Sentences with phrase «night vision images»

They say the night vision images are crisp and clear.

They also have mentioned the night vision images are clear enough to see their baby in the dark.

Not exact matches

So we just launched the version two of the Wyze Cam, we just started shipping that this week and for that, we took feedback from our customers of how they liked the first version and then we worked with our manufacturer to improve primarily internal components to improve the image quality, the night vision and some different aspects of the chipset within the camera.

Night visions therefore do not relate to the problem of image and Word.

His scope has a night - vision, heat - sensitive scope so that he can shoot at night and see the heat images of enemies hiding behind walls.

The images are crystal clear with 720p HD, and display excellent night vision with distances up to 30 ft.. The Mini also features a 115 - degree viewing angle, and a built - in microphone for audio playback and recording.

For a better night vision and peace of mind, infrared helps monitor a clear image at night.

It projects a clear image at 480 x 320 resolution, making the night vision mode extra reliable.

However, you do have to have the camera as close to the crib as possible when it's in night vision mode; the farther you take it away, the less clear the image gets.

Night vision feature provides clear images of your baby even when the lights are closed in his room

The infrared night vision feature will automatically adjust the light levels on the camera to project clear images in the dark.

The night vision produces crisp, clear images by adjusting the lighting to produce the perfect clear video images so you will not have to go and disturb your baby will they are resting.

A camera with night vision is a camera that can adjust light levels in a room to pick up images and project them in black and white on a monitor.

They like that the night vision function produces images just as clear as the color images.

The monitor transmits crystal clear color images and clear black and white images when it is in the night vision mode.

The infrared night vision feature will adjust the light levels in the room and project a clear black and white image of everything that occurs.

Parents also like the clear images the camera produces in color and in black and white when the camera is in night vision mode.

This camera is equipped with a night vision range up to 30 feet, with a clear and sharp HD image during both day and night time operation.

The screen shows a crystal - clear image and also has night vision allowing you to see up to 15 feet in darkness.

Video monitors offer a variety of options, including different screen sizes, cameras that pan and zoom, and even night - vision images.

A pair of bi-ocular night vision goggles built around image intensifier tubes, Armasight is equipped with high - grade optics, a range of lenses, and wide angle infrared IR illuminators for long - range use.

Humans are among the animals that have image - forming vision, and are able to see in colour in the day (polychromatic diurnal vision) and in black and white at night (monochromatic nocturnal vision)-- the shades of colour that we pick up on an evening out trigger our diurnal receptors at very low levels.

The result is a fascinating night vision sequence with two different looks achieved through separate vision systems (infrared for Benicio Del Toro's POV and green image - enhancer for everyone else's).

Exactly as tedious as Steamboy, then, and covering exactly the same ground, Howl's Moving Castle shares with Ôtomo's film, too, a giant steam - powered ball as its central image, encapsulating a vision of Victorian England in a Frankenstein's yin / yang clattering along inexorably like the Industrial Revolution while gorgeous impressionistic watercolour towns are polluted by coal smoke from a fleet of trains burning through the forests at night.

The one saving grace of Sicario is the considerable talent of cinematographer Roger Deakins, who continually finds new, striking images to couch all the action in: breathtaking aerial shots that fittingly transform the border zone into some hugely elaborate model, the green - tinged night - vision shots that accompany the team taking over a cartel tunnel, the impenetrable sea of dust a bomb blast carries in its wake.

This puts a 12.3 - inch adaptive display in front of the driver, relaying all the usual information plus detailed navigation mapping, night vision assistant images, and other functions in crystal clarity.

An optional head - up display projects the car's speed, navigation instructions and other information onto the windshield in the driver's line of sight, while an available Night Vision with Pedestrian Detection system uses an infrared camera to display a negative - image view of what's beyond the car's headlamps.

Once an obstacle is detected, the digital speedometer display in the dash of the vehicle will switch to a bright, night - vision image of the road, with people and animals highlighted in color so they are easier to identify and avoid.

Auto Focus, Multi-shot, Night Vision, Single Touch Camera Operation, Stored Image Format, Live Photo Mode, Motion Tracking Mode, Multi Angle View Mode, Face Beauty, Panorama Mode, Slow Motion Video, 88 Degree Wide Angle, LED Flash Support, Samsung Sensor, Video in Video (VIV) Mode, Picture in Picture (PIP) Mode, HDR, Gesture Shot, Smile Shot, GPS Location Info

Brambilla shot the images using black - and - white night vision, with views of traffic circulating around the park's perimeter and Columbus Circle depicted as a pulsing light show of energy.

The works featured include Brassaï's well - known Paris de Nuit images, Ilse Bing's early formalist compositions, Doisneau's free - spirited and engaging photographs of Parisian nightlife, and André Kertész's early night photographs from Hungary — the purported inspiration for Brassaï's Paris series — as well as remarkable New York images that reveal the artist's consistently innovative vision further inspired by the night.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

For the large scale photograph «Nacht,» the artist used night - vision technology to produce ominous, militaristic images of contemporary Dusseldorf at night.

Although a 1.76 hour billable work day may bring to mind visions of a lawyer bogged down nights and weekends tending to administrivia (that could otherwise be delegated), that same number just as easily evokes an image of highly efficient practitioner who delegates work to associates or through outsourcing and earns a profit off the work that they're doing.

With night vision on, the image had strong contrast with detailed shadows and highlights.

With night vision activated, the image had strong tonal contrast with plenty of detail.

The updated hardware increases video resolution from 720P to 1080P; comes with a removable battery pack and removable faceplates; boasts better night - vision image clarity; and has a new, updated design.

Night vision, which illuminates up to about 10 feet, brightened the image up enough to see clearly even without a porch light on.

Night vision goggles display the world in green because the human eye is more sensitive to green than any other color, and a monochromatic green image offers the most accurate monochromatic view for the user.

The Ring doorbells and the RemoBell use infrared for their night vision, but that results in a grainier, monochrome image.

Utilized state of the art image - relaying cameras and sensors including Lockheed infrared night vision and Recon thermal video imaging.