Sentences with phrase «new vision of that film»

Now, over 30 years later, he is producing this new vision of that film about a group of teens stuck in a cabin that are subject to an evil curse when one of them reads from the Book of the Dead.

Not exact matches

Sir Andrew has also composed new music for a film version of Evita which, against his better judgment, starred Madonna in the lead role, and has produced his own version of Jesus Christ Superstar on stage and home video that he feels finally, at long last, captures his true vision of the piece.

As the program continues, short films will be released quarterly, highlighting a new voice in film and celebrating the vision of this series.

The new Antenna is pledged to view the cultural context of science in each film, so we are treated to the vision of the vulpine, if affable, Deutsch making toast in his kitchen, and visiting his local pub.

Clad head to toe in Dior, Jennfer Lawrence in a ballerina skirt and fuzzy sweater was an absolute vision at a showing of her new film, Passengers, in Paris this week.

Often reviled in his native United States but worshipped as a genius throughout much of Europe and especially France, Lewis took slapstick comedy to new realms of absurdity and outrageousness, his anarchic vision dividing audiences who found him infantile and witless from those who applauded the ambitions of his sight gags, his subversions of standard comedic patterns, and his films» acute criticisms of American values.

«I think the reason we had such an easy time talking about Lincoln and sharing a vision of Lincoln is that we both agree so deeply [that he] was an incredibly dextrous walker of tightropes,» said «Lincoln» screenwriter Tony Kushner, who joined Spielberg in the director's New York office to talk about the film.

Aside from Wanda and Vision, the only hero not glimpsed here that we know came to Wakanda is Bruce Banner — and several toys for the film have given us hints that it's actually him inside this new Hulkbuster, for a nice bit of irony.

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

New Horizons» favourite Guy Maddin's The Forbidden Room is a matryoshka of a film, where each oneiric vision of hapless submariners or amorous lumberjacks opens onto the next often absurd and surreally comic chapter.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The new «Star Wars» trilogy may showcase the very best that technology can achieve in cinema today — but H2G2 prefers a cheaper - looking (if not cheaper — costing) «Doctor Who» - like ambience, both because it matches Adams» vision of a universe every bit as shabby and makeshift as life on our own planet, and also because it means that the film comes with a nostalgia factor already built in.

Film critic A.O. Scott, in his New York Times review, somewhat (but not entirely) jokingly referred to this new film as an example of a kind of auteurist cinema, in that the aesthetic clearly reflects the vision of one man, director Michael Bay (who also directed the previous three filmNew York Times review, somewhat (but not entirely) jokingly referred to this new film as an example of a kind of auteurist cinema, in that the aesthetic clearly reflects the vision of one man, director Michael Bay (who also directed the previous three filmnew film as an example of a kind of auteurist cinema, in that the aesthetic clearly reflects the vision of one man, director Michael Bay (who also directed the previous three films).

A visually stunning film with a wonderful, almost ambient score to back it up, The New World showcases a very realistic vision of what life must have been like to early settlers in what eventually became known as America.

It is a symptom of Marvel's oppressive world - building that so much of the film's run time is devoted to new characters like the twins, or Vision (Paul Bettany, actually having a face on screen for the first time in the franchise), or Ulysses Klaw (Andy Serkis, a villain for a movie that will not see the light of day for three more years), squeezing the interstitial moments down to little more than an afterthought.

I think our cinematic vision of New York is more informed by Lumet's films than most people realize.

The film noir put out inky tendrils in many existent genres, forever altering even the Western (Anthony Mann, perhaps the most gifted director associated with the new vision, the new mode, also began his remarkable series of James Stewart Westerns in this era: Winchester» 73, The Naked Spur, etc.); and certainly its temperamental affinities to the science - fiction film, a prime manifestation of the McCarthy era, are worth a nod.

Recently topping The New York Times» list of the century's best films, writer - director Paul Thomas Anderson's compulsively fascinating portrait of capitalism and religion at war for the soul of America strives for greatness at every turn — and Day - Lewis recognized that subtlety had no place in such a searing vision.

There is also a new feature length commentary with Adrienne Barbeau, who played Maggie, discussing her memories of the film with director of photography Dean Cundey, who credits Carpenter's vision for being so ahead of its time in even attempting to create a (seemingly large) whole different world on the tiny budget of an independent film.

American Independents Presented by the Lincoln Motor Company: Featuring powerful new voices in American cinema, these fresh, gritty films explore a variety of subjects through the filmmaker's uncompromising vision.

As its plot enters unexpected and twisty territory, it grows ever more difficult to pin down, but the cumulative effect is one of the most indelibly haunting experiences in recent film — a vision powerful, bold and new.

The complete list of PSIFF films, including entries in the Modern Masters section and the New Voices / New Visions competition, can be found at www.psfilmfest.org.

An in - demand destination for film lovers, drawn by unmatched locale and a diverse program of mainstream studio features and new visions from independent voices from around the world, MVFF also hosts an exciting array of filmmaker and industry conversations, panels, parties, and live music performances, featuring the most acclaimed emerging and veteran actors, filmmakers, and musicians of our time.

Funny, introspective, and bracingly clear about her vision as a filmmaker and actor, our talk covered the unusual shooting schedule that allowed the film to show New York City going through actual changes of season, the logistics of getting the crew to Paris, and why keeping secrets from the cast made for a film where each actor could, and was encouraged to, create a universe for his or her character.

The Forum Expanded section will be host to a double bill from experimental film great Ken Jacobs, with a new film Cyclops Observes the Celestial Bodies, a 15 - minute vision of «Cyclopean 3D», screening alongside Orchard Street (1955) which will be presented for the first time in its originally planned half - hour cut.

Word leaked two years ago that José Padilha, director of the new RoboCop remake, was struggling mightily against studio suits to achieve his vision for the film.

Yet, by virtue of the heartfelt strength of Demme's humanist vision, the déjà vu his new film often evokes isn't as much of a drawback as it could have been.

Since our screening of FUDOH: THE NEW GENERATION in 1997, which was the first time Miike's unique vision was shown in North America, no fewer than 29 of his films were showcased at the festival, including such modern classics as AUDITION, ICHI THE KILLER, and VISITOR Q. Miike's work also opened Fantasia three times with YATTERMAN and North American premieres of the Cannes selections FOR LOVE»S SAKE and SHIELD OF STRAof FUDOH: THE NEW GENERATION in 1997, which was the first time Miike's unique vision was shown in North America, no fewer than 29 of his films were showcased at the festival, including such modern classics as AUDITION, ICHI THE KILLER, and VISITOR Q. Miike's work also opened Fantasia three times with YATTERMAN and North American premieres of the Cannes selections FOR LOVE»S SAKE and SHIELD OF STRAof his films were showcased at the festival, including such modern classics as AUDITION, ICHI THE KILLER, and VISITOR Q. Miike's work also opened Fantasia three times with YATTERMAN and North American premieres of the Cannes selections FOR LOVE»S SAKE and SHIELD OF STRAof the Cannes selections FOR LOVE»S SAKE and SHIELD OF STRAOF STRAW.

Despite the film being initially driven by the New Vision (a revolutionary movement of writing that defies rules, boundaries, and authority), Kill Your Darlings looses track, falling into this bizarre, incongruous murder mystery.

There's not word on the vision for this new film but is expected to ignore previous incarnations of the the project.

Emblematic of the festival's initiative to spotlight films on a global scale is its «Global Visions» section, which boasts an array of narrative and documentary films from Japan (Wonderful World End), Brazil (The Second Mother), Germany (Stations of the Cross), China (Red Amnesia), the United Kingdom (Luna), South Korea (A Hard Day), France (Fidelio: Alice's Odyssey), New Zealand (The Dark Horse), and many more countries with exciting, emerging filmmakers and films worthy of our undivided attention.

Their heroes, such as they are, end up locked in an ideological opposition that somehow echoes a deeper, more pervasive tension in American life: the parasitic rivalry between Daniel Day - Lewis's monomaniacal capitalist and Paul Dano's maliciously self - denying man of the cloth in the 19th - century California landscape of There Will Be Blood (07); the uneasy mentorship that Philip Seymour Hoffman's charismatic cult leader develops with Joaquin Phoenix's broken - down vet as they move through the strange, suspended vision of Fifties America in The Master (12); and now, in Anderson's newest film Inherent Vice, the antagonistic buddy romance that emerges between a pothead PI and a shell - shocked, crew - cut detective as each navigates the splintered world of Los Angeles in the early, paranoid Seventies.

Both feature the new half - hour documentary «Forging Through the Darkness: The Ralph Bakshi Vision for The Lord of the Rings,» which traces the career of Bakshi and the unusual production techniques he used to make the film.

According to a report on Heat Vision regarding the shuffling of Vertigo based films to New Line Cinemas, Guillermo Del Toro has exited the long in development Justice League Dark film adaptation.

DreamWorks Studios» president of production Holly Bario added: «It was important to find the perfect locations to help fulfil our director's vision for the film and we couldn't be more excited to be filming in both New Zealand and Australia.»

Lawless Rated R for strong bloody violence, language and some sexuality / nudity Available on DVD and Blu - ray Director John Hillcoat blew me away with his last two films The Proposition and The Road, so I was so excited to see his new vision of prohibition America as three brothers in Franklin County, Virginia attempt to fight off the feds and local law enforcement and defend their right to illegally make booze.

Film Comment's movie showcase returns in its 18th edition with a selection of titles curated by the magazine's editors, offering strikingly bold visions, mixing New York premieres of new films and long - unseen older titles that deserve the big - screen treatmeNew York premieres of new films and long - unseen older titles that deserve the big - screen treatmenew films and long - unseen older titles that deserve the big - screen treatment.

While at New Visions, Dr. Dunetz also led the design of the first public high school to provide pathways to students from underrepresented communities into well - paid «below the line» careers in New York City's television and film industry.

Set in 1926 New York, this film may be one of the most stylish visions of the Harry Potter universe yet!

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

On March 28, 2018, for our series Voices on Art, Art This Week Productions filmed author William Middleton speaking about his new book, Double Vision: The Unerring Eye of Art World Avatars Dominique and John de Menil for Arts & Letters Live at the Dallas Museum of Art.

The layout of the galleries at Urban Arts Space is roughly circular, and sole traditional documentary offering, Gina Osterloh's film New Vision (2012) is encountered either at the beginning or the end, bracketing the exhibition and providing a straightforward counterweight to all of these dense, tightly wrapped works.

From a search for Mexican revolutionary Pancho Villa's hidden treasure and a speakeasy bar in Berlin to a vision quest into the Sonora desert and a trip to the Mayan homelands in Southern Mexico to experience the end of the world, Sarabia's new video / film installation will not only revisit the artist's complex oeuvre but depict how popular culture, personal histories, and ordinary events can be potent metaphors to understand the complexities of moments of cultural contact and exchange.

Congratulations to Leo Gabin on their nomination for the NEW: VISION Award at the CPH: DOX Film Festival for their film A Crackup at the Race Riots, a feature length adaptation of Harmony Korine's 1998 novel.

The influence of the liquid metal T - 1000 character in James Cameron's film Terminator 2: Judgment Day (1991), to which Rae refers, can also be seen in the title and fluctuating black and white forms of Rae's contemporaneous painting Untitled (T1000) 1996, which was exhibited alongside Untitled (emergency room) at the Museum of Modern Art, Oxford, in 1996, as part of the group show About Vision: New British Painting in the 1990s.

A new and twisted vision of Nordic nature is presented in Irish artist Gerard Byrne's new film, shot at the Biological Museum in Stockholm

Following the Nunnery Gallery's winning of the Connect Competition to work with Susan Hiller, Visions will take part in the Museums at Night festival at the end of October, premiering a new installation from film duo Webb - Ellis, whose work follows a community pilgrimage inspired by Hiller's Homage to Joseph Beuys series; one of Hiller's new cabinets from the Homage to Joseph Beuys series will also be exhibited (25 - 30 Oct).

From her first Houston exhibitions in public spaces, like Two Allen Center supporting the Asia Society's vision of creating their new building where Colton sponsored major contemporary Asian art exhibitions from Thailand, China and Japan in October of 2000, 2001 and 2002... to supporting FotoFest in 2002 by bringing the film Downtown 81 featuring Jean Michel Basquiat to the Angelika Film Center and the accompanying exhibition to a funky art space restaurant in Montrose..., then going to Summer Street and opening Deborah Colton Gallery in 2004, which started the revitalization of that area... Colton has always paved the way to help positive things happen for Houston in the future.

Julien is receiving the Persistance of Vision Award from the SF International Film Festival, and his film, «Ten Thousand Waves,» recently shown at the MOMA in New York, will screen for audiences Sunday, April 27, at 3:30 p.m..

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch