1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87)
Masterpieces of British Art from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre»,
New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale»,
Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue RaisonnĂ© and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.