The one
night performance piece «Reverse Profiling» was held at the gallery entrance that very night.
«The Last Hope» was a one -
night performance piece held at the Museum of Arts and Design in New York in which Lizzi Bougatsos engaged with the late artist Harry Bertoia «s mid-century Sonambient sculptures to create a partially improvised orchestral composition.
Not exact matches
That said, I think Denzel Washington gives one of the best self - directed
performances by any American actor, and one of his strongest moments comes when Troy Maxson is awakened in the middle of the
night with (I won't spoil it) the only
piece of news in August Wilson's play that completely blindsides him.
But while Sean Penn, Philip Seymour Hoffman or Meryl Streep win prizes, and their acting may feel true or right, it is detrimental to the craft to hold up as ideal only those
performances that work as audition
pieces, or as 30 - second excerpts on Oscar
night.
Wheatley beautifully blends the freaky sound design and unsettling atmosphere of his previous picture to a comedic sensibility that owes a little something to Julia Davis («Nighty
Night «-RRB- and Mike Leigh, but the real genius of the
piece comes in the way that Lowe and Oram's script (and the hopefully - star - making
performances from the duo) is really a trojan horse; underneath the glam - free «Natural Born Killers» overtones, it's a beautifully observed drama about a dissolving relationship — a blood - spattered «Blue Valentine,» if you will.
Had its trippy - dippy, anachronistic cross-cutting and madly - inappropriate scoring appeared in 1968 (the year of Rosemary's Baby,
Night of the Living Dead, If..., 2001: A Space Odyssey, and the film to which it perhaps owes its greatest allegiance, Once Upon a Time in the West),
Performance would've found traction and good company as a foundational film for the American New Wave instead of as a picture that, for all its foment and formal revolution, seemed hysterical against a maturing, more sedate (d) mainstream avant - garde parade of stuff like El Topo, Zabriskie Point, MASH, and Five Easy
Pieces.
Options exclusive to the AMG 63 models include an active exhaust system, an AMG
Night Package with high gloss black exterior and interior trim
pieces, a Carbon Fiber Package, 20 - or 21 - inch light alloy wheel designs, and AMG's
Performance Studio Interior with more aggressive sport seats and a Nappa leather interior.
Light City — a free large - scale light, music, and innovation festival — take overs the waterfront in Baltimore, Maryland from April 14 to 21 with a full line - up of
performances and free concerts (ranging from a 10 -
piece brass ensemble to hip hop legend Grandmaster Flash), an opening
night parade, closing
night fireworks, and 21 brand new juried light installations by artists from around the world.
FYI: As part of my new
performance piece, «John Lindeman: To Have and To Hold Off on Playing,» I finally started playing Chrono Trigger DS last
night!
FYI: As part of my new
performance piece, «John Lindeman: To Have and To Hold Off» I finally started playing Chrono Trigger DS last
night!
The finale consisted of a well deserved standing ovation from the packed house, encouraging not just one, not two, but three encore
performances, with additional
pieces not on the program, before the
night came to a conclusion.
December 2006 Beware the Holiday Punchbowl: An Evening of Cautionary Songs and Stories SI Museum, Staten Island, NY February 2006 MY NEW YORK SLIP: A Post-Valentine's Day Post-Mortem w / Minnie Van Driver SI Museum, Staten Island, NY February 2005 FREE LOVE w / Minnie Van Driver The Muddy Cup, Staten Island, NY April 2003 Ask Minnie Day de Dada Part Deux, The Muddy Cup, Staten Island, NY April 2002 Love Songs & Posh Tunes Day de Dada, The Muddy Cup, Staten Island, NY Feb. 1996 Original Soundtrack Dixon Place, NYC, NY Feb. 1991 The Odile Variations Theater 22, NYC, NY May 1987 Looking Good: Reuben Sandwich at The Saint The Saint, NYC, NY Apr. 1986 The Wakitty WAC's, A USO show for the New Militarism Darinka, NYC, NY Aug. 1985 Prime Parts 8 BC, NYC, NY May 1985 Trite»N' True: an unexplained series of events Darinka, NYC Mar. 1985 HEARTBREAKLAND: a
performance Darinka, NYC Dec. 1984 Nocturnes Darinka, NYC Nov. 1983 Bars of
Night a
performance BACA, Brooklyn, NY July 1983 Man Machine / Men Magazine: a
performance Inroads Multimedia Art Center, NYC, NY 10012 July 1981 Europarail: Images of Other Places Inroads, NYC Dec. 1980 I Hear America Eating: a massive media
piece Rutgers University, NJ July 1980 Love is Like a Poached Egg: a
performance 15th Annual Avant - Garde Festival, NYC Apr. 1980 Meteors Crossing: an exercise in 25 acts Franklin Furnace, NYC, NY Grants 2011 Visual AIDS Artists» Material Grant 1985 185 Nassau Street Corporation
As E.S.P. TV goes «on air» this
piece will transform into the set of the
night's
performance.
Drennen has performed versions of his «AWFUL»
piece at Socrates Sculpture Park (Awful Outside, 2011), during Atlanta's FLUX
Night performance festival (1 - Hour Awful for Apemantus, 2011), and at the openings for his own exhibitions (Awful Inside Saltworks, 2012; Awful Inside Florida Mining, 2014; and Awful Inside Samsøñ, 2014).
Though this is a solo exhibition, he has enlisted the help of two
performances to fill the
night: at 8 pm, Another Lopez, who is the subject of a photo series by Perdomo, will perform a live dance installation
piece and at 8:30 pm the silly, catchy, trash - loving band Pinc Louds will be leaving their home base of the NYC subway underground to play a colorful set.
But what further differentiates an artist's sketch from a skit on Saturday
Night Liveis that these videos and
performances are «made specifically to be in a dialogue with other
pieces of art — paintings, sculpture — rather than in a dialogue with TV and other mass media,» says Phillips.
The three -
night program (Wednesday, May 30 and June 27) will feature edgy interpretations of color - field painting through multimedia, sound and
performance pieces curated by artists Richard Chartier and Brandon Morse.
Guests were encouraged to participate in a one -
night - only
performance piece, in which custom - made Wangechi Mutu chocolate mermaids were served throughout the
night — with the stipulation that guests could only take home a mermaid after snapping a photo of their first bite, lick, taste — Wangechi's take on the public consumption of brown bodies.
Surrounding the April opening, curator of the exhibition, Trevor Schoonmaker, hosted a talk with Wangechi; and museum goers were able to experience a one -
night - only
performance piece by Wanda Ortiz, commissioned specifically for the show.
Amnesia Wars presents «Ciphered Bridges», an exhibition and in which accomplished musicians, dancers, and actors improvisationally devise
performance pieces as decreed each
night by international conceptual artist Køvvånng.
There will even be a
performance piece on the
night of the Opening Reception.
Forced Entertainment will present a week of
performances in Oslo at the National Theatre between 20th — 24th September, including showings of «The Coming Storm» (20/21), «The Notebook» (22/23), «Broadcast / Looping
Pieces» (22 at Black Box, Olso) and «And on the Thousandth
Night...», culminating in the company being given the International Ibsen Award.
The third and fourth
nights will be dedicated to three seminal
performances from a formative period in Jonas's career: Mirror Check, Mirror
Piece II and Mirage, the latter performed by Jonas herself for the first time since 1980.
On closing
night, the Contemporary Art Museum St. Louis hosted an event featuring Liliya Lifanova's
performance art
piece Anatomy is Destiny, one of the
pieces in the exhibition.
Highlights from Art
Night 2017 included Melanie Manchot attracting hundreds of people to join in with a mass dance
performance in Exchange Square, Jake and Dinos Chapman transforming a vacant warehouse at London Dock with eyeless mannequins and a new video
piece, Ian Whittlesea inviting members of the public down into the Bascule Chamber of Tower Bridge to experience his guided meditation work, and Benedict Drew's four - hour
performance with experimental musicians at Whitechapel Gallery.
Four of the participants also seized the unique opportunity to take part in a staging of Zhana Ivanova's
performance piece during Basel Museums
Night 2016.
Documentation of «Scan 1» together with the
performance piece «Longest Day of
Night» from 1973 and «Outside Chance» from 1975 are currently on view at Andrew Kreps Gallery through February 24.
Carl Andre, 10 x 10 Altstadt Copper Square, 1967 Carl Andre, Fall, 1968 Robert Morris, Untitled (Corner
Piece), 1964 Robert Morris, Untitled (Pink Felt), 1970 Donald Judd, Untitled, 1968 Donald Judd, Untitled, 1969 Bruce Nauman, Lighted
Performance Box, 1969 Bruce Nauman, Green Light Corridor, 1970 Robert Ryman, Classico IV, 1968 Robert Ryman, Surface Veil I, 1970 Robert Ryman, Surface Veil II, c. 1970 Richard Serra, Belts, 1966 — 67 Richard Serra, Strike: To Roberta and Rudy, 1969 — 71 James Turrell, Afrum I (White), 1967 James Turrell, Lunette, Varese, 1974 James Turrell,
Night Passage, 1987 Dan Flavin, greens crossing greens, 1966 Sol LeWitt, Wall Drawing # 146, 1972 Robert Mangold, Circle In and Out of a Polygon 2, 1973 Brice Marden, D'après la Marquise de la Solana, 1969