Sentences with phrase «next by a painter»

The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.

Not exact matches

Authors like Karen Russell and Alice Sebold have already praised this tale of an artistic couple — Augusta («Gus») is a painter, while Owen is a writer — who find that the secrets and betrayals of their decades - long marriage are stirred up by the beautiful divorcée who moves in next door.

The Bar is situated next to the restaurant and is decorated with a very rare Chinese antique liqueur screen, and lithographs by Henry Moore, Robert Motherwell, and other early twentieth century painters.

With hindsight it has been suggested that the show was «too heavily weighted with recent paintings, and burdened also with his literary inclinations in the form of lengthy explanatory texts which he hung next to his pictures».1 The show was panned by critics and while Kitaj was still reeling from what he perceived to be unreasonable and highly personal criticism, his wife Sandra Fisher, also a painter, died suddenly.

It will continue with work by current mid-career painters as well as recent graduates who will play a central role in the next generation of American painting.

Minimalism, Conceptual Art, Post-Minimalism, Eccentric Abstraction, Neo-Expressionism and whatever came next were influenced directly by the German artist Joseph Beuys, Marcel Duchamp, Jean Dubuffet, Giorgio Morandi, and other European painters and sculptors.

The gallery will present an exhibition of the painter's work in New York next year, which will travel to Los Angeles and will be accompanied by a publication on Gorky's career.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

At Colnaghi Gallery, a delightful painting of the French academic painter William - Adolphe Bouguereau (1825 - 1905), Study of the Head of a Woman for «Offering to Eros», hangs next to a photograph of a naked torso «Maryanne» (1988) by Robert Mapplethorpe.

The name «Brad Jones», a loose reconfiguration of Twilley and Rubell's first names, was imagined by the artists as belonging to the next sensational, aggressive American (male) painter.

The next year, his work was exhibited in Six Painters and the Object at the Guggenheim Museum, curated by Lawrence Alloway, which presented the work of six artists who would come to be among the most celebrated figures in postwar American art: Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, and Andy Warhol.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

And although the next generation of American artists, notably Robert Rauschenberg, reacted against the «nature painters» with work that saw the spectacle of the mediated world itself as a form of second nature, they knew that the stage on which they stood had been created by the abstract expressionist painters.

Together works by these legendary painters are displayed alongside the next generation of female artists who continue the tradition of going against the «rules» of painting and sculpture.

A new series of diptych portraits by Brad Jones — the «next sensational, aggressive American (male) painter,» according to the press release — is opening Wednesday, October 29 at Sargent's Daughters in Lower Manhattan.

Though by 1952 Bischoff would begin painting figuratively and go on to influence the next generation of painters himself, these earlier paintings illustrate many of the techniques and preoccupations that characterize his later work.

A survey of work by the painter Frank Auerbach is set to open at Tate Britain next October.

The next exhibition in the Jerwood Visual Arts» Encounters series will be curated by The Grantchester Pottery, an artist collaboration between sculptor Giles Round and painter Phil Root.

At last - the next instalment in the popular Vitamin series - the world's hottest painters, selected by international experts Since the publication of the first Vitamin P in 2002, painting has continued to evolve and excite, with new generations responding to its historic importance and taking it in unexpected directions.

RandallScottProjects is pleased to announce our next exhibition by Los Angeles based painter, Robert Kingston opening June 1st and on view through June 29th.

At last - the next instalment in the popular Vitamin series — the world's hottest painters, selected by international experts

2016 Performance of The Demo, a collaborative electronic opera with Mikel Rouse, Lied Center at University of Kansas, Lawrence, KS 2016 Performance with vocalist Mimi Goese at BAM Cafe, Brooklyn Academy of Music 2016 Horizontal art exhibition with painter Andy Moses, Pascal Gallery, Ramapo College 2015 World premiere of The Demo, Stanford University Bing Concert Hall 2015 Performed The Second Dream by La Monte Young at Warsaw Autumn Festival, Festival d'Automne Paris, Dia Art Foundation New York City, Huddersfield Contemporary Music Festival UK 2015 Performance at the Whitney Museum of American Art with vocalist Mimi Goese 2015 American Academy in Rome, visiting artist 2015 Park Avenue Armory, New York, NY, project development residency for The Demo 2014 Rockefeller Foundation Multi-Arts Production fund (MAP) grant for The Demo, $ 46,000 2014 Performance at PS 1 MOMA 2014 New York State Council on the Arts commission grant for MANITOGA, a new work for brass quintet and live electronics 2014 Artist in Residence, STEIM (Studio for Electro Instrumental Music), Amsterdam, The Netherlands 2014 Preview performance of The Demo, Krannert Center at University of Illinois Champaign - Urbana 2013 Performance at TedX Conference, Beacon, NY 2011 Performance at Lincoln Center Rubinstein Atrium with Mimi Goese 2011 Performance at Moogfest with Mimi Goese 2010 Performance of Persephone, a music theater work, at Brooklyn Academy of Music Next Wave Festival

Next up: a talk this afternoon by painter and national treasure Pat Steir, Russian - born philanthropist...

Next to this is a work by an artist who may not be well known, except to a select group of inside artworld people in New York, the painter and writer Edith Schloss.

A show organized around the Souls Grown Deep donation is being planned by the Met, and next fall, at its new Met Breuer building, the museum will host a retrospective of the work of the highly sought - after contemporary painter Kerry James Marshall, making for perhaps the most concentrated focus on work by African - Americans in the museum's history.

In more recent decades, the «ambition» to be the next important painter, usually by coming up with the next «style,» has tended to be a male game; I'm not sure why.