa
NEW YORK CITY, PARIS, PORT - AU - PRINCE, 1932 - 2013» Conference NYU Steinhardt School of Culture, Education, and Human Development organized by Adrienne Edwards
Opening: «Hedda Sterne: Machines 1947 - 1951» at Van Doren Waxter One of the few women in the
New York School of artists and poets, a group of post-war American artists that included the Abstract Expressionist painters Mark Rothko and Jackson Pollock, Hedda Sterne was a Romanian - born painter and sculptor who made work that ranged from
surrealism to expressionism between the 1940s and her death at 100 years old in 2011.
The 1940s in
New York City heralded the triumph of American abstract expressionism, a Modernist movement that combined lessons learned from Henri Matisse, Pablo Picasso,
surrealism, Joan Miró, cubism, Fauvism, and early modernism via great teachers in America like Hans Hofmann and John D. Graham.
She has consistently explored
new materials, including glass, video and painting and has frequently mixed diverse techniques and referenced influences seen as contradictory such as expressionism, minimalism, and
surrealism, managing to transmit a polysemous discourse at once refined and ludic.
Utilizing the erotic tension of
surrealism and the stylish veneer of Pop Art, Brooklyn - based artist Emily Mae Smith is constantly seeking
new ways to place her painting into both conceptual art and the history of painting itself.
IT»S LIKE EISENSTEIN PUTTING ONE THING NEXT TO ANOTHER AND CREATING A LANGUAGE THAT WAY, AND IT IS ALSO RELATED TO
SURREALISM AND JUXTAPOSING DISPARATE IDEAS, OBJECTS AND IMAGES JJ: At the same time that I was looking at contemporary work and studying art history I was looking at film — going to Anthology Film Archives [in
New York] and a lot of places that don't exist any more that were showing film in the 1960s and 70s.
These shows and their accompanying catalogues have helped sustain existing interest in American surrealists and have sparked
new interest in American
surrealism on a global scale.
(
New York City, March 10, 2010)-- Michael Rosenfeld Gallery is pleased to present Unconscious Unbound:
Surrealism in America, the gallery's first exhibition in over a decade dedicated to the influence of
surrealism on American figural and abstract art.
This surge of
surrealism, now considered as the genesis of Abstract Expressionism, is explored in Organic
New York, 1941 - 1949.
Witz's real - life
surrealism is a perfect primer for the
new Urban Arts Gallery, offering a far more innovative project arena than traditional walled gallery space.
Whilst Sage captures the absurd through architectural structures and ethereal, enigmatic settings, Lozano's oeuvre is a raw mix of comic book -
surrealism, a deliberate contrast to the sober, minimalist works that were common in
New York in the early 1960s.
Denomie cheerfully admits that as a painter of «metaphorical
surrealism,» he constantly pushes the boundaries as he finds and explores
new and old subject matter.
By the early 1940s the main movements in modern art, expressionism, cubism, abstraction,
surrealism, and dada were represented in
New York: Marcel Duchamp, Fernand Léger, Piet Mondrian, Jacques Lipchitz, André Masson, Max Ernst, André Breton, were just a few of the exiled Europeans who arrived in
New York.
The role drawing played in
surrealism's development is revealed in a
new exhibition at the Morgan Library & Museum.
Street art is, along with
surrealism and steampunk culture, still his source of inspiration, although his
new artworks have more resemblance to the works of Old Masters such as Bosch.
Featuring
new and recent work by six artists from the UK, US, and France — Jonathan Baldock, Genesis Belanger, Matthew Hansel, Matt Lipps, Theo Mercier, and Adam Parker Smith — the exhibition reflects on the legacy of
surrealism in contemporary art while investigating the notion of the uncanny in reference to the history of art.
She eventually invented her own unique dance style that included surreal stage props (like giant hands worn as gloves by the artist), and massive drawings to create theatrical performances that combined Latin - American
surrealism with
New York's signature minimalist approach to dance.
One of the most influential painters to this current generation of artists, Peter Saul continues to explore the medium of pop,
surrealism, political art and comic book fine art in his
new show, «Fake
His prints and drawings from the early thirties represent early examples of
surrealism created in the United States, an astounding achievement considering Castellon produced these inventive, original works before his travels abroad and before the
New York premiere of the Museum of Modern Art's seminal exhibition, Fantastic Art, Dada and
Surrealism.
In their work we see a sustained interest in the advancement of abstract painting, responses to the landscape connected to environmental issues, a continued engagement with
surrealism and the development of a
new kind of non-specific representational narrative painting.
In addition to a 2008 solo exhibition, the gallery has featured his work in several major group exhibitions, including: Aspects of American Abstraction, 1930 - 1942 (1993), Defining the Edge: Early American Abstraction, Selections from the Collection of Dr. Peter B. Fischer (1998), Organic
New York, 1941 - 1949 (2005), and two major surveys of abstract expressionism and
surrealism, in 2009 and 2010, respectively.
The 1940s was a decade of artistic transition; narrative
surrealism as exemplified by Salvador Dalí and Renè Magritte was no longer relavent, and a younger generation of American artists searched for a
new visual language.
Initially inspired by philosophy, Motherwell's commitment to painting was cemented following his move to
New York in 1940, where he was influenced by the principles of
surrealism and his friendship with Roberto Matta; among the highlights here is Mexican Window (1974) which references a trip Motherwell and Matta took to Mexico in 1941.
Though her work shares the unassuming frankness and heady optimism found in the work of the leading First Generation
New York School poets, her art parts company with those poets» sensibilities in that it never traffics in
surrealism, pop culture, fragmentation or collage.
Now no style, no technique or material can pretend uniquely to speak for the times as, for example, abstract expressionist painting did in
New York in the»50s or
surrealism did in Paris in the early»20s.
In contrast with the artist's previous work, which addressed universal political concerns, this
new series returns to the essence of the imagination, an exploration of the subjective and the subconscious that is inspired by
surrealism.
His friend Onslow Ford gave talks on
surrealism at the
New School of Social Research in which he commented extensively on Matta's works.
Stimulating an artistic discourse is important to Pearl Lam Galleries, and while Yinka's
new body of work draws on
surrealism, his work continues to comment on cultural identity, colonialism, and post-colonialism, themes very much relevant to a Singaporean audience.»
In Object with Black (1948), Bischoff had reached a synthesis of the automatism of
surrealism, the heavy, ugly paintwork of Still and the
new lyrical gesture he was developing along with his contemporaries.
The artists will present 30
new paintings on canvas in styles such as
surrealism and abstract expressionism, inspired by artists including Picasso, Salvador Dali, Diego Rivera and Frida Kahlo.
The
new Tate Modern got off to a spectacular start at the dawn of the 21st century with a masterpiece of
surrealism by an artist whose long life connected the art of today with the first modern masters.
«Charles Ly: Humans and Hides» opens immediately before Guild Gatherings with an Opening Reception from 6 to 7 p.m. Presented in the Exhibition Corridor through November 5, 2016, Ly exhibits
new art works that combine design patterns with
surrealism to create a series of intricate drawings and paintings.
Dada and the dawn of
surrealism, [exhibition, the Museum of modern art,
New York, March 14 - May 2, the Menil collection, Houston, May 28 - August 29, the Art institute of Chicago, September 15 - November 30, 1993]
Fantasy and
surrealism get the spotlight in
New York at AFA Gallery of SoHo.
Elizabeth Murray's genre - bending 1998 painting fused abstraction and pop, while drawing on everything from cubism to
surrealism, the comic books she religiously read and drew as a kid in Chicago, and the graffiti she saw plastered across the walls of 70s and 80s
New York.
In the 1940s her
New York gallery was both a vitrine for European
surrealism — a key influence on the American avant - garde — and hosted early shows for Pollock, Rothko, Baziotes and Motherwell.
These artists rejected the prevailing working methods of American artists,
surrealism, geometric abstraction, regionalism, and representation, and created a
new kind of experience of art based on personal gesture, immediacy, painting according to sensation, and direct («existential») engagement with subject matter.
One of the most influential painters to this current generation of artists, Peter Saul continues to explore the medium of pop,
surrealism, political art and comic book fine art in his
new show, «Fake News,» at Mary Boone in NYC.
In the mid-forties the artists of the
New York School gradually stopped evoking classical myths (to which both surrealist artists and the existentialist writers made frequent recourse) and they looked beyond
surrealism toward a subject matter of even more immediate and personal introspection.