Sentences with phrase «new symbolic representation»

Not exact matches

Daniel Ansari, a cognitive scientist at the University of Western Ontario in Canada, says that while the new findings appear to disagree, both studies suggest «that the left parietal lobe is more finely tuned to the symbolic representation of numerical magnitude.»

This process of coming back to your physical balance center with the spine is the symbolic representation of bringing your self back to the present moment in which lay your real work and pleasure of discovering a new manifestation of your eternal soul.

In the three genuine alternative certification states with the largest total populations (California, Texas, and Florida), the index of representation was 0.56, 0.68, and 0.72, respectively, while in the three largest states with a merely symbolic or no alternative certification option (New York, Illinois, and Ohio), the index of representation was 0.38, 0.33, and 0.51, respectively.

Little Mac's inclusion would be symbolic representation of the West due to his archetypical New York persona and the series» success in American markets, but don't let this emphasis deter you from an even more dominant point — Punch - Out!!

In popular representation, the works are understood as «priceless» because of their historical significance, while also inconceivably expensive as evidenced in public market sales; their destruction becomes a symbolic erasure of history, as well as an assertion of a new currency and world order.

Since the artist's acclaimed series featuring Tupperware in the 1990s, Richard Caldicott has continually challenged photographic codes of representation in favor of new aesthetic and symbolic intentions.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

«Some of his thicket - like designs throb with the fervor of an old symbolic representation of the Burning Bush, while others have the formal, explicit robustness of Léger,» Stuart Preston wrote in a New York Times review of a 1962 show.