• Walsh is one of three Blood Simple performers to appear in the Coens»
next film Raising Arizona, in which he has a small (but hilarious) cameo.
Not exact matches
Raising a daughter, Smith wanted to give the young women of the
next generation a
film to compare to the near - constant, male - centric superhero
films being released.
The
film's subsequent critical raves and popularity at various festivals should at least ensure Kaufman does not have as much trouble
raising finance for his
next project.
His
next film appearance will be this summer in Captain Fantastic, as the son of Viggo Mortensen, who plays a survivalist father bent on
raising his children in the harsh forests of the Pacific Northwest whose family is forced to integrate into society.
«Demolition»
raised eyebrows as the Opening Night selection once Fox Searchlight announced it wouldn't release the
film until
next April.
How was a movie about a precocious, 11 - year - old who's helping to
raise his little brother and his immature mom also a
film about the mom trying to assassinate their
next - door neighbor because he's molesting his stepdaughter?
I know The Avengers
raised the bar to astronomical proportions for the
next phase of Marvel universe movies, but with its goofy humor, weak plot, and unnecessary romance, to me the
film felt like a superhero chick flick.
Her
next film was the critically - acclaimed Belle starring Gugu Mbatha - Raw as Dido Elizabeth Belle, an illegitimate mixed - race daughter of an enslaved African woman and a British navy captain, who placed the girl with his uncle Lord Mansfield in late 18th - century London to be
raised as a free lady.
This isn't to say the book is worth much of a shit, but to say that it at least has the courage to talk about a rape and a murder where the
film only has the mustard to romanticize loss and suggest that 1973 was so long ago the freak
next door didn't
raise any flags.
His
film stages a confrontation between the photographic image and the forms of representation that it supplanted and
raises questions as to what comes
next.
As vistas in the
film shift from one to the
next, the specifics of these locations become less relevant,
raising questions as to the boundaries between documentation, reality, and memory in the work.
Tuckers are pleased to be supporting FatRat Films in their efforts to
raise the remaining funding that they require for their short
film animation exposing the folly of legal aid cuts, indeed further legal aid cuts — if the
next cut of 8.75 % to criminal legal aid is implemented in the summer of 2015.