Sentences with phrase «new young generations of artists»

Chevalier sees his digital and virtual compositions as very much a continuation of art history, throughout which new young generations of artists have sought to experiment and push the boundaries of the possible.

Not exact matches

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

The work of these artists was brought into fresh focus and given renewed impetus by the revival of interest in figurative painting by a younger generation that took place in the late 1970s and the 1980s (see neo-expressionism and new spirit painting).

As figurative painting made a comeback in the late»80s and»90s, a younger generation of artists began to see Katz with new appreciation.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideliNew York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sidelinew kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

It was in 1982, a time when a new generation of American artists, and a generation concerned with painting — which had not been the case with young artists for years — was coming to the fore.

Then he moved to New York where he influenced the younger generation of artists that would have then given birth to the American Abstract Expressionism.

This group show establishes a dialog between three young São Paulo artists represented by the gallery — Pedro Caetano (b. 1979), Rafael Carneiro (b. 1985), and Tiago Tebet (b. 1986)-- and a selection of artists from the same generation who are based in New York City: Gustavo Prado (b. 1981, Brazil), Nicole Wittenberg (b. 1979, USA), Guy Yanai (b. 1977, Israel), and G.T. Pellizzi (b. 1978, Mexico).

Wishing to provide a picture of the new generation of American artists, the curators have chosen young artists with a new vision.

Bringing together a new generation of artists interested in Thomas Bayrle's legacy, this panel will look at how younger voices take up questions around corporate production, political spectacle, digital...

Saatchi's taste for fast art — rapidly clocked, swiftly absorbed, abruptly administering whatever one - two punch it has — is ideal for the hyper - quick generation, for the time - starved traveller, for a quick check of the briefly new at home and abroad, especially if you are sizing up the market as a young artist yourself.

Throughout his career, he has sustained his use of found materials and chance - based processes, transforming the conventions of painting and opening the door for a new generation of young artists.

Aimed at showcasing young and emerging artists, the collaboration will prove to introduce the neighborhood to a new generation of artists in our neighborhood.

This book explores parallels in thought and strategies between Italian Conceptualist Giulio Paolini's (born 1940) work, especially of the 1960s and the «70s, and the work of a younger generation of artists based in New York City today: Sebastian Black, Kerstin Brätsch (with Boško Blagojevic), Seth Price and Antek Walczak.

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

So that means a whole generation of these younger artists who are growing up here haven't seen my artists» works up close unless they've traveled to New York or seen their works in a museum.

oung London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artists.

Although half a generation younger, he was and is an artist in his own right and part of the «New York School,» the group that made post-war New York and America the new center of artistic expressiNew York School,» the group that made post-war New York and America the new center of artistic expressiNew York and America the new center of artistic expressinew center of artistic expression.

I would argue that this portrait of a young Kellie Jones points to the extensive creative dialogues to come between this exhibition — the most significant and informed contribution to debates around black art to date — and a new generation of UK artists.

Now that twenty years have elapsed since Minimalist artists broke with the older generation of Abstract Expressionists, it is evident that the younger artists found their roots within the less gestural branch of the New York School - in the simplified but profoundly moving paintings of Ad Reinhardt, Barnett Newman and Mark Rothko, rather than in European geometric painting.

At the same time, just as importantly, there is a new generation of dynamic young dealers who are very active in post-war Italian art — doing a lot of research and promoting artists with catalogs, museum shows and major highly focused art - fair booths.

The recent explosion of the new Urban art movement, the fresh focus on Graffiti and Street art and graffiti has brought in a new generation of young artists like Jean - Michel Basquiat and Keith Haring, who unfortunately did not live long enough to see the success they became.

In Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.»

When he took over the position of Director of the Centre, Andrea Bellini launched a new version of the Biennale, conceived in light of its history, whilst looking to support a young generation of artists.

Turning 90 this year, the American artist Alex Katz is considered as one of the most inspirational artists for the new and emerging younger generation of authors.

He graduated from Goldsmith's College in 1988 and later that year showed his work in the landmark exhibition Freeze, which heralded a new generation of young British artists.

And Conner's polymathic approach to art making is discovered by each generation of new young artists.»

Across the Atlantic, in New York, the Frenchman had been discovered by the likes of Jasper Johns and Robert Rauschenberg, and then a younger generation of insurgent conceptual artists.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

«Hong Kong Invisible» thus bolsters this new direction for the gallery, on the eve of its 20th anniversary this November — from pioneer specialist of Mainland avant - garde art to also being a springboard for a younger generation of Mainland, Hong Kong and international artists.

The viewer is brought to consider the time and process, not only of the labor itself, but also of the progressive patterns of thought, as a new sensibility towards materiality and aesthetics emerges in a young generation of promising artists.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

In the tradition of feminist trailblazers such as Judy Chicago and Marina Abramovic, the transatlantic collective functions as an experimental arts community, working to inspire intelligent conversation, creativity, and expression, while ushering in a renaissance for a new generation of young female artists.

His art developed in the London art scene beginning in the 1960s, when a dynamic generation of young artists took painting into a new direction by exploring impulses from both the figurative tradition and popular culture.

Gary Hume made his name as one of the new generation of Young British Artists with his paintings of doors, so it makes complete sense that the artist has extended the courtesy to Tate Britain.

The exhibition traces the impact of the work of 20th Century pioneers of textiles, fashion and handcrafted practice, such as Anni Albers, Louise Bourgeois, Sonia Delaunay, Eva Hesse and Hannah Ryggen, on younger generations of artists who incorporate similar materials and processes into their work, as well as bringing together 8 new works, created especially for the show.

This is especially so among a generation of young artists, largely based in New York City, who, like the original practitioners of Arte Povera, exist in a climate of sociopolitical turmoil rife with pressure towards polish and productivity.

Young London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artYoung London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artyoung artists.

We contacted Brazilian artists and curators whom we already knew and asked them to introduce us to the Brazilian art world, and then we met critics, independent curators, museum curators, journalists, editors of magazines, residency programme managers, academics, art lovers, gallerists and collectors, always asking the same questions on our quest to find the best of the new generation of young artists who are emerging in the Brazilian art world.

Julian Schnabel: CVJ is a facsimile of the out - of - print Random House edition from 1987, offering a new opportunity to assess Schnabel's influence on younger generations of artists and on the current debates on painting.

The Young British Artists revitalised (and in some cases spawned) a whole new generation of contemporary commercial galleries such as Karsten Schubert, Sadie Coles, Victoria Miro, Maureen Paley's Interim Art, and Jay Jopling's White Cube.

Connecting the ideas and practices of Simon Hantaï and Frank Stella with a younger generation of abstractionists like Nathan Hylden and Zak Prekop, the exhibition examines the constraints, procedures and repeated gestures used by these artists to create new images.

Embodied Absence: Chilean Art of the 1970s Now brings works of art and documentation from this historic period into dialogue with new performances and collaborations with contemporary Chilean artists of a younger generation.

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

Jonas (b. 1936, New York) is regarded as a pre-eminent figure in contemporary performance who continues to influence a younger generation of artists.

A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge.

The stripped - down formats and the blacks and greys of his later works find many parallels in the art of their time, and in particular the work of younger generations of artists both in New York and Europe.

Running concurrent to the exhibitions in the central space, Lodger will expand Blain Southern's programme into new territories, often spotlighting a younger generation of artists.