If you like escapist espionage thrillers with lots of action, perhaps there's enough quality actors, superb stunt work, and
nice location shoots to give The November Man a passable grade, especially because the R - rated action can be quite brutal compared to a James Bond flick.
Not exact matches
There are lots of different
locations here for
nice photo
shootings — as you can see in this outfit at the Morrocan garden.
A step above most blogs, for sure... love the use of ambient lighting, and your
locations are
nice too, not sure who
shoots for you but they're doing a great job:) I love your style too, minimal yet standout.
When
shooting this look, we didn't really have a set
location but we found this gate in front of a residential community in Coconut Grove and the guard at the gate was really
nice (and vocal) about us
shooting there.
There are in fact some
nice places like old streets and buildings that make good
locations for
shootings.
With an Antonionian awareness of the relationship between space and people, filmmaker Michael Winterbottomâ $ ™ s visual text initially opens with a
nice aerial
shot of the wasteland plains, but for the rest of the picture the director summons up very little effort in modifying the look of his
locations.
The New York
location photography has
nice detail and depth — you can see it in a bravura opening crane
shot that starts with a view of downtown, then tracks sideways as Swank emerges from a Chinatown subway stop.
The
location shoots in Ecuador (or a great outdoors that can pass for it) provide a
nice and lush contrast to the typical cityscapes and sets of the rest of the movie.
It sports a solid soundtrack, good
location shots (set in Santa Cruz),
nice cinematography from Michael Chapman (The Last Waltz, Taxi Driver), and an effective score by veteran Thomas Newman (Revenge of the Nerds, The Shawshank Redemption).
As I'm familiar with the area in which the movie was
shot, I would have liked to have heard more about
location scouting and it would be
nice to learn more about how the «script» melds with the multiple takes.
A comprehensive behind - the - scenes section offers a look at preliminary visual effects footage and video from
location scouts and the actual
shoot, which can also be viewed on a split screen (a
nice, if needless, option in some cases — the footage doesn't always easily match up, sometimes not at all, making for fractured Timecode - like viewing).
Panel wise transitions like these were usually eased in by first showing a close up of Anne with a trailing thought, while the next frame had a
nice large establishing
shot of the new
location and / or time finished the thought.