Sentences with phrase «nice at your new house»

I hope that you feel nice at your new house!

Not exact matches

Hi I'm a 31 year old sugar baby that is new to this site, im a very outgoing, motivated, determined woman;)-RRB- I like to go to a nice dinner, walk by the river, go to a movie, or just grab some food and cook a nice dinner at the house!!!

Well what can I say I'm a friendly easy going single guy who's looking for somebody special in my life and to spend the good times together I live on my own got my own house which is share with my wee pet kitten macey so you must like cats and animals lol apart from that I'm an easy guy to get on with it work as a landscaper gardener with one of the council's so that keeps me busy as I'm an outdoors person and in my spare time I like nice walks in the countryside spending time with my family or going out for a night out with friends to the pub or the cinema or I'm just as happy with a nice night in watching tv or a movie I am willing to try new things tho if I meet the right person tho.I'm also quite an affectionate and romantic person and miss being with somebody to cosy up to at night could this be you?

Visually, Chan Is Missing has the bustling casualness of Cassavetes or of the early French New Wave — its picture of Chinatown is virtually a mini «city symphony» movie in itself, whether Michael Chin's black - and - white photography is showing us passersby, details of shop signs, vast swathes of house fronts or vistas of Frisco hillsides (there's also a nice wink at Vertigo).

Craig is a guy who moves into a nice new house with his family, except that a horrible murder happened there and... the twist is given away in the trailers, and it's actually dumber than it looks at first.

The new rub here is that Frank, while a bit stuck on himself, is a nice guy and a much more appealing romantic choice than ruthless businessman Joe, who, in turn, already has a partner of his own: Patricia Eden (Parker Posey), who works at a publishing house.

I agree living debt free is a nice feeling, but if there is ever a risk that you will need another loan - for a car, for a house, or for emergency, having the loans you have now at these interest rates is preferable to paying them off and having to get new ones.

Daizie is such a Sweetie as she loves to be loved She can be shy at first with new people but with some kind words and nice pets she warms up Daizie is working on her house training and crate training and at night sleeps in my room She is discovering how fun toys are and likes butcher bones and nylabones She also likes soft dog beds and blankets Daizie likes other dogs and enjoys having a fenced yard to play in She rides nice in the car.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealinew,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

Other solo exhibitions have been presented at the Stedelijk van Abbemuseum, Eindhoven (1970); The Museum of Modern Art, New York (1970); The Kitchen, New York (1973); P.S. 1 Institute for Art and Urban Resources, New York (1978, 1983); Musée National d'Art Moderne, Centre Georges Pompidou, Paris (1979); Hara Museum of Contemporary Art, Tokyo (1984); Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1989); The Drawing Center, New York (1994); Kunsthaus Bregenz (1999); Neue National Galerie, Berlin (2002); Lever House, New York (2003, 2008); Arts Club of Chicago (2005); Artclub 1563, Seoul (2010); Louisiana Art and Science Museum, Baton Rouge (2010); BMW Museum, Munich (2012); Paul and Lulu Hilliard University Art Museum, Lafayette, Louisiana (2014); Musee d'Art Moderne et d'Art Contemporain, Nice (2015); Hall Art Foundation, Reading, Vermont (2015); and Whitechapel Art Gallery, London (2016).

, T293, Piazza Amendola, Naples 2009 «Call + 972 2 5 839 749», Andres Janacu / Galería Perdida at Project Row House, Houston 2009 «Interior Design for Bastards», T293, Naples 2009 «Destroy and Rejuvenate», Regina Gallery, Moscow 2008 «Feux de Détresse», Galerie Chantal Crousel, Paris 2008 «Lucky In The Misfortune», Masion Descartes, Institut Français des Pays - Bas, Amsterdam 2008 «Asleep», Dvir Gallery, Tel Aviv 2008 «They Hate Us For Our Freedom», Contemporary Art Museum St.Louis, St. Louis 2008 «Change», Galerie Neu, Berlin 2008 «Counter-Poison», Komplot, Brussels 2008 «Claire Fontaine», Witte de With Center for Contemporary Art, Rotterdam 2008 «Tragitti periferici», Facoltà di Architettura, Università degli studi di Catania, Catania 2008 «Instructions for the sharing of private property», project space, The Kitchen, New York 2008 «Capitalism is not working», House of Gaga, Messico, D.F. 2007 «Équivalences», Centre d'Art Villa Arson, Nice 2007 «Utlendinger Overalt», The White Tube, Oslo 2007 «Get Lost», Module, Palais de Tokyo, Paris 2007 «How to cook a wolf / How to?»

I bought a Roku ultra after trying it out at a friends house and finding the interface much nicer than my old Apple TV, for half the price of the new Apple TV.

Kitchens can get crazy expensive, and while we are building a nice house it doesn't mean we have 40K (or whatever kitchens cost) to throw at a new kitchen.

It's nice to see some new faces — hope you'll come back and be a part of our community of house lovers here at HoH.

After that, I'm teaching at a reading camp and tutoring three students, helping my hubby renovate houses, and maybe take a nice vacation camping somewhere in New England.