Brooklyn - based artist, Rob Fischer, presents
his newest glass installation, «City, 2017,» set in front of the Lever House on Park Avenue at 54th Street.
Not exact matches
One of the most eye - catching features of last year's $ 30 million investment at O - I in Alloa was the
installation of
new glass decoration capability...
The development of Liverpool FC's
new retail store at Anfield has continued with the
installation of
new glass panels.
Lucky visitors to
New York's Museum of Modern Art this week may chance upon a performance art
installation featuring Tilda Swinton napping in a
glass box.
«The car bodies will be fully reconditioned and built to 1965 «competition» specs before
installation of a
new Brock - designed front valance, refined rear window, quarter
glass installation and finished with Ford's iconic Wimbledon White paint.
The car bodies are fully reconditioned and built to 1965 «competition» specs before
installation of a
new Brock designed aero front valance, refined rear window, quarter
glass installation and finished with Ford's iconic Wimbledon White paint.
The SHAP Trim, Chassis and Final areas received a
new glass -
installation cell, windshield decking, chassis - insertion loop system, fluid - fill equipment and roll - test machines.
The grand spiral staircase in the atrium is crowned by a
new large - scale blown
glass art installation designed by Canadian studio Tsunami G
glass art
installation designed by Canadian studio Tsunami
GlassGlass.
Andro Wekua Untitled, 2014 Synthetic hair, silicone, wax, polymer plaster, PU foam, steel,
glass, synthetic rope, aluminum cast, fabric, motors, electronics, and mechanics
Installation view, Kölnischer Kunstverein, 2016 Photo: Simon Vogel Courtesy of the artist and Gladstone Gallery,
New York and Brussels © Andro Wekua
Installation view of Quintuplet - Effect, 2016
glass painting, 21 x 13 feet Permanent Campus Commission Julis Romo Rabinowitz Building and Louis A. Simpson International Building Princeton University,
New Jersey Photography: Ricardo Barros, courtesy: Princeton University
He has designed objects for the Spiderman — Turn Off The Dark, a musical production in
New York City; Sea
Glass, a futuristic carousel in Lower Manhattan NY; created site specific
installations for an immersive theater project «Queen Of The Night» at Paramount Hotel in
New York City; designed giant inflatable scenic objects for the Sochi Olympics Opening Ceremony.
Candelabros Reciclados, 2004 Hand — blown recycled
glass, custom floral arrangements Dimensions variable
Installation view, Mungo Thomson:
New York,
New York,
New York,
New York John Connelly Presents,
New York
Installation view of Esctasy as Sublime, Heart as Vector, 2016 detail,
glass, stone, and marble mosaic, 66 feet tall Permanent Campus Commission Julis Romo Rabinowitz Building and Louis A. Simpson International Building Princeton University,
New Jersey Photography: Ricardo Barros, courtesy: Princeton University
Although Smith has worked with
glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund
installation of 2012, Kiki Smith's Chorus, and the 16 - foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in
New York and from 2012.
Amalia Pica, Eavesdropping, 2011; drinking
glasses and glue, dimensions variable; collection of J. K. Brown and Eric Diefenbach;
installation view,
New Museum,
New York, 2012; © Amalia Pica; photo: Benoit Pailley, courtesy Marc Foxx Gallery, Los Angeles
In 2012, The Art Production Fund presented Kiki Smith: Chorus, a public
installation comprised of the artist's multicolored stained -
glass stars at The Last Lot project space on 46th Street and 8th Avenue in
New York City.
The same year saw Toyama
Glass Art Museum in Toyama, Japan commission permanent
installations of Chihuly's artwork to feature within the
new 27,000 sqm cultural complex designed by architect Kengo Kuma.
Kate Newby, Not this time, not for me., mortar, concrete pigment, silver, white brass, bronze, porcelain, cotton rope, blown
glass,
glass, stoneware,
Installation view, SculptureCenter,
New York, 2017
The collection's whimsical porcelain figures, enchanting miniature portraits, and a dazzling array of historical
glass have ranked among NOMA's visitor favorites for decades, and the collection display is now being updated with a
new installation that carries forward NOMA's curatorial initiative to integrate collections across material and culture, to provide layered interpretation, and to present the best of our Gulf region's artistic expression in context with our encyclopedic collection covering ancient to contemporary arts.
Engaging with the history and mission of The Arts Club itself, the two - part
installation will bring together McElheny's film The Light Club of Vizcaya: A Women's Picture (2012) and a
new site - specific
installation titled The Club for Modern Fashions (2013), a constructed
glass pavilion into which performers and guests are invited during the lunch hour, Tuesdays through Fridays, dressed in vintage attire from the 1920s to the 1970s — decades that signify the height of a modernist imperative across the cultures of fashion, design, and architecture.
Our award is open worldwide to all visual artists, including but not limited to those working in traditional styles, ie., painting, drawing, printmaking, mixed media, sculpture,
glass,
installation, or with digital /
new media, photography and film / video.
A number of
new freestanding
glass and marble floor sculptures complete the
installation in the main gallery.
This exhibition celebrates Larry Bell, a legendary founder of the California Light and Space movement in the 1960s, and premieres his exiting
new walk - through
installation entitled Pacific Red, which explores the optical and reflective qualities of red
glass.
New work by the Danish - Icelandic sculptor and
installation artist Olafur Eliasson gleamed brilliantly at Tanya Bonakdar, including Polychromatic Attention 2015, a series of large
glass globes shown in a circle on the wall that collectively presented the colours of the light spectrum but appeared clear when seen from the side.
Our award is open worldwide to all visual artists, including but not limited to those working in traditional styles, ie., painting, drawing, printmaking, mixed media, sculpture,
glass, or with digital /
new media,
installation, photography and film / video.
In other
new sound
installations Philipsz also makes reference to regional settings — in one of these she works with the pipes of a historical synagogue organ that survived the Night of Broken
Glass and has been in the Villa Seligmann in Hannover since 2011.
INDUCTION is a two - person exhibition that features
new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influenc
new paintings, videos, and
glass sculpture by
New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influenc
New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound
installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influences.
The long
glass wall that separates the Lobby Gallery from the
New Museum Lobby is a central feature of the
installation.
A Certain Slant of Light (2014), created for the
glass atrium of
New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included
installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.
Visible through a broad wall of
glass at the building's entrance, the
installation is one of the central components of
New - York Historical's new Robert H. and Clarice Smith New York Gallery of American Histo
New - York Historical's
new Robert H. and Clarice Smith New York Gallery of American Histo
new Robert H. and Clarice Smith
New York Gallery of American Histo
New York Gallery of American History.
The two - channel video
installation depicts site - specific performances featuring members of the LA Dance Project at Philip Johnson's
Glass House in
New Canaan, Connecticut, and the R. M. Schindler House in Los Angeles.
Ibon Aranberri's exhibition is dominated by his work «Floating Garden», an
installation (originally developed at P.S. 1,
New York) consisting of concrete modules, broken
glass, metal and wooden horses, resembling the furniture of a greenhouse.
He has been commissioned for various permanent
installations, including two mosaic murals located at the Intervale Subway Station (2/5) in the Bronx as well as several
glass murals in P.S. 82 Hammond School in Queens,
New York.
Triny Prada combines light and water in her
installation, comprised of Murano
glass and gold sculpture, and a
new series of paintings made with thread, gold powder, gauze, 22 carat gold leaf, and vinyl paint.
With this exhibition, Lin will present nine
new installations and sculptures that, using materials including recycled silver,
glass marbles, and steel pins, map water patterns in locations as disparate as the Nile River and the Arctic.
At Andrea Rosen's booth at Frieze
New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale
installation composed of, among other things, synthetic hair,
glass eyes, coconuts,... Read More
At Andrea Rosen's booth at Frieze
New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale
installation composed of, among other things, synthetic hair,
glass eyes, coconuts, and large mirror panels.
Since his last solo exhibition in Cape Town in 2008, Odita has created large murals at the US Mission to the United Nations in 2010; the
New Orleans Museum of Art and the Kiasma Museum of Contemporary Art, Helsinki, in 2011; and a stained -
glass installation in the 20th Avenue subway station in
New York in 2012.
Roman Road is always a sure bet when you are in search of something
new and different.For his first solo exhibition Cuban artist Victor Payares, who is currently finishing an MFA at the Royal College of Art, is going to present
new works and a site - specific
installation that narrates elements of a memory from his youth during the Cuban «Special Period»: «Payares» artistry is further inspired by elements of the everyday; he collects disregarded objects such as cables, clothing labels and trampled
glasses found lying in the streets and repurposes them in his paintings.
Finch's talk at the
New School will focus on the artist's various public and large - scale
installations like A Certain Slant of Light (2014 - 15), a site - specific
installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an
installation of more than 100 panels of suspended
glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent
installation on
New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of
glass representing the water conditions on the Hudson River over 700 minutes in a single day.
Pace's
new showroom, with a single James Turrell «Wide
Glass»
installation on view, is located in the upper - crust suburb of Palo Alto, known for its competitive preparatory schools where the children of tech scions are groomed for postgraduate education at nearby Stanford.
Nefertiti, 2014 7 plaster busts with
glasses, wood, on wooden pedestals with castors Variable
installation Courtesy Galerie Buchholz, Köln / Berlin /
New York, David Zwirner,
New York / London and Hauser & Wirth
«Map of Holland», 2015 oil and gold leaf on canvas 250 x 200 x 2,5 cm & «Quodlibet LVI (Waiting Room Table)», 2015 oil on canvas 55 x 100 x 2,5 cm table: steel,
glass 40 x 103 x 58,5 cm
installation view Galerie Buchholz,
New York 2016
«Quodlibet LVI (Waiting Room Table)», 2015 oil on canvas 55 x 100 x 2,5 cm table: steel,
glass 40 x 103 x 58,5 cm
installation view Galerie Buchholz,
New York 2016
Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents
New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific
installations made of metal, neon, varnish and
glass.
For her current exhibition High Street at the Zabludowicz Collection, Scott has produced a major
new installation, centred around large sheets of
glass densely encrusted on their reverse with multiple objects.
Although «Lodestar» (formerly titled «Pilgrim») appears more refined and in many ways less divergent than «Sojourn,» the Pace
installation of drawings on multiple panels of translucent
glass (Glasmaleri) exemplifies the artist's focus and commitment to extending her intellectual and emotional concerns, especially her concise semiotic understanding, through
new and varied processes.
Liza Lou Maximum Secutity (detail), 2008 Steel and
glass beads 23 - feet square x 80 inches high
Installation view at Lever House,
New York
From ceramic techniques to
glass blowing, enamelling to welding, Upritchard's
installations and objects, which often feature archetypal figures, push these practices in
new directions, creating a striking and original visual language of their own.
Recently, she completed an
installation of monumental
glass windows that feature her botanical imagery for the
new San Francisco General Hospital.