Sentences with phrase «nice gallery of»

The plot while decent offers a nice gallery of villains even if the boss fights are pretty average at best.

Books are accessible in the Library, which displays a nice gallery of color covers instead of a plain text list of titles.

Rounding out the set is the CGI special «Creating Son of the Mask,» «Chow Bella - Hollywood's Pampered Pooches,» and a nice gallery of storyboard art.

Also missing: the set - top Fisharades (fish charades) game, a Storytime read - along, a nice gallery of posters and other print advertising, and most oddly, some funny promotional Character Interviews.

You have such a nice style, nice gallery of photos and a really good blog.

Not exact matches

Located in an actual art gallery, the Katie Gallagher presentation was a nice change of pace as well as location from the previous events.

However, the weather has been so nice and warm for the last couple of days that I can't stand to sit inside the house, so I'm about to get ready and go downtown to do some home decor shopping and maybe I'll finally find a perfect dress for the reception evening in August at Agora gallery.

I have a whole gallery of pictures on Facebook that you can check out until I am able to put a nice video together showcasing the event.

Nice photo Gallery of active members with the indicated dates of last activity.

Anchor Bay's handsome presentation of Near Dark rounds out with two very cool trailers (the best scored by John Parr's dirty roadhouse anthem «Naughty Naughty»), gorgeously rendered animated menus, poster (my favourite being the lurid Italian version), still, and behind - the - scenes galleries (featuring some very nice shots of Ms. Wright), and last but never least, Anchor Bay's typically involved and exhaustively informative Talent Bios that, by themselves, would be worth the price of the package.

The material also proves to be a nice match for the screen — it recalls the British horror anthologies of the 1950s and 1960s, and also vintage TV shows like Night Gallery, which featured the terse narration of post-Twilight Zone Rod Serling.

Special Features Audio Commentary with director of photography Jacques Haitkin, co-producer Robert Engelman, and composer William Goldstein All - new interviews with actor Mitch Pileggi, actress Cami Cooper and executive producer Shep Gordon No More Mr. Nice Guy - The Music of «Shocker» Theatrical Trailer TV and Radio Spots Vintage Interviews Radio Spots and Storyboard Gallery

Perhaps sensing that there's not much there, there, Blue Underground provides just the U.S. and international trailers (both clean and in widescreen, the latter with a good deal of nudity and gore), still galleries for posters (5), lobby cards (17), the four - page promo booklet, and four video box covers, and a nice Fulci bio written by Tracy Taylor.

An alternate ending and an extended opening for the original Police Story are a nice touch, and an exhaustive gallery of deleted scenes — some of which are so brief that they span literally seconds — show that some real thought went into what is essentially fan service.

, essentially a compilation of concept art, finished animations, and so on set to score (a moving stills gallery); a nice, non-anamorphic theatrical trailer (2 mins.)

The N96 takes things up another notch with the inclusion of some Android - specific features, including an email app, photo gallery, clock, calendar and Internet browser that might not be as functional in black and white, but it's a nice addition regardless.

I also encourage everyone: I don't care if you like or hate Dell, but just for some nice shits and giggles, you NEED to look for a full gallery of pics of the Mini 5.

We showed you the other week that Engadget got their hands on a pre-production version of the Dell Mini 5 — they initially hooked us up with a nice gallery, but I've personally be waiting eagerly for a full list of thoughts, and according to the Mini 5's popularity chart over in the product database, many of you have been too!

(You can view a nice Washington Post photo gallery of Bo — it comes up after the annoying advertisement — here.)

From there, you can easily walk East on the very nice St - Paul Street, where you'll find several art galleries and which will lead you to the more touristy part of the Old Port.

For Culture Lovers Art and architecture lovers will devour Paris's Louvre and the Palace of Versailles, the Monserrat monastery and Picasso museum in Barcelona, The Uffizi Gallery and Michelangelo's masterpieces in Italy, The Vatican, the Roman Colosseum, The Matisse Museum in Nice, The National Gallery in London, and oh so much more.

This quaint European - style village along the Central Coast has long been known for its art galleries and white sand beach, but it's also got a nice collection of tasting rooms, all within easy walking distance and serving the region's excellent labels.

So just for a change of pace here's a nice little gallery show case of some waves and lifestyle at G - Land.

This quaint European - style village along the Central Coast has long been known for its art galleries and white sand beach, but it's also got a nice collection of tasting...

But finally we do have a nice little gallery of some waves at the famous left hand reef, taken over the last couple of weeks.

The Final Fantasy Adventure Gallery has gotten a nice update, now you can find all of the boss art that exists for the game.

The addition of the gallery with sketches of assets like character models, fleshed out with a few notes on the development process, is a nice touch, but the entries have to be unlocked.

The extra attention to detail in the game's character interactions before and after a fight is a nice touch, as is the wealth of gallery mode images and retooled difficulty.

We covered this over at Forbes (yeah, we are also writing there now) but there's also a nice little gallery of the event here.

Well, first of all, if you're a high - end, power - player gallery, enough people are already Tweeting about you that you don't have to - how nice!

It's also a nice way to get around the problem of going through a gallery to get your work out there.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

Love to have a Building like the one at the top of the page, Make some nice Art Workshop, Gallery, Loft Apartment!!!

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

Representatives from the following organisations will be in attendance Aesthetica Magazine / According to McGee / Anise Art Gallery / ArtAngel / Artnet / Arts Council England / BALTIC / Bright White Ltd / Central St Martins / CHARLIE SMITH LONDON / THE FUTURE CAN WAIT / DACS / DASH Arts / FACT Liverpool / Flowers Gallery / Frieze / Glasgow School of Art / Holden Gallery / i - D / Impressions Gallery / It's Nice That / Lazenby Brown / Leeds Art Gallery / London College of Communication / Lumen Art Prize / Manchester Metropolitan University / National Media Museum / New Art Exchange / Open Eye Gallery / PHOTOFAIRS / Royal College of Art / Serpentine / Spectator / Spectrum / Sony World Photography Awards / TAFETA / Tate / Thames & Hudson / V&A / VICE / York St John University

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

«It's also nice to have something that came with such a rich history with Chinese literati and the rich history of pen ink and how it's used as a tag in China,» adds Odutola, who is now working in Alabama on her May solo show for Jack Shainman Gallery in New York City.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

2007 Late Liberties, John Connelly Presents, New York, NY The Show's So Nice, Monya Rowe, New York, NY Material Presence, Marsh Project Gallery, Herron School of Art, Indianapolis, IN Emergent Behavior, Martin Art Gallery, Muhlenberg College, Allentown, PA

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

His work has been exhibited in venues such as the capcMusée, Bordeaux, France (1997); the ITT InterCommunication Center, Tokyo (2000); the Herzliya Museum of Art, Israel (2001); Pinacoteca Sao Paulo, Brazil (2009); Musée Chagall, Nice (2009); and the Henry Art Gallery, Seattle (2010); and in the group exhibition Notations: The Cage Effect Today at Hunter College Art Gallery in NYC (2012); Boursier - Mougenot presented solo exhibitions at the Barbican Center in London, the Queensland Art Gallery in Australia, PS1 (MoMA), NYC, and FRAC Champagne - Ardenne in Reims, France.

Trevor Stafford also echoes an actual structure of gallery windows, while Suzanne Song's especially nice acrylic only looks like a wall drawing.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

The transition into the externalized reconstruction of the viewer's own mind that fills the main gallery is signaled by Lucas Knipscher's What Nice Feet I Have # 1, a flat circle covered in newspaper that hangs from a narrow square pole just inches above its own shadow on the slick concrete floor.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

«Confections,» a recent group show at New York's Allan Stone Projects (whose proprietor, Allan Stone, is an old friend of the artist and has shown his works at the gallery since the»60s), gathered a handful of artists — Emily Eveleth, Derrick Guild, Richard Hickam, Don Nice, and Lorraine Shemesh — who have done just this.

, curated by Beth Rudin DeWoody, Wilding Cran Gallery, Los Angeles, CA (2017); Walk the Distance and Slow Down: Selections from the Collection of JoAnn Gonzalez Hickey, Boulder Museum of Contemporary Art, CO (2017); Postcards to AZ, Josée Bienvenu Gallery, New York (2016); Martí Cormand, Galería Cayón, Madrid, ES (2014); Formalizing Their Concept, Galería Casado Santapau, Madrid, ES (2014); Formalizing their concept, Josée Bienvenu Gallery, New York (2013); False Documents and Other Illustrations, Portland Museum of Art, ME (2010 - 2011); Arranz - Bravo Foundation, Hospitalet de Llobregat, Barcelona, ES (2010); Galerie Lelong, New York (2010); Martí Cormand: Aldrich Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT (2007); Villa Arson, Nice (2006).

Selected exhibitions include: Josée Bienvenu Gallery, New York (2016); Galería Cayón, Madrid, ES; Galería Casado Santapau, Madrid, ES (2014); Josée Bienvenu Gallery, New York; Galeria etHall, Barcelona, ES (2013); Portland Museum of Art, OR (2010 - 2011); Arranz - Bravo Foundation, Hospitalet de Llobregat, Barcelona, ES; Galerie Lelong, New York (2010); Aldrich Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT (2007); Villa Arson, Nice, FR (2006).

Recent group exhibitions include Drawing Island, The Journal Gallery, Brooklyn; A Way of Living, APALAZZOGALLERY, Brescia; Nice Weather, curated by David Salle, Skarstedt, New York; and LSD, Rob Tuffnell, London (2016).

It's nice to be involved with a London - based fair and do something on home turf outside of the gallery.