Not exact matches
The Brooklyn show includes Whitten's Birmingham 1964, in which a
newspaper photograph of a confrontation in Birmingham is partially revealed
under layers of stocking mesh and black oil
paint, like a wound that can't be covered over.
The Black
Paintings (1951 — 53) incorporated texture
under the
painted surface by way of collaged
newspaper that sometimes indicates a grid - like structure.
Using computer graphics, printmaking, cartoon and
newspaper appropriations, impasto - like chunks of
paint, and every other gesture and technique
under the sun, Owens shows massive, colorful canvases that are simultaneously rapturous and amusing.
He'd studied
painting under Hans Hofmann, exhibited his «action collages» of
painted newspaper, straw and wire, and learnt musical composition from the Duchampian composer John Cage.
These incorporated materials such as nails, wood,
newspaper cuttings and other bits and pieces to alter the
painting surface, a technique he developed from a 1952 tour of Europe and North Africa with the artist Cy Twombly during which he started collecting junk like bits of rope, stones, sticks, bones which he exhibited in Rome and Florence
under the title «scatole contemplative,» or thought boxes.
As a proclamation of something new that refused to ignore modernist art history (or make it ironic), it was a built and
painted thing that was itself made of built and
painted things, and, moreover, all of it was resolutely formal without throwing content
under the bus (it even had underpants stuffed with
newspaper).
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