This film feels kind of like what you'd expect from a collision between George Clooney and the Coen brothers: a comical
noir thriller with a hefty dose of social commentary.
Not exact matches
A smart, sharp and outragiously weird crime -
thriller that «s loaded
with a great sense of classic film
noir style, ideas and star - power.
L.A. Confidential is a movie bull's - eye:
noir with an attitude, a
thriller packing punches.
Think Eternal Sunshine of the Spotless Mind (2004) reimagined as a coolly elegant,
noir - shaded
thriller - although
with perhaps a little less coherence.
Danluck has great style as a filmmaker that harkens back to the best
noir thrillers of yesteryear; she just needs to write a script
with the substance to match.
Though he made a pair of low - budget film
noirs, Kubrick made his first professional studio movie
with The Killing, a tautly - paced heist
thriller centered on Johnny Clay, a veteran criminal (Sterling Hayden) planning one last heist before settling down to marriage.
It's a
noir - laden
thriller in first - person
with Peter Weller as a mental patient who may be losing his mind.
As a result, we get a Sci - Fi
thriller tinged
with Noir (instantly making it my kind of movie), but done on a budget.
Hadi Hajaig follows his low - budget,
noir thriller Puritan
with Cleanskin, a tense tale of terrorism set in London, which pits two individuals from either side of the terror war divide against each other.
The Intriguante series continues on Jan. 25
with an afternoon double - feature: «Pitfall» (1948, André de Toth), featuring Dick Powell, Lizabeth Scott and Jane Wyatt in a classic
noir love triangle, and the taut
thriller «Criss Cross» (1949, Robert Siodmak), in which a temptress (Yvonne De Carlo) leads her ex (Burt Lancaster) to his doom.
This entry was posted on June 6, 2014 at 3:20 pm and is filed under Crime, Film -
Noir,
thriller with tags 2014.
And so, our choice for the best movie of 2011 is Nicolas Winding Refn's stylish «neon
noir»
thriller Drive, an adaptation of James Sallis» 2005 novel starring Ryan Gosling as an unnamed Hollywood stunt - man and in - demand getaway driver who finds himself having to deal
with the fall - out from a heist gone wrong.
Filed Under: Blu - ray reviews, Featured, News & features 1 Tagged
With: Asian cinema, Criterion Collection, film
noir, Japanese film, Kurosawa,
thrillers
This is storytelling as symbology, traditional American genres like
noir and the
thriller picked apart
with unsettling aplomb.
The first full day of Sheffield Doc / Fest included world premieres of Magali Pettier's portrait of farming in North Yorkshire Addicted To Sheep, Brian Hill's
noir -
thriller documentary about a man who confessed to over 30 murders in Sweden The Confessions of Thomas Quick and an EU premiere of Landfill Harmonic following the fortunes of a Paraguayan orchestra
with instruments made from rubbish dump materials.
The ads make it look like an action / crime
thriller, but it's more a suspenseful
noir - ish art film
with occasional ultra-violent outbursts.
Brothers in arms The most dementedly elegiac
thriller you've ever seen, distilling a lifetime's enthusiasm for American and French film
noir,
with little Chinese about it apart from the soundtrack and the looks of the three beautiful leads.
Sophie Cookson, best known as Roxy in Matthew Vaughn's Kingsman films, who will join Adam Gillen, Steffan Rhodri and Neve McIntosh - along
with the already cast Orlando Bloom - in Tracy Letts's
noir comic
thriller Killer Joe, which Simon Evans will direct at Trafalgar Studios from May 18.
The Hitch - Hiker is a tense crime
thriller, directed by Ida Lupino — the first female filmmaker to break into the American mainstream
with a film
noir.
But Michael Tolkin's screenplay — and presumably his own novel, which he adapted — is also tricked out
with a bogus
noir thriller plot full of red herrings and a boringly conventional love story that includes the least interesting character I've ever seen Greta Scacchi play.
In this scary little
noir quadrangle
thriller, Dick Powell, who was one of the better Philip Marlowes, is a sort of lower echelon Walter Neff — an insurance man leading an apparently happy (if slightly dull) life who gets involved
with a criminal's sultry girlfriend (Lizabeth Scott).
The former is a supernatural
thriller whereas Giallo, a genre established by Mario Bava in 1967
with the visually sumptuous KILL, BABY... KILL, may invoke the spirit but leans heavily toward the murder - mystery elements of
noir.
Frank & Lola, a romantic
noir thriller starring Michael Shannon and Imogen Poots, is directed by Matthew Ross (not to be confused
with Captain Fantastic director Matt Ross), who will attend the screening.
This harrowing Belgian
noir thriller explores the subject of paedophila
with great verve and tact.
She'll co-star
with Andrew Garfield in what's being described as an LA - based «modern
noir crime
thriller».
But Bunuel is also a solid commercial filmmaker and he delivers a tight
thriller filled
with cynicism right out of American film
noir and an atmosphere unique to this film.
«Dark Film Mysteries» Details: 1945 - 52, Film Chest Media Rated: Not rated The lowdown: A three - disc set that features 11 film
noir thrillers from the 1940s and 1950s,
with such stars as Edward G. Robinson, Barbara Stanwyck, Kirk Douglas, Van Heflin, Mickey Rooney, Tom Neal, Orson Welles and Loretta Young.
The film A decade before «Basic Instinct» launched the era of the mainstream erotic
thriller, Lawrence Kasdan reinvented film
noir for a sophisticated modern audience
with this sweaty tale of scheming femmes fatales.
The first trailer has been released for «Terminal,» a new
noir thriller starring Margot Robbie as a femme fatale along
with Simon Pegg, Max Irons, Dexter Fletcher and Mike Myers.
He will produce Antlers, a supernatural horror pic that Hostiles director Scott Cooper will helm, before setting his sights on his own directorial gig: a remake of Fox's 1947
noir thriller Nightmare Alley, about a con man who hooks up
with a corrupt psychotherapist.
It's too wide a span of films to cover, not to mention that modern film
noir is practically incongruous
with the more seedy, Hitchcockian elements intrinsic to the nightmarish erotic
thrillers that dominated the years just prior to Fatal Instinct's release.
The first is a frightening psychological
thriller with the atmosphere of a Nordic
noir, following Mia (Andrea Riseborough), an architect who keeps finding herself in harrowing situations.
Part of me wishes that «I Don't Feel At Home in This World Anymore,» a shocking, comic
noir thriller from writer - director Macon Blair, were available in theaters; now having seen the film and responding vocally to its various jolts and jokes alone (so very alone) in an empty room, I can only imagine how it would have played
with a theatrical audience.
Pilot Theatre and York Theatre Royal present a brand new adaptation of Graham Greene's classic
noir thriller Brighton Rock, written by Bryony Lavery, directed by Esther Richardson,
with new music by the composer Hannah Peel.
Noir cut
with wisecracks,
thriller leavened
with slapstick: these stories of an L.A. guy named Dick whose fist starts to tingle whenever he encounters bad attitude and who gets things done outside the strictures of the law made me laugh out loud.
This unrelentingly paced mix of
thriller and straight - up horror (watch for friction burns on your page - turning finger) blends the cinematic delights of tough - guy
noir with such smart - mouthed gore fests as Reanimator and Army of Darkness, seasoned by soupçons of Gaimanian romanticism and Koontzian sentiment.
For fans of Southern
noir: Natchez Burning by Greg Iles Iles makes his comeback
with this standout
thriller, the first installment of his incendiary new trilogy featuring former prosecutor turned Natchez Mayor Penn Cage.
Pierre Lemaitre's American debut novel, Alex, is a dark and arresting crime
thriller with a classic
noir edge.
Dawson then branched out into the highly successful Beatrix Rose
thrillers (beginning
with In Cold Blood), as well as a series of «
noir» period titles and several stand - alone tales.
Anybody that loves police procedurals written tautly,
with grit and a healthy dose of
noir, will love this one... her Georgia Davis series may just be one of the best crime
thriller series being written today.
We've spent four days in the pouring rain
with Quantic Dream's ambitious
thriller noir, Heavy Rain, and are ready to pour our thoughts into a review, so you can properly forecast if the game is worth your purchase.
It happened
with the upcoming Blade Runner-esque neo
noir thriller game Detroit: Become Human.
Rockstar's
noir thriller plays to the strengths of the Switch
with console - specific enhancements, including a Joy - Con mode
with gyroscopic, gesture - based controls, HD rumble, new wide and over-the-shoulder camera angles, plus contextual touch screen controls for portable detective work.
Detroit is an action - adventure title
with a
noir thriller feel, and it hinges on the choices you make.
The ensemble's lo - fi synth - infused «re-scores» are reminiscent of the
noir thrillers, monster movies, and spaghetti westerns that inspire them,
with everything from Middle Eastern flare to garage rock jams thrown in the mix.