Sentences with phrase «next generation of painters»

Cézanne «very much looks forward to the experiments of the next generation of painters,» says Museum of Fine Arts Assistant Curator Emily Beeny.

Though by 1952 Bischoff would begin painting figuratively and go on to influence the next generation of painters himself, these earlier paintings illustrate many of the techniques and preoccupations that characterize his later work.

This sale brought together some of the most in - demand artists and provided us with the opportunity to display classic German painters such as Albert Oehlen, Martin Kippenberger and Gerhard Richter alongside the major contemporary figures such as Lynette Yiadom - Boakye, Jonas Wood, Amy Sillman and Charline von Heyl who are forming the next generation of painters.

Not exact matches

2015.02.11 Emerging visual artists wanted to participate in RBC Canadian Painting Competition Next generation of Canadian painters are invited to submit work for 17th annual competition...

2017.02.23 RBC Canadian Painting Competition Welcomes 2017 Submissions Next generation of Canadian painters invited to submit work for 19th annual competition...

It will continue with work by current mid-career painters as well as recent graduates who will play a central role in the next generation of American painting.

The Royal Academy show (opening next week) should establish him beyond doubt as one of the most gifted British artists of his generation and one of the best non-figurative painters still working anywhere.

And although the next generation of American artists, notably Robert Rauschenberg, reacted against the «nature painters» with work that saw the spectacle of the mediated world itself as a form of second nature, they knew that the stage on which they stood had been created by the abstract expressionist painters.

To represent the next distinguished generation of figurative German painters, Neo Rauch will be exhibited to anchor the central importance of German art in the twentieth and twenty - first centuries.

Together works by these legendary painters are displayed alongside the next generation of female artists who continue the tradition of going against the «rules» of painting and sculpture.

It concludes with an examination of Cole's extraordinary legacy in the work of the next generation of American landscape painters whom he personally mentored, notably Asher B. Durand and Frederic E. Church.

In addition to anecdotes about Still's interactions with collectors Fred Weisman and Betty Freeman, and painter Richard Diebenkorn, Kessler addresses Still's notorious hostility noting: «I can understand why Warhol and the next generation reacted against Still's kind of macho posturing and grandiose pretensions - but a part of me admires his heroic ambition and his seriousness of purpose; and I sometimes wish we had more of that today.»

Opening: «Nice Weather» at Skarstedt David Salle curated this group show, which takes its name from Frederick Seidel poem about one day's weather leading into the next's, and which, appropriately, features multiple generations of painters.

In the early fifties planar abstractionists, like Newman and Rothko, stuck with their hard or soft geometry formats, working beyond the constructive devices of cubism and setting the agenda for the next generation of American painters, the sixties high modernists.

This international approach towards current abstract painting extended to the next generation of British painters, even when they were explicitly fighting against the spirit of St Ives.

This trend among British painters (one could also cite St Ives artists such as Roger Hilton or William Scott, as well as those from the next generation, including Gillian Ayres) was echoed in the conscious efforts of critics who tried to establish gestural landscape abstractions as an international movement.

Its new mission was to become an incubator for, as the jargon would have it, «the next generation of disruptive inventors and professional thought leaders across a multitude of global industries» rather than a handful of painters, sculptors, photographers, and conceptual artists.

At last - the next instalment in the popular Vitamin series - the world's hottest painters, selected by international experts Since the publication of the first Vitamin P in 2002, painting has continued to evolve and excite, with new generations responding to its historic importance and taking it in unexpected directions.

With wide - eyed curiosity, maverick humor, and infectious glee, Owens continues to pose this query, producing ambitious, technically rigorous, and surprising pieces unlike those of any other painter of her generation (or the next).»