Sentences with phrase «new works on view find»

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find agencies in their area both by postcode or by name; rate agencies using a simple star rating system on levels of pay, quality of training, ease of finding work and support received; write reviews, explaining their experiences, both good and bad, of the agency, or agencies, they have used; read reviews written by other supply teachers, including viewing their star rating and seeing the average levels of pay that are offered; add new supply agencies as and when they open; and participate in regular polls, highlighting the key issues that affect supply teachers.

Kahan said the new findings affirm a growing body of work on how people come to their views on climate change.

As a bigtime fall lover, I was getting wistful about saying au revoir to my tights, boots and blazers, but now that a little warmth has set in over Seattle this week I find myself longing for lingering happy hours out on the deck at Linda's, more walks around Green Lake with my pals, and moving my sewing table in front of the windows so I can enjoy the view while working on new delights to share with you all.

I keep it simple on the outside complex within i live comfortably and find many things to do rather its car, working, hiking, or doing something new, im a pretty open person and live my life easy, I love meeting new people Hearing new views Deep conversations Im pretty much down for it all

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

With «Surface Tension,» the artist's new exhibition at James Cohan Gallery (on view through November 30), Taylor continues to evolve her rarefied style, devoting her latest body of work to find surprising instances of transcendence in urban sprawl.

In the new works on view at Hauser & Wirth, Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on contemporary society, while also revisiting misconceptions of black identity and gender as seen in previous works.

The critic Dore Ashton, reviewing his work at New York's Brata Gallery, which Mr. Kobayashi helped found in 1957, described his canvases and a work of sculpture on view in a 1958 show as «based in a wiry, expansionist imagery composed of tensile lines vibrating from central axes.»

Just as profound, but in a more upbeat kind of way, were the works on view at the Studio at the Charles J. Colton School, a P.S. 1 — style free studio and art - education program set up by Tannen and his wife, Jeanne Nathan, who also founded the Warehouse District's CAC after relocating from New York in the late»70s.

I worked closely with Jenny on the exhibition and have found my understanding of the works on view shifting since we began preparing the show — more specifically, since the presidential election last November and the emergence of widespread resistance against the new administration's policies.

2005 Beech, Dave, I Could've Been a Contender, The Internationaler, Pilot Issue, October, pp. 11 - 12 Humphrey, David, New York Painter David Humphrey Discusses the Work of Paul McDevitt, Miser & Now, Issue 7, pp. 22 - 24 Ho, Gitta, Räume für Wirklichkeit, Artnet, 21 July Clancy, Luke, Clarke & McDevitt present, Modern Painters, July / August, pp. 108 - 109 Long, Declan, From Despair to Where..., Feint, Volume 1, Issue 2, pp. 3 - 6 Clarke & McDevitt present, The View, RTÉ TV panel discussion, 17 May Summer Sights, The Irish Times, 14 April, p. 3 Live Radio interview, NewsTalk106, 10 April On - site at the Hugh Lane, The Irish Times, 9 April O'Halloran, Robbie, Circa, Spring, pp. 110 - 111 Charlesworth, JJ, Communism, Art Monthly, No. 284, March, pp. 19 - 21 Stott, Tim, Communism, CIRCA Art Magazine Online Communism, The View RTÉ Television panel discussion, 25 January Dunne, Aidan, Bursting the Art Bubble, The Irish Times, 25 January, p. 16 2004 Paul McDevitt at Stephen Friedman Gallery, Kultureflash 101, 10 November Coomer, Martin, Paul McDevitt at Stephen Friedman Gallery, 3 - 10 November, p. 57 Postcard, Art Review, Volume LIV, July / August, p. 110 Conrads, Martin, No Future Revisited, Zitty, p. 80 Eklund, Karin, Untitled, EU3, No. 31, Spring, p. 73 Laws, Liza, Find a World of Fantasy & Desire at the Towner Art Gallery, 24hourmuseum.org.

Through these works, the viewer is privy to both sides of the goings on of a thirty - something man in New York: sexcapades with his girlfriend, the image of his friend picking a wedgie after a dip in the ocean, a calculator with 8008135 spelled on the screen, are balanced by quiet, introspective views of the city, intimacy shown within the interior of his apartment, and the beauty found in the subtlety of his bathroom sink.

Charlotte and Charles discuss Kerry James Marshall but their views on his work are diametrically opposed; they compare notes on the opening of Lynette Yiadom - Boakye's New Museum show and find nothing in common, and they broach the controversy surrounding Open Casket (2017), Dana Schutz's painting of Emmett Till at this year's Whitney Biennial, and artist Parker Bright's protest of the work as a «black death spectacle».

In between co-directing the New York gallery Regina Rex (also showing at NADA Miami Beach 2015) and working on the nomadic curatorial platform Bull and Ram, Yevgeniya Baras also finds time to make the evocative abstract oil paintings you'll see on view alongside works by Ryan Nord Kitchen in Nicelle Beauchene's booth.

Exhibited together at the New Museum, the two works introduced a sense of monumentality hitherto unseen in his practice, which most recently found its zenith in Bradford's installation for the U.S. Pavilion at the 2017 Venice Biennial, and Pickett's Charge, currently on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Bradford was first catapulted onto the contemporary art scene in 2001, following the inclusion of his multi-layered collage paintings in Thelma Golden's Freestyle exhibition at the Studio Museum in Harlem.

Chasson's work can be found in private and public collections, including Goldmiths College and The Saatchi Gallery in London, where it is currently on view as part of «New Order: British Art Today» running until 29 September 2013.

After seeing Mpane's work first at VOLTA NY and then at Skoto Gallery in New York last year, I was pleasantly surprised to find an intimate presentation of his work tucked away in the rear exhibition space of Haines Gallery, where paintings by Mike Henderson are currently on view in the main gallery.

On view at Sikkema Jenkins, Bradford's new works are collages composed of multiple layers of found paper that create visually intriguing patterns.

All these works found vocal detractors in their day, but the Meyerhoff Collection, with its strong New York School leadoff, encourages us to imagine the 46 works on view as responses to the artists» personal and historical circumstances.

Yet somewhere he found the inspiration and strength to work on this oversized composition, which he clearly viewed as both a personal testament and a new interpretation of the traditional religious and philosophic view of human destiny.