Sentences with phrase «newest cultural monument»

Located on the east and north walls of the NRG Energy building at 13th and Mike Fahey Street, creation of Omaha's newest cultural monument began in early June of 2008, and was completed in June 2009.

Not exact matches

2008 Selective Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.

9 THOMAS HIRSCHHORN, GRAMSCI MONUMENT (FOREST HOUSES, NEW YORK) It was fitting that the fourth and final work in Hirschhorn's series of discursive «monuments» — this one devoted to the life and thought of the Italian Marxist thinker Antonio Gramsci, famous for theorizing the concept of cultural hegemony — was installed just as inequality in New York was becoming a central topic in debates among the city's mayoral candidatNEW YORK) It was fitting that the fourth and final work in Hirschhorn's series of discursive «monuments» — this one devoted to the life and thought of the Italian Marxist thinker Antonio Gramsci, famous for theorizing the concept of cultural hegemony — was installed just as inequality in New York was becoming a central topic in debates among the city's mayoral candidatNew York was becoming a central topic in debates among the city's mayoral candidates.

Set in New York City's Times Square, the intimate one - person opera is scaled to dramatic proportions within this most public of settings, giving a candid and global voice to the social and cultural trauma of South African racial politics and migrant labor; a woman's anguish explodes on the streets of New York as an operatic monument to lamentation.