Sentences with phrase «next exhibition titled»
Her next exhibition titled Ingrid Baars — Part Two featuring «L'Afrique!»
http://www.anotherafrica.net/
NoMAA, in collaboration with NewYork — Presbyterian — The Allen Hospital, welcomes submissions for NoMAA's next exhibition titled «Utopia.»
The Northern Manhattan Arts Alliance (NoMAA), in collaboration with NewYork — Presbyterian — The Allen Hospital, welcomes submissions for NoMAA's next exhibition titled «Portraits of Community: People, Places.»
The Northern Manhattan Arts Alliance (NoMAA), in collaboration with NewYork — Presbyterian — The Allen Hospital, welcomes submissions for NoMAA's next exhibition titled «Utopia,» curated by Leanne Stella, Director, Art In FLUX, under the Art In FLUX 2017 curatorial theme, «Re-Imagining a City.»
NoMAA, in collaboration with NewYork — Presbyterian — The Allen Hospital, welcomes submissions for NoMAA's next exhibition titled «Portraits of Community: People, Places.»
(English) NoMAA, in collaboration with NewYork — Presbyterian — The Allen Hospital, welcomes submissions for NoMAA's next exhibition titled «Portraits of Community: People, Places.»
Not exact matches
The Arts Fund Santa Barbara is pleased to announce our next exhibition at the Arts Fund Gallery titled «Obsession».
The exhibition, which runs through January 8, is titled «Land Speed Record,» after Hüsker Dü's 1981 live album, recorded at the 7th Street Entry, a storied space next to the main stage at the famous First Avenue in downtown Minneapolis.
NoMAA is pleased to announce its next exhibition at the NoMAA Gallery, Immigrant Too, a follow - up to NoMAA's previous show of 2010, titled Immigrant.
When it comes to the moment in the message where the artist is supposed to describe the show, Succo just says: «Right, I'd like to make an exhibition in July or August next year titled Tornado.
Titled Birth of a Museum, the exhibition will be the next presentation of the collection of the Louvre Abu Dhabi, which is set to open in 2015.
In keeping with our mission to investigate critical moments in the interconnected histories of global black life, Goodman Gallery is pleased to present To Be Young, Gifted, and Black the next edition of the ongoing series Working Title, an exhibition curated by one of our most thoughtful and provocative artists, Hank Willis Thomas.
The exhibition title refers specifically to P2024 at The Warehouse Gallery will focus on the artwork, life and status of this Native American whose case haeltier's given name in Lakota (Tate Wikikuwa), to his next hearing in 2024, and to Rigo 23's former project at the De Young Museum in San Francisco (1999).
Blue Rain Gallery, Santa Fe: In his exhibition title, the artist martin spei introduces his viewers to the concept of tramoya, defining the Spanish term as «various leftover stage props and devices that may or may not be seen as detritus by the next play's crew when they...
The exhibition will also feature a new film work titled Dead Time: a seven - screen installation in which a succession of perfectly still apples are blown apart by a single bullet, tracing its way from one monitor to the next.
The exhibitions this year and next will be jointly titled «Wild Noise,» a reference to the chaotic beauty of urban spaces based on a passage in a Victor Hugo poem about «the wild noise where infinity begins.»
The artists that form part of this exhibition were selected together with Zoro Feigl, who at the same time as Another Dimension will have a solo exhibition titled Infinity in the Electriciteitsfabriek next to Nest.
Isabelle Grobler is currently working towards her next Solo Exhibition titled The Meatgrinder Madrigal, which opens on Tuesday 12 June 2018 at 18:00.
So when, next week, his stunning retrospective exhibition opens at the Scottish National Galleries in Edinburgh, its title, No Foreign Lands, is almost inevitable.
An exhibition opening at Tate Modern next year, titled «Soul of a Nation: Art in the Age of Black Power,» will explore «how the category «Black Art» was defined, rejected, and redefined» in the US between 1963 and 1983, through the work of such artists as Norman Lewis, Lorraine O'Grady, and Betye Saar.
Hanging next to the Becher's Framework Houses is the photograph that serves as the exhibition's title image, Torre David # 2, 2011, by Iwan Baan.
Strangers Collective's next major group exhibition, titled Mirror Box, debuts at form & concept on February 23, 2018 and runs through April 14.
An article last Sunday about a resurgence of art exhibitions featuring work by only women included an outdated title for an exhibition planned at the Hammer Museum in Los Angeles next year.
As the exhibition title suggests, Associated's new show deals with the moment between phases, transitions from one point to the next.
Several OCADU Fibre graduates and faculty member, Meghan Price will have work in the next Artport Gallery, Harbourfront exhibition titled «Non-Objective»:
Perry Rubenstein Gallery, known to most readers as the gallery that represents Faile (featured), opens an exhibition curated by Carlo McCormick next month, titled «SHRED».
Maybe that should be the next exhibition's title.
Titled after the «Come Midnight» of transition between one day and the next, the exhibition opened...
Artists: Sarah Caillard, Etienne Courtois, Kasper De Vos, Douglas Eynon, Julien Goniche, Liesbeth Henderickx, Alejandra Hernandez, Sanam Khatibi, Klaas Vanhee Exhibition title: Balls & Glory Organized by: Sybille du Roy, Monica Gallab, Eléonore Jacquard, Stéphanie Jezierski & Julie Senden Venue: Rodolphe Janssen, Brussels, Belgium Date: January 15 — February 13, 2016 Photography: Hugard & Vanoverschelde, images copyright and courtesy of the artists and Rodolphe Janssen, Brussels The staff of Rodolphe Janssen gallery is pleased to announce the opening of their next exhibition entitled Balls & Glory on JanuaryExhibition title: Balls & Glory Organized by: Sybille du Roy, Monica Gallab, Eléonore Jacquard, Stéphanie Jezierski & Julie Senden Venue: Rodolphe Janssen, Brussels, Belgium Date: January 15 — February 13, 2016 Photography: Hugard & Vanoverschelde, images copyright and courtesy of the artists and Rodolphe Janssen, Brussels The staff of Rodolphe Janssen gallery is pleased to announce the opening of their next exhibition entitled Balls & Glory on Januaryexhibition entitled Balls & Glory on January 14, 2016.
Come una falena alla fiamma (Like a Moth to a Flame) is the title of the great exhibition project realised together by OGR Torino and Fondazione Sandretto Re Rebaudengo, which opens next 3 November at the premises of the two cultural institutes of Turin.
Ukrainian billionaire Victor Pinchuk will mount an exhibition titled «China China» at his Kiev art center next month that focuses on both younger and older artists.
Titled Delusional: Jonathan LeVine's Search for the Next Great Artist, their first annual juried exhibition will feature work by following artists: Adam Crawford from Philadelphia, Alê Jordão from Brazil, Alyssa B. DeVille from Pennsylvania, Anthony Freda from New York, Austin Parkhill from Alaska, Aya Kakeda from New York, Benjamin Nordsmark from New York, Caitlin McCormack from Pennsylvania, Charles V. Bennett from Tennesse, Choi Wong from the Netherlands, David Miller from New York, Diana Carolina Lopez from Mexico, Fiona Smyth from Canada, Garry Buckley from New Zealand, Helenbar from Brazil, Holly Matthews from Pennsylvania, Hyunjin Alex Park from New Jersey, Ian Cumberland from Ireland, Jennifer Gennari from New York, Jeremy Burks from Texas, Jim Salvati from California, Jim Woodring from Washington, Johnathan Reiner from Israel, Josh Tiessen from Canada, Julia Ibbini from United Arab Emirates, Julian Clavijo from Australia, Kirpy from Australia, Masha Gusova from Denmark, Merve Morkoc from Turkey, Nicci Sevier - Vuyk from Texas, Radoslaw Liwen from Scotland, Rick Newton from Florida, Risa Tochigi from New York, Ronald Gonzalez from New York, Stikman from Pennsylvania, Thomas John Carlson from New Jersey, Thomas Robert Meyers from New York, Trent Taft from New Jersey, Tyler Whitlock from North Carolina, Vittorio Ottaviani from New York, Will Kurtz from New York and Win Wallace from Texas.
«Anti-Establishment» (through next Friday) Contrary to this muddled exhibition's title, the artists it presents are not uncompromising rebels.
William Kentridge's first large - scale solo exhibition in South America, titled Fortuna, has been travelling since October 2012, and will be next shown at the Pinacoteca Do Estado De São Paulo.
Over the next few years a program was established, in 1981 finding its collective expression in an exhibition whose title again did not understate the ambition: Junge Kunst aus Westdeutschland (Young Art from West Germany).
Since leaving his post as deputy director of the Jewish Museum in New York (where he still retains the title of Director of Special Exhibitions and Public Programs) last year, the young curator has been named one of the Artistic Directors of the newly minted FRONT International: Triennial of Contemporary Art in Cleveland, the first of which will be held next year, as well as the Artistic Director of the second iteration of the Honolulu Biennial in 2019.
Leslie Hewitt's Still Life Series also asks us to consider the relationship between text and image through the bringing together of vernacular snapshots with books such as James Baldwin's The Fire Next Time (where the title of the exhibition comes from).
A surface critique might argue for some more bolder, declarative evolutionary changes from one exhibition to the next, but as pointed out in the title, these works aren't for a viewer's cynical, novelty - seeking lizard brain.
On the opening morning of the inaugural National Adaptation Forum, I was eating breakfast at a stand - up table in the exhibition hall when a mustachioed man of middle age plopped his cherry Danish next to my pile of conference literature, a mess of pamphlets and reports with titles likeGetting Climate Smart: A Water Preparedness Guide for State Action, and Successful Adaptation: Linking Science and Policy in a Rapidly Changing World.