Sentences with word «nihonga»

Yuka Kashihara uses oil paint applied in a thinly diffuse manner similar to that of Japanese nihonga painting, and by applying it in numerous layers she is able to create a unique depth of color.

The artist's long - standing interest in Japanese nihonga painting and the contemporary practices of manga and animation are highlighted in this important body of work.

The particular form of nihonga practiced by Motonaga is known as tarashikomi, a type of painting that drops or pours succeeding layers of paint, without mixing them, over preceding layers before they dry.

They studied nihonga in art school, the traditional form of Japanese painting on paper or silk using natural pigments.

Yoshikawa employs traditional Japanese brush painting methods known as nihonga and sumi - e to create compositions reflecting nature and abstractions.

Born in Matsumoto, Japan, in 1929, the artist studied the traditional painting technique nihonga at the Kyoto Municipal School of Arts in 1948.

Born in Nagoya in 1932, Tadaaki Kuwayama rejected the doctrinaire strictures of the Japanese nihonga tradition, preferring to move to New York in 1958 where he encountered an art scene on the cusp of a new wave of currents such as conceptual art, minimalism and pop.

Tadaaki Kuwayama graduated from the Tokyo National University of Fine Arts and Music in 1956, having studied nihonga, a traditional form of Japanese painting.

He executes the paintings, like Shiraga, with the supports on the ground, but he uses techniques from Japanese nihonga, traditional painting with attendant materials.

In fact, unlike Murakami, Aida and Nara, who cite manga and nihonga painting as references in their work, Gokita tells me it was a generation of New York Neo-Expressionists, then centered around Mary Boone Gallery, who had made the biggest impression on him during his student days at art college.

(She also links the birth of the Mungnimhoe style to a traumatic period of Korean history, noting that the Ink Forest painters grew up under Japanese occupation and that for them «ink painting was an opportunity through which to free the mark from what its members saw as the obligations imposed on it via the dominance of nihonga, the body of paintings made according to traditional Japanese artistic conventions.»)

Born in 1932 in Nagoya, Japan, Tadaaki Kuwayama graduated from the Tokyo National University of Fine Arts and Music (1956), having studied nihonga, a traditional form of Japanese painting on paper or silk that uses naturally derived pigments and puts extreme emphasis on outlines and tonal modulation.

By 1965, he had fully abandoned all nihonga techniques and began using spray - paint in an effort to make inscrutable works that were free from scratches and imperfections as well as any traces of the artist's hand.

Hisao Domoto was a Japanese artist who was born in 1928 and was primarily trained as a nihonga artist in his youth.