Sentences with word «nocturne»

Ramos's public work El Monte Legion Stadium Nocturne (2014) can be seen at the El Monte Station of the Los Angeles Metro.

Titled «Nocturne,» it was an ambitious, mural - size work in a palette of dark blues, reds, and greens whose «weight,» as Fishman would put it, defied the modesty and delicacy of its materials.

For example, although the exhibition focuses exclusively on paintings from the last ten years, echoes of earlier works, such as those from the mid-1980s that pay homage to abstract artists Bridget Riley and Barnett Newman, can be seen in Rose Nocturne (2002) and Port of Saints (2007).

- Nocturne: Blue and Gold - Old Battersea Bridge (1874) Tate Collection, London.

- Nocturne in Black and Gold: The Falling Rocket: (1875) Detroit Institute of Arts.

And as a departure from Wilner's self imposed representational parameters of the year, Making History: September 2009 made use of selections from musical scores to create a kind of soundtrack to the cinematic visuals of the rest of the year, a nocturne composed from the detritus of daily events.

Nocturne, Cologne 2011 White Cube (Ed.)

Susan Fenton's «Egg, Cloth and Vase (Nocturne Series)» is among the works on view in the exhibit «Photo Extremes: Realism / Abstraction» through Sept. 22 at DesignWorks in Galveston.

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork

Philip Taaffe, «Nocturne with Architectural Fragments,» 2014, Mixed media on canvas, 150 x 111 1/4 inches (381 x 282.6 cm).

Four additional works from the artist's Nocturne series (1999) will also feature at Sophia Contemporary's booth at Frieze Masters Collections, a section of the fair featuring galleries selected by Sir Norman Rosenthal, from 6 — 9 October.

The paintings are Frank Auerbach's «Oxford Street Building Site» (1959/60) and JM Whistler's «Nocturne: Blue and Silver — Cremorne Lights» (1872) which are part of the BP British Art Displays at Tate Britain.

ALISON SAAR, «Compton Nocturne,» 2012 (color lithograph).

1983 Language, Drama, Source, and Vision, The New Museum of Contemporary Art, New York, USA (curated by Lynn Gumpert, Ned Rifkin and Marcia Tucker) Contemporary Abstract Painting and Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, USA (curated by Tom Hudspeth) Nocturne.

Compositionally, the paintings range from compressed layers to airy patterns, such as Nocturne with Architectural Fragments (2014), with its layered structure of geometrical lines.

The pavilion itself was the setting for The Other Side (2002), in which ballroom dancers float serenely through its dreamlike architecture, to the accompaniment of a Schubert nocturne for piano trio.

• Nocturne in Blue and Silver: Cremorne Lights (1872) Tate Gallery, London.

In «Stars and Their Display» (1972), one of the exhibition's most beautiful pieces, blocky strokes of dark blue layered over lighter areas of red, blue and yellow produce a beguiling nocturne.

Beautiful compositions by some of the best Post-Impressionist painters include: Nocturne in Blue and Green: Chelsea (1871, Tate Gallery, London) by Whistler (1834 - 1903); Lac d'Annecy (1896, Courtauld Gallery, London) by Paul Cezanne (1839 - 1906); Tahitian Landscape (1893, Minneapolis Institute of Arts) by Paul Gauguin (1848 - 1903); Wheatfield with Crows (1890, Van Gogh Museum, Amsterdam) by Vincent Van Gogh (1853 - 1890); Sunday Afternoon on the Island of La Grange Jatte (1886, Art Institute Of Chicago) and Bathers at Asnieres (1884, National Gallery, London) by Georges Seurat (1859 - 1891); The Talisman (1888, Musee d'Orsay, Paris) by Paul Serusier (1864 - 1927); Moulin de la Galette in Snow (1923, Private Collection) by Maurice Utrillo (1883 - 1955).

Whistler, for instance, used to give some of his paintings musical titles like Nocturne: Blue and Silver - Chelsea (1871, Tate Collection).

Luminist landscapes - exemplified by those of Frederic E Church, Albert Bierstadt, and the Missouri frontier painter George Caleb Bingham (1811 - 79)- were characterized by intense, often dramatic light effects, a style visible also in the hauntingly beautiful works of Whistler, such as Crepuscule in Flesh Colour and Green, Valparaiso (1866) and Nocturne: Blue and Silver - Chelsea (1871).

As a teacher, Thomas has taught painting through the S.B.C.C. Continuing Education program for ten years, two Plein Air Painting Nocturne workshops through the Carnegie Art Museum, Oxnard California, and oil painting workshops in Santa Barbara.

PROGRAM JOHN CAGE: Nocturne (1947) Rebecca Anderson, Violin Han Chen, Piano ELLIOTT CARTER: Epigrams (2012) Han Chen, Piano Rebecca Anderson, Violin Madeline Fayette, Cello MARIO DAVIDOVSKY: Flashbacks (1995 - 96) Rosie Gallagher, Flute Bixby Kennedy, Clarinet Brandon Ilaw, Percussion Han Chen, Piano Rebecca Anderson, Violin Madeline Fayette, Cello CHARLES WUORINEN, New York Notes (1982) I. Quarter Note = 80 II.

In Part IV of Abstract Expressions, members of Ensemble Connect perform John Cage's Nocturne for Violin and Piano (1947); Mario Davidovsky's Flashbacks (1995); Elliott Carter's Epigrams (2012); and Charles Wuorinen's New York Notes (1982).

I am particularly mesmerised by Christine Clark's Nocturne, which I would buy on the spot if I could afford the # 4,000 price tag.

His solo exhibitions include Nocturne at the Roq La Rue Gallery, Seattle, and Semiprecious at the Hashimoto Contemporary, San Francisco, both held in 2013.

Darren Almond: Nocturne.

Armsrock (interviewed) recently opened up a show in Copenhagen at the Wonderland Art Space entitled Nocturne On A Drainpipe Flute.

Chester Arnold Interchange: Nocturne # 3, 2003 oil on linen 18 x 22 inches CAp 31 20.

The title of the series, — Night Writing ‖ is a reference to «Ecriture Nocturne», a secret code written in the early 19th century so that Napolean's soldiers could communicate at night, silently and without light.

Prior to joining JMKAC, she developed interpretive programs for house museums and heritage sites in Canada and the US and co-founded a 12 - hour public art festival, Nocturne: Art at Night, in Nova Scotia.

Nocturne II (Road to Ice Pond), 2013, dual - sided projection screen, mirrored spheres, four point - sources of light, antique window frame, arranged branches and rigging, dimensions variable.

Sullivan Goss presents a new exhibition of paintings by Nicole Strasburg, featuring turns towards fauna as well as flora and with the artist's first nocturne painting.

Nocturne painting depicts scenes evocative of night or subjects as they appear in a veil of light, in twilight, or in the absence of direct light.

Many are openly political — concerning the body (Yi Dai, Nocturne), society, and the state (Matt Copson, Reynard with a Vengeance).

ASHLEY BICKERTON Red Scooter Nocturne, 2010 - 2011 acrylic, digital print and plastic laminate on wood 65.5 x 76.75 x 5 inches 166.4 x 194.9 x 12.7 cm LM14678

Nocturne Supernatural - Colored acrylic plastic glued together, sanded and polished, 2005 99.5 x 61.5 in CALL FOR PRICE

In 1877, John Ruskin derided Nocturne in Black and Gold: The Falling Rocket after the artist, James McNeill Whistler, showed it at Grosvenor Gallery: [30] «I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.»

If enlightenment is to be achieved through the pain of introspection, the nocturne is a path to that goal.

Susan Lubowsky Talbott: «The subject of the nocturne with its sense of mystery, beauty and even foreboding is one that has long intrigued artists... Through the nocturne, artists today can reconcile romantic nostalgia with the harshness of modern life to depict worlds both real and imagined, brutal and sublime.»

The James Reinish booth is blanketed with works by artists exhibited by Alfred Stieglitz, including his own photographs, a small, excellent, nearly abstract nocturne by Georgia O'Keeffe and a 1908 tribute to Cezanne's bathers by Abraham Walkowitz.

By focusing on the nocturne, they can present enigmatic terrains where mood overwhelms realism.

Early intimations of a new art had been made by James McNeill Whistler who, in his painting Nocturne in Black and Gold: The falling Rocket, (1872), placed greater emphasis on visual sensation than the depiction of objects.

In this climate of nostalgia, the nocturne has come to represent a contemporary expression of poetic and introspective visions.»

In an effort to restore the magic of art, these painters are looking back to the nocturne, that sublime order of the nineteenth - century Romantic landscape, and redefining it in a contemporary context.

«The darkened soul, as envisioned by St. John of the Cross, is a concept that well suits the nocturne.

Ms. Jackson has lent her paintings to the ART in Embassies Program and received a commission to paint a nocturne of the White House for President and Mrs. Clinton's holiday card in 1997.

Nocturne (Pierce Brothers Westwood Village), 2011.

«Fitler Square Nocturne,» for example, has a break in suggested black fencing inviting a stroll through vertical shapes of oil colors that might suggest trees and light stanchions.

T. Kelly Mason Nocturne (Pierce Brothers Westwood Village), 2011 December 20, 2011 - May 27, 2012 T. Kelly Mason.