Many writers I knew were still confidently repeating legacy publishers» talking points about how self - published books are of low quality,
nobody makes any money at it, you would ruin your chances of ever landing a «real publisher,» etc..
Not exact matches
«We do it to turn a profit or
at least not lose too much...
Nobody will be criticizing the predictive power of our odds, they'll be looking
at the
money we
made.»
«
Nobody is saying don't
make money,
make it good and clean; but not some of the ones I know; sickening, that kind of greed and selfishness, look
at where it landed us.
The year is 1940, and Catrin Cole (Gemma Arterton) needs to
make some
money to help support herself and her starving - artist husband Ellis (Jack Huston), a wounded veteran who paints the sort of dark, expressionistic work of the horrors of war that
nobody wants to buy
at this time.
But
at the time,
nobody talked much about the complexities of Salle's art — mostly they talked about the fact that, following a decade of minimal and conceptual art, artists were again
making paintings and
money.