Not exact matches
While she keeps the action hopping from one flash
point to the
next and cooks up a couple of exciting sequences in the last 30 minutes, she doesn't develop the
narrative momentum needed to sustain a two - hour story.
It's clear, however, that Snowden begins its slow - but - steady nosedive into mediocrity as it moves into its seriously repetitive midsection, as scripters Stone and Kieran Fitzgerald shift the focus to an intense emphasis on the minutia of the protagonist's top - secret work - with the
narrative's structure, past a certain
point, doggedly following Snowden as he moves from one assignment to the
next.
Although its overwhelming logic is hence from video games — «I've never made it this far,» Cage tells his followers at one
point, when asked what comes
next — Edge of Tomorrow works best as a gleeful riff on the
narrative tricks endemic to the cinema, an art defined more by editing than by images.
To help increase his credibility the defendant could spend the
next half a day explaining all the plot
points in his planned story in detail, how the research he did was relevant to specific plot
points, and generally provide an extensive enough
narrative that it seems likely this story had been being built on for some time as claimed and isn't a fictional story; but it's still a long time to provide only minor increase in credibility.