Sentences with phrase «new woodcut»

A selection of abstract art sales came from the Berlin gallery Contemporary Fine Arts: the gallery sold a new woodcut by Gert and Uwe Tobias for $ 32,000 as well as work by Christian Rosa.

TAG Fine Arts is exhibiting the brand new woodcut prints from highly acclaimed Japanese artist Katsutoshi Yuasa at the 33rd London Original Print Fair.

And lo, after many weeks of teasing us pitiful mortals with trailer after trailer, Farming Simulator 15 has finally deemed us worthy of its grace, mercy, and new woodcutting feature.

In his newest woodcut, Axis (2016), the artist harnesses the reductive printmaking process, altering marks on the matrix with each pass — in this case, drilling successively larger holes in the block.

Sky Garden with other new woodcuts will be showing on Flowers Gallery Stand 18 at London Original Print Fair, The Royal Academy, 3 to 6 May 2018

These new woodcuts represent the range of imagery that the Tobias Brothers have become known for, from movie posters to figuration and modernist abstraction.

Not exact matches

October 19: A 1515 woodcut of a rhino and Robert Hooke's 1667 illustration of a flea star in «Natural Histories,» an exhibit of images from rare books in New York's American Museum of Natural History Library.

Online with friends in multiplayer, or in solo, manage and develop your own farm: harvesting, animal husbandry (cows, chicken and sheep), sales of fresh products, investment in new and more powerful vehicles or tools Discover also the new activity in Farming Simulator 15: woodcutting, and its selection of entirely dedicated vehicles and tools!

The Four Seasons Lanai just reopened after extensive renovations, with new restaurants (including one overseen by master chef Nobu Matsuhisa), two pools, and 217 rooms decorated with woodcuts by local artist Dietrich Varez.

In solo, but also for the first time online on consoles with the PlayStation 4 and the Xbox One, manage and develop your own farm: harvesting, animal husbandry (cows, chicken and sheep), sales of fresh products, investment in new and more powerful vehicles or tools... Discover also the new activity in Farming Simulator 15: woodcutting, and its selection of entirely dedicated vehicles and tools.

A major new 3 - D animated film entitled Time Spy, produced in late 2016, will be presented alongside a selection of the woodcuts used to create the film.

Team will present a curated selection of new work by several artists of the gallery, including a large - scale woodcut print on canvas by Gert & Uwe Tobias, an atypical Photoshop gradient by Cory Arcangel, and a recent mixed - media sculpture by Ross Knight.

Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993, prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).

Katz's very latest large - figure paintings and landscapes were on display at PaceWildenstein's new branch in Chelsea, and the Peter Blum Gallery in Soho mounted a complete survey of Katz's woodcuts and linocuts.

He emigrated to the United States in 1930, documenting that move to New York through series of woodcuts.

Portfolio of three woodcuts / collographs published by Spring Street Workshop, New York, [edition of 33].

The artists will present a new series of large - scale handmade woodcuts on canvas, mixed media works on paper, and unique ceramic vases.

Helen Frankenthaler The Clearing, 1991, (3/28) woodcut 16.75 x 21 in Image size: 16 x 21 inches Frame Size: 33 x 41 inches published and printed by Garner Tullis Workshop, New York

1991 Portfolio of five woodcuts / linocuts published by Spring Street Workshop, New York, [edition of 35].

Mangold's woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB- paintings from her linear black - and - white series.

Photo: John Jerome; Donald Judd, untitled, 1961, Liquitex and sand on plywood, with routed lines, 48 x 96 in; Donald Judd, untitled, 1961 - 1978, woodcut in ivory black on offset paper, 22 x 30.5 in; Donald Judd, untitled, 1962, oil and wax on canvas, 69 x 101 3/4 in; Donald Judd, untitled, 1963, Cadmium red light and black oil on wood with galvanized iron and aluminum, 50 x 42 x 5 1/2, installed on the Fifth Floor of 101 Spring Street, New York.

Judd Foundation is pleased to present Donald Judd: Prints, a selection of woodcut prints and metal furniture, curated by Flavin Judd, at 101 Spring Street in New York.

The presence of Adams» 1941 print «Moonrise, Hernandez, New Mexico,» next to a series of eight Chiura Obata woodcuts and watercolors is so striking, even the most jaded observer will be compelled to stop and stare.

Zarina has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York; Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles; and WACK!

We hope that showing her paintings and woodcuts in tandem will serve as a reminder and a reaffirmation of Frankenthaler's status as an artist of enduring value ---- and introduce her exceptional works to new audiences as well.»

Traveling to Europe, the United States, and the Middle East, Anselm Kiefer has expanded his views, discovering new interests in mythology and religion, starting to implement motifs of Jewish mysticism and Egyptian hieroglyphic symbolism into his works and embracing sculpture and woodcuts beside painting and photography [2].

In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.

Woodcuts of old New York by Ted Davies will also be on view throughout the summer.

Dulwich Picture Gallery brings together over 100 works, including original drawings, mezzotints, prints, woodcuts and lithographs, allowing a new audience the chance to witness Escher's mind - bending visions of infinity.

No Rules brings together seventeen of the roughly twenty - five woodcuts the lifelong New Yorker executed between 1973 and 2009.

This volume accompanies a major retrospective of Kiefer's works at the Royal Academy of Arts which includes a number of new works especially made for the exhibition and explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

The forthcoming exhibition will include over 20 new oil paintings, on which she has been working for over 3 years, together with a group of new works on paper, including acrylics and her first series of woodcut prints.

Menezes writes that «it is rare to find an emerging artist who uses woodcut as his main artistic language, or attempts to explore new possibilities of artistic expression within woodcarving.

If German artist Josef Felix Müller was going to create the huge woodcuts he envisioned, print publisher Peter Blum would have to find a new approach.

In the process, they wrote a new chapter in the history of printmaking, producing masterful woodcuts, etchings and lithographs of uncommon poignancy.

HELEN FRANKENTHALER (B. 1928) Cameo (Harrison 75) woodcut in colors, 1980, on TGL handmade, signed in pencil, numbered 10/51 (there were also 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in very good condition, framed S. 42 1/8 x 31 7/8 in.

HELEN FRANKENTHALER Madame Butterfly woodcut in colors, 2000, on three sheets of wove paper, signed in pencil, numbered 31/33 (there were also 14 artist's proofs), published by Tyler Graphics, LTD., Mount Kisco, New York, the full sheets, each sheet hinged in places at the reverse of the sheet to the support (with associated soft rippling), otherwise apparently in very good condition, not examined out of the frame Overall: 41 x 79 in.

She had recently seen an exhibition of fifteenth - century woodcuts at The Metropolitan Museum of Art, New York, and their faded colors reminded her of the tone of the red mulberries.

TALES OF GENJI V Color woodcut, 1998, on rust TGL handmade paper, signed and numbered 11/36 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Signed and inscribed «Frankenthaler (Woodcut, mulberry juice, and crayon)» in pencil l.l., identified on labels from The Morris Museum, Morristown, New Jersey, and the André Emmerich Gallery, New York, on the backing.

the first one hundred years of printing, an exhibition of books, woodcuts, and illustrated leaves printed between 1455 and 1555, november 17, 1998 - april 15, 1999, Rutgers university libraries special collections and University archives, Rutgers, the State university of New Jersey

HELEN FRANKENTHALER (B. 1928) Cameo (Harrison 75) woodcut in colors, 1980, on TGL handmade, signed in pencil, numbered 10/51 (there were also 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, the colors attenuated, otherwise in good condition, framed S. 42 1/8 x 31 7/8 (1070 x 810 mm.)

HELEN FRANKENTHALER Cameo (H. 75) woodcut in colors, 1980, on TGL handmade, signed in pencil, numbered 10/51 (there were also 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, a minute abrasion with associated ink loss in the lower left quadrant, otherwise in very good condition, framed S. 42 1/8 x 31 7/8 in.

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

Sarah Kirk Hanley looks at the woodcuts of Katsutoshi Yuasa, whose first solo exhibition in the US is at the ISE Cultural Foundation in New York, through January 4th.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

In 1943 she worked at Stanley William Hayter's Atelier 17 in New York, where she met, among others, Anne Ryan and Sue Fuller, both of whom were working with experimental methods in woodcut and intaglio.

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

HELEN FRANKENTHALER All About Blue (H. 235) lithograph and woodcut in colors, 1994, on handmade Kozo, signed and dated in ink, numbered 24/38 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in very good condition, framed S. 48 1/2 x 29 in.

In Proximity II, a new four - color woodcut produced with 10 Grand Press, Kantarovsky continues his project of building narrative from figuration, depicting an isolated, sympathetic subject engaged in an ambiguous activity.