Sentences with phrase «new text painting»

Gardar Eide Einarsson will be represented by a new text painting rendered in black, white, and gray.

Andrew Falkowski's newest text paintings riff off pop - culture sources culled from junk mail, commercial packaging, magazines, art history and punk songs.

Not exact matches

Examples included swastikas spray - painted on a home, a student receiving a text depicting him in a gas chamber and anti-Semitic graffiti found in a bathroom at State University of New York Buffalo.

His publication of «Concerning the Spiritual in Art» in 1910 (some quotes I took from this text) had a huge impact on other contemporaneous artist in West - Europe, searching for new way in painting.

Even street artist Dan Witz's paintings of people entranced by the glow of their phones, where they could be reading anything from a text to Tolstoy, don't hold a candle to the street style - ish blog Underground New York Public Library.

He also penned the seminal ArtNews article, «Pollock Paints a Picture,» a first hand account of Jackson Pollock's novel drip painting technique (also included in this new volume - along with an interesting new revelation about that text).

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

with text by Ronald Kuchta and Michael Walls) Painting in America: Yesterday and Tomorrow, The Decorative Arts Center, New York, USA (curated by Dave Hickey)

In many of my recent paintings, I am utilizing and playing with scale shifts of the letters, which is a new development from my previous body of work, which used a uniform text size to aid in making an image.

Spanning both galleries and encompassing works in a wide range of media — including paintings, new bronze sculptures, works on paper, neon texts and a video — the exhibition reveals the most recent developments in Emin's intensely personal yet profoundly universal oeuvre.

Joe Wardwell is represented by Fred Giampietro Gallery, New Haven, Ct «My paintings integrate landscape, text, musical allusions, and abstraction to investigate myths about «nature»...

Thomas Chimes: Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette and compositional structures of such modernist forefathers as Marsden Hartley and Henri Matisse and emboldened by the stenographic proto - abstractions of such New York School predecessors as Jackson Pollock and Mark Rothko, Chimes systematically put forth a series of paintings that pressed such experimentations with the limits of figuration into the realm of the theological, the philosophical and the historical.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Known for deconstructing institutional and academic books as a gesture of challenging historical and contemporary power structures, Jones unveils new paintings that incorporate found texts on black history, law and higher education.

Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.

This expanded edition of Panorama includes a new text by Mark Godfrey that covers works made since the 2011 exhibition, including the Strip, Flow and Birkenau paintings, as well as an updated chronology.

1 Gerhard Richter quoted in a letter to E. de Wilde, February 23 1975, cited in Gerhard Richter: Text, Writings, Interviews and Letters 1961 — 2007, Thames & Hudson, London, 2009, p. 92 2 Agnes Martin handwritten note «Comment About the Prints «On a Clear Day», October 15 1975, cited in Arne Glimcher, Agnes Martin: Paintings, Writings, Remembrances, Phaidon, London and New York, 2012, p. 61

2014 Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell, Princeton University Art Museum, Princeton, NJ It's What You Do With What You View»: Selections from the Dorothy and Herbert Vogel Collection, Bowdoin College Museum of Art, Brunswick, ME Art = Text = Art: Works by Contemporary Artists, UB Anderson Gallery, The State University of New York, Buffalo, NY

Glenn Ligon on The Great Bieri Based in New York, Glenn Ligon is critically recognized for his text - based paintings that draw on American history and literature and explore issues of race and identity.

Although Wool pretty much shut down his franchise in text paintings after 1992, there are a pair of late stragglers in the show, one from 1997 and the other from 2000; but the artist keeps changing his tactics, trying new ways of creating «false fronts and psychological stances.»

The text celebrated a new kind of artwork untethered from the traditional frameworks of painting and sculpture, focusing instead on an investigation of «real space,» or three dimensions, using commercial materials and an emphasis on whole, unified shapes.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Murphy creates a new sublime - a form of art that refers to a profound unknowing - by incorporating elements of chance in the form of lines, data, and text in his paintings, drawings, digital works, and LED matrix work.

Text originally appeared in the catalogue for the exhibition Willem de Kooning: Ten Paintings, 1983 — 1985, Gagosian 980 Madison Avenue, New York, November 8 — December 21, 2013.

Drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.

She, like Mitchell, was also involved in the literary community and, in the late 1950s, began embedding text into her Action paintings as part of a collaboration with the New York School poet Barbara Guest.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Mary Boone Gallery, however, will introduce a new path in which text - based expressive paintings read «Watch Out For The Other Guy!»

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

In one of the new landscape paintings, traditional pictorial devices used to suggest depth or perspective are playfully challenged by the use of filmic text or explicit engagement with the flatness of the canvas.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

Although his main studio practice is painting, Kum's incorporation of time based media and text within his practice reflects on multi-dimensional scapes where notions of analog and digital are merged and new realities are presented.

Exposing the enigmatic and mentally unstable modern artist Forest Bess, Gober paints a character sketch of Bess by virtue of paintings, extensive wall texts, archival letters (exchanges between his New York dealer Betty Parsons) and photographs.

Kottie Paloma's new paintings are composed of muted colors and text portraying a rough poetry of daily life in which he describes as abstract narratives leading the viewer into snippets or chapters of a yet to be completed book.

Lucas Zwirner is Editor at David Zwirner Books and has contributed texts to gallery publications, including On Kawara: Date Painting (s) in New York and 136 Other Cities (2012), Raymond Pettibon: To Wit (2013), and Jason Rhoades: PeaRoeFoam (2015).

In a text accompanying the exhibition, Riopelle claimed that only «total chance» could open his painting to new discoveries.

The Turettes Shroud will comprise of new sculpture and text based paintings.

Characteristically translating existing source material to prompt new readings, small sculptures in cardboard and gold leaf reclaim old playground designs, cartoons from The New Yorker are reworked in gouache and a found text is adapted into a new wall paintinew readings, small sculptures in cardboard and gold leaf reclaim old playground designs, cartoons from The New Yorker are reworked in gouache and a found text is adapted into a new wall paintiNew Yorker are reworked in gouache and a found text is adapted into a new wall paintinew wall painting.

Vilma Gold is pleased to present the first UK solo exhibition of work by Markus Vater comprising of new paintings, text work and a video compilation.

By deconstructing historical texts, the Chicago - based artist reimagines new works as patchworked paintings and installations to challenge people's perceptions of authority, exclusion, and equality.

The exhibition titled RB 62 - 08 will include a new major floor piece, several wall text pieces, and paintings.

In her second gallery solo exhibition, Michelle will debut a series of seven acrylic - on - linen paintings that extend her text - based drawings into new figural ground.

The gallery states «drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in the mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.»

Ultimately, however, the rippled, stratified surface of Untitled [black painting with portal form], with its carefully wrought layers of text and paint, moves beyond the gestural vocabulary of the New York School, reflecting the unique syntax explored throughout Rauschenberg's Black paintings of 1952 — 53.

Several artists in the exhibition reject traditional categories of painting and sculpture to explore new modes of art making which result in a plethora of unprecedented aesthetic and critical practices, ranging from industrially produced geometric abstractions, negating the hand of the artist, to text - based investigations.

New York, Solomon R. Guggenheim Museum; Baden - Baden, Staatliche Kunsthalle; and Bremen, Kunsthalle Bremen, Twentieth - Century American Drawing: Three Avant - Garde Generations, January - August 1976; Baltimore, The Baltimore Museum of Art; Detroit, The Detroit Institute of Arts; Chicago, Museum of Contemporary Art; New York, The Metropolitan Museum of Art; Amsterdam, Stedelijk Museum; Paris, Musee National d'Art Moderne, Centre Georges Pompidou; Cologne, Museum Ludwig; and Basel, Kunstmuseum Basel, Barnett Newman: The Complete Drawings, 1944 - 1969, April 1979 - July 1981, pp. 70 - 71, no. 19, illustrated in color and black and white (in different orientations)(Baltimore); n.p., no. 19, illustrated in color (Amsterdam); p. 13, no. 19, illustrated (Paris); p. 13, no. 19, illustrated in color (Cologne); p. 13, no. 19, illustrated in color (Basel) Providence, Rhode Island, Bell Gallery, Brown University; Worcester, Massachusetts, Cantor Art Gallery, College of the Holy Cross; and Southampton, New York, Parrish Art Museum, Flying Tigers: Painting and Sculpture in New York 1939 - 1946, April - July 1985, p. 78, no. 37, illustrated; Minneapolis, Walker Art Center; Saint Louis, The Saint Louis Art Museum; and New York, The Pace Gallery, The Sublime is Now: The Early Work of Barnett Newman, Paintings and Drawings 1944 - 1949, March - November 1994, p. 49, no. 17, illustrated in color and p. 20 (text)

Her New Museum exhibition brings together a selection of recent cutout paper figures, mixed - media works on paper, collaged paintings in beehive frames, a large - scale painted sailcloth, and hand - painted texts on the gallery walls.

Jennifer Bartlett: New Paintings, 1998 Text by Kay Larson 46 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-39-5 A fully - illustrated catalog of Jennifer Bartlett's 1998 breakthrough exhibition at the Locks Gallery in Philadelphia.

Anchored by a large body of new paintings, this immersive exhibition will also include sculpture, floor coverings, video and an accompanying book entitled «You Owe Me a Feeling» with text by David Berman.

Making a name in the New York art scene in the early 1980s, Christopher Wool is best known for his word paintings, white canvases with black stenciled letters spelling out text like «Sell the house, sell the car, sell the kids» (in his 1998 work Apocalypse Now).