It plays like a pulp
noir thriller by way of a road movie of the damned, marinated in mescal and left to rot in the desert sun.
Not exact matches
Academy Award - winning director Boyle (last seen directing the opening ceremonies at the London Olympics) bounces around from genre to genre, but his upcoming art heist
thriller Trance probably hews closest to his first feature, the small - scale modern
noir Shallow Grave (which was also written
by John Hodge).
Dakota Johnson is set to join Andrew Garfield in the Los Angeles set
noir crime
thriller, Under the Silver Lake directed and written
by David Robert Mitchell.
Yet
by framing these controversial manoeuvres as a suspenseful,
noir - tinged
thriller, Spielberg forces self - examination when it comes to the self - lacerating pleasures of state - sponsored blood revenge.
Here is something most neo-
noir miss: the classic
noir weren't just super-stylized
thrillers or sex dramas (though many were), they were psychological portraits of a nation wounded
by war and horrified
by the dawning Atomic Age.
Also opening today (in a limited release) and very highly recommended: «We Need to Talk About Kevin»
by Lynne Ramsay, a
thriller in which neo
noir meets New Age parenting.
Starring Tye Sheridan (X-Men Apocalypse, Ready Player One) and directed
by Christopher Smith (Triangle, Creep) tense, stylish
noir thriller Detour comes to cinemas and...
«Casablanca,» which expertly melds several key»40s Hollywood genres (drama, comedy,
noir, spy
thriller, love story) was adapted from a truly lousy play «Everybody Goes to Rick's,» reworked
by the Epstein brothers (Julius and Philip) and Howard Koch, and directed
by that sometimes underrated master, Michael Curtiz.
Akira Kurosawa wasn't known for film
noir or crime
thrillers, but he did do a genre drive -
by back in 1963.
Nicholas Ray's emotionally charged adaptation of the Dorothy B. Hughes
thriller In a Lonely Place is a brilliant, turbulent mix of suspenseful
noir and devastating melodrama, fueled
by a powerhouse performance from Humphrey Bogart, who plays a gifted but washed - up screenwriter who becomes the prime suspect in a Tinseltown murder.
The project is described as a «modern - day
noir crime
thriller set in Los Angeles,» and it's based on an original script written
by Mitchell himself.
The Hitch - Hiker is a tense crime
thriller, directed
by Ida Lupino — the first female filmmaker to break into the American mainstream with a film
noir.
«Le Cercle Rouge,» will essentially kick off the film
noir lineup on Friday and will be followed
by «The Eavesdropper,» an espionage
thriller directed and co-written
by Thomas Kruithof.
The former is a supernatural
thriller whereas Giallo, a genre established
by Mario Bava in 1967 with the visually sumptuous KILL, BABY... KILL, may invoke the spirit but leans heavily toward the murder - mystery elements of
noir.
Frank & Lola, a romantic
noir thriller starring Michael Shannon and Imogen Poots, is directed
by Matthew Ross (not to be confused with Captain Fantastic director Matt Ross), who will attend the screening.
Whether she is defined for audiences
by Rita Hayworth as the hair - flipping title character in the 1946
noir Gilda or
by Scarlett Johansson as an irresistible, ethereal being in the 2013 sci - fi drama Under the Skin, male film characters have had plenty to concern themselves over when a potential love interest starts batting her eyelashes or — as Oscar - winning actress Jennifer Lawrence (Silver Linings Playbook) does in her new spy
thriller — bares all for the uncomfortable assignment at hand.
Any genre you want is used to tell the story — from film
noir to romance, action
thrillers to comedy — the only thing that remains absolutely consistent is that they are all set in the City
by the Bay.
Noir expert Richard Fleischer specialized in true - crime movies («Compulsion,» «The Boston Strangler») and this is one of his best: a chilling realistic
thriller modeled on the famous case of British serial killer Dr. John Christie (brilliantly underplayed
by Richard Attenborough), and the hapless man he frames for one of his murders, (a brilliant job
by John Hurt).
RICHARD WIDMARK
By Kent Jones Nominated for an Oscar for his debut performance as the giggling killer in Kiss of Death, he escaped typecasting and went on to become an icon of driven, intense postwar America masculinity in some of the key Westerns,
noirs, and
thrillers of the Fifties and Sixties.
Pilot Theatre and York Theatre Royal present a brand new adaptation of Graham Greene's classic
noir thriller Brighton Rock, written
by Bryony Lavery, directed
by Esther Richardson, with new music
by the composer Hannah Peel.
Pilot Theatre and York Theatre Royal present a brand new adaptation of Graham Greene's classic
noir thriller Brighton Rock, written
by Bryony Laver...
This unrelentingly paced mix of
thriller and straight - up horror (watch for friction burns on your page - turning finger) blends the cinematic delights of tough - guy
noir with such smart - mouthed gore fests as Reanimator and Army of Darkness, seasoned
by soupçons of Gaimanian romanticism and Koontzian sentiment.
For fans of Southern
noir: Natchez Burning
by Greg Iles Iles makes his comeback with this standout
thriller, the first installment of his incendiary new trilogy featuring former prosecutor turned Natchez Mayor Penn Cage.