Sentences with phrase «next film white»

After blowing it to hell in INDEPENDENCE DAY, Emmerich's next film WHITE HOUSE DOWN features a...

Not exact matches

The very next day Anna impressed once again in this white Prada at the Los Angeles unveiling of her film, What's Your Number?

: Season 1 — NETFLIX ORIGINAL Dear White People: Volume 2 — NETFLIX ORIGINAL End Game — NETFLIX ORIGINAL Forgive Us Our Debts — NETFLIX FILM Kong: King of the Apes: Season 2 — NETFLIX ORIGINAL A Little Help with Carol Burnett — NETFLIX ORIGINAL Lo más sencillo es complicarlo todo Manhunt — NETFLIX FILM My Next Guest Needs No Introduction With David Letterman: Tina Fey — NETFLIX ORIGINAL No Estoy Loca The Rain: Season 1 — NETFLIX ORIGINAL

It's been eight years since Medicine for Melancholy, Jenkins» first and only previous feature, a gap all too illustrative of what awaits film - festival darlings who aren't young white men eager to make the next Jurassic Park.

This is no Basic Instinct or Single White Female or The Hand That Rocks the Cradle, but if you get a kick out of something like the Beyoncé versus Ali Larter film Obsessed or the J.Lo - starring Boy Next Door, then Unforgettable, helmed by first time feature director Denise Di Novi, provides a similar brand of campy ridiculousness.

It's all more than a little obvious, a red, white, and blue pastiche of Forties war films set to an amped - up techno beat — maybe just what the masses demand on the eve of our next great conflagration.

Chicago Film Festival, Chicago International Film Festival, 51st Chicago International Film Festival, James White, Youth, What to Invade Next, 45 Years, I Smile Back, The 33, Brooklyn, Macbeth, Carol, Spotlight, Every Movie Has a Lesson, Donald Shanahan, Don Shanahan, movie commentary, film commentary, Foreign films, international films, Oscar contenders, Oscar hopefuls

As two Snow White films gear up to go into production, the next big fairy tale that'll be racing to the big screen is Peter Pan.

Paul Whitington has the lowdown on this week's big releases - excellent horror It Follows, pensioners in India in The Second Best Exotic Marigold Hotel, JLo in the abysmal The Boy Next Door, and eccentric Hungarian film White God.

Now they move together from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.

In his next film, Kiss of the Dragon, Jet teams up with a white prostitute (Bridget Fonda) and, belying the sly Orientalist promise of the title, doesn't get to kiss her, either — and she's a fucking hooker.

Nominations are out for Logo's 2014 New Now Next Awards honoring «music trendsetters, film visionaries and television groundbreakers,» with Sam Smith and Iggy Azalea leading the way in music, «Gone Girl» and «Dear White People» in film and «How To Get Away With Murder» and «Transparent» in TV.

His next film, Green Room, follows a group of young punk rockers who find themselves fighting for their lives in a secluded venue against a group of white power skinheads after they witness an act of brutal violence by the skinheads.

One of the mostly eagerly awaited films of next month's Cannes Film Festival, Lars von Trier's latest has just unveiled an international one - sheet — and while it's less than illuminating, employing only a single (lovely) still we've already seen amid an ocean of white space, I'm happy for this one to play coy.

This is the rare film that understands that difference, and speaking on behalf of basic white boys next door everywhere, there's a lesson here we could all stand to learn.

And if you've looked at any of the other white papers we've done — in fact, the first white paper I ever wrote was called The Next Indie Revolution, I - N - D - I - E, and it made the point that you're making right there, and that is that what we're seeing now in publishing first took place in film, then in music, and now it was just publishing's turn for that.

Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.

Their next show, entitled SWF Seeking Same, is loosely based on the 1992 film later retitled Single White Female, and centers around the idea of obsession and the double.

A delicate black and white 35 mm film screens next to an aggressive and sexy neon sign but the artist's singular vision never waivers.

Shown on a small monitor in the next gallery, Yoko Ono's film Eye Blink (1966) is silent and almost half a century older, yet the artist's gaze, reflected back to us from what seems an impossibly distant black and white past, remains potent.

I think it's fair to say that I bought Cindy Sherman in her first exhibition in a group show, with some of her black - and - white film stills framed together in those days as a collage of 10 images, and went on to buy much of her work for the next few years.