Sentences with phrase «nominated cinematographer»

Perhaps what is most impressive about Life of Pi is the vision of Oscar winning director Ang Lee and Oscar nominated cinematographer Claudio Miranda.

Working with Oscar - nominated cinematographer Dick Pope («The Illusionist»), Leigh — the great director of such films as «Topsy Turvy» and «Vera Drake» — illuminates the landscapes and seascapes that so inspired the artist.

One of his most frequent collaborations is with 12 - time Oscar nominated cinematographer, Roger Deakins.

Kudos are equally in order for eight - time Oscar - nominated cinematographer Roger Deakins, whose sweeping, big sky panoramas are nothing short of spectacular.

The characters and their circumstances are captured in breathtaking detail by Academy - Award ® nominated cinematographer, Roger Deakins (No Country For Old Men, The Shawshank Redemption).

Somewhat daunted by the notion of a dialogue - heavy film, it took detailed conversations with Wright for Oscar - nominated cinematographer Bruno Delbonnel to find his way in, and find his visual concept.

Wrapping up his work on the series» new season in December, Emmy - nominated cinematographer Robert McLachlan has kept himself plenty busy, between Ray Donovan and another HBO smash, Westworld.

A long - time cult favourite, Death Line features stylishly grim imagery from Oscar - nominated cinematographer Alex Thomson and a rumbustuously sleazy soundtrack from Wil Malone and Jeremy Rose.

In Camera Darklight Festival 2012 welcomed celebrated Oscar ® - nominated cinematographer Seamus McGarvey as their special guest.

Blade Runner was named the second most visually influential film of all time by the Visual Effects Society and I am very curious to see how much the 12 - time Oscar nominated cinematographer nods to the look of the original (DoP: Jordan Cronenweth), «consisting of deep shadows and vibrant colors and shafts of light so strong that you can't help but get pulled into them.»

«This film had involvement from brilliant women from all over start to finish,» said Coogler, who made a point to name several of his female collaborators, including Oscar - nominated cinematographer Rachel Morrison, Oscar - nominated costume designer Ruth E. Carter, production designer Hannah Beachler, first assistant director Lisa Satriano, editor Debbie Berman and Marvel Studios exec Victoria Alonso, who executive produced.

The black and white cinematography from Oscar Nominated cinematographer Ted D. McCord (The Sound of Music), is exceptional in both its technical aspects and use of framing to tell a story.

There are few lensers as salty, candid and talented as Roger Deakins, the most Oscar - nominated cinematographer of all time without a statuette to his credit.

«Lensed again by Oscar - nominated cinematographer Lukasz Zal in black and white, COLD WAR is a visual feast start to finish...» while «Spanish director Jaime Rosales» dramatic thriller PETRA wows with its disturbing depiction of a family...

(Rachel Morrison, the first female Oscar - nominated cinematographer, reunited with Coogler for Black Panther.)

Running time: 126 minutes Studio: Zeitgeist Films DVD Extras: «The Making of Stranded,» a 52 - minute featurette with behind - the - scenes footage of the cast and crew, and additional interviews with the Andes crash survivors, director's statement and a note on Academy Award - nominated cinematographer César Charlone, plus the U.S. theatrical trailer

The members of the jury responsible for the U.S. dramatic winners included actors Michael Stuhlbarg, Jada Pinkett Smith, and Octavia Spencer, as well as the newly Academy Award - nominated cinematographer Rachel Morrison and filmmaker Joe Swanberg.

The National Film School Lecture Series in association with Bord Scannán na hÉireann / The Irish Film Board welcome Danny Cohen, Academy Award ® - nominated Cinematographer.

Co-directed by Zhao Xiaoding, Oscar - nominated cinematographer of House of Flying Daggers, and Anthony LaMolinara, Oscar winner for his visual effects on Spider - Man 2, Once Upon a Time involves a star - crossed romance between a 140,000 - year - old goddess and a heavenly prince, 70,000 years her junior, over the course of several realms and lifetimes.

Oscar nominated director John Boorman (Deliverance 1972, Hope and Glory 1987) works with Oscar nominated cinematographer Philip H Lathrop (Earthquake 1974) to create a stylish and gritty look and feel, while Oscar winning composer Johnny Mandel (The Sandpiper, MASH theme) adds just the right musical touch.

Technically, this is one of the best - looking films of the MCU, with Oscar - nominated cinematographer Rachel Morrison giving everything a grand scale and scope that gives Black Panther an epic feel.

All right, it's probably faux folklore, but it doesn't feel faux in the hands of Coogler, co-screenwriter Joe Robert Cole, production designer Hannah Beachler, and the Oscar - nominated cinematographer Rachel Morrison.

Not exact matches

team, nominated yesterday for TWO 2018 Independent Spirit Awards, including a rare nomination for a woman cinematographer; Greta Gerwig and the

Eliza Hittman and the BEACH RATS team, nominated yesterday for TWO 2018 Independent Spirit Awards, including a rare nomination for a woman cinematographer; Greta Gerwig and the LADY BIRD team, nominated for FOUR 2018 Independent Spirit Awards; Ingrid Jungermann and the WOMEN WHO KILL team; Emily V. Gordon and THE BIG SICK team, nominated for TWO 2018 Independent Spirit Awards; Agnès Varda and FACES PLACES team, nominated in Best Documentary category; Lana Wilson and THE DEPARTURE team, nominated in the Best Documentary category; Chloé Zhao and THE RIDER team, nominated for FOUR 2018 Independent Spirit Awards; Ramona Diaz, nominated for her documentary MOTHERLAND.

The Spirit Awards Nominating Committees are comprised of writers, directors, producers, cinematographers, editors, actors, critics, casting directors, film festival programmers and other working film professionals.

Seamus McGarvey, ASC, BSC (Anna Karenina), Danny Cohen, BSC (Les Miserables), Claudio Miranda, ASC (Life of Pi), Janusz Kaminski (Lincoln) and Roger Deakins, ASC, BSC (Skyfall) have been nominated in the feature film category of the 27th Annual American Society of Cinematographers (ASC) Awards for Outstanding Achievement.

These include composer Carter Burwell, cinematographer Edward Lachman and legendary costume designer Sandy Powell, all of whom have been Oscar - nominated before.

With his Oscar nomination for Denis Villeneuve's «Blade Runner 2049,» cinematographer Roger Deakins moved past legendary lenser George J. Folsey («Executive Suite,» «Meet Me in St. Louis») as the most - nominated director of photography in history to never win the gold (14 nominations and counting).

I couldn't wait to see how cinematographer Rachel Morrison follows up her Oscar - nominated work in «Mudbound».

Some Background: Director / producer / editor / cinematographer Heineman returns to Park City following his last doc feature, ESCAPE FIRE (2012), which was nominated for an Emmy after its Sundance debut.

The year's most nominated film, Blade Runner 2049, turned eight nominations into two wins: Best Production Design and Best Cinematography, rewarding the work of legendary cinematographer Roger A. Deakins.

NEW YORK (AP)-- Guillermo del Toro's lavish monster romance «The Shape of Water» fished out a leading 13 nominations, Greta Gerwig became just the fifth woman nominated for best director and «Mudbound» cinematographer Rachel Morrison made history...

His past cinematographer, Rachel Morrison, deservedly Oscar nominated for «Mudbound,» delivers visuals with panache.

On a technical level, multi-Oscar nominated Skyfall cinematographer Roger Deakins has been replaced by Hoyte Van Hoytema - but despite having some acclaimed films on his resume (Let the Right One In, Her, Interstellar), it's clear that Van Hoytema is taking on a new action filmmaking challenge with Spectre, and he doesn't exactly rise to that challenge.

Rachel Morrison is the first female cinematographer ever nominated by the guild.

The film's cinematographer Rachel Morrison is the first female cinematographer ever nominated for an Academy Award.

«Mudbound» cinematographer Rachel Morrison also made history as the first woman nominated in the category.

For all of its superb, shock - and - awe - generating visuals — aided by oft - nominated master cinematographer Roger Deakin's (Sicario, Prisoners, Skyfall, The Assassination of Jesse James by the Coward Robert Ford) singular eye for composition — Blade Runner 2049 often feels like Villeneuve, lured by the promise of revisiting a world created by a visionary filmmaker, not only wanted to put his own, auteurist stamp on said world, creating a continuation of a standalone, sequel - adverse film that «fits» on a narrative, thematic, and visual level, but found himself seduced like so many fans over the decades by the pure power of Scott's world - building and simply couldn't leave.

Nominated for Netflix's «Mudbound,» Morrison made similar history two weeks ago with her nomination in the feature - film category at the American Society of Cinematographers Awards.

Boasting thoughtful compositions by Janusz Kaminski, the director's only cinematographer of the past twenty years, and yet another familiarly moving (and Oscar - nominated) score by John Williams, War Horse is a fine movie from a man whose directorial efforts have almost never been less than satisfactory.

She has previously been nominated for the Gaudí Awards, and has won the «Best 3D Documentary Film» at the Camerimage and «The Cinematographer Award» at The WIFTS Foundation International Visionary Awards.

Jordan Peele, the mastermind of «Get Out,» a social thriller about American racism, became the first African American to earn producer, director and writer nominations for a single film; the academy nominated a female cinematographer, «Mudbound's» Rachel Morrison, for the first time in its 90 - year history; and Greta Gerwig became just the fifth woman recognized as a director, feted for her wry, observational coming - of - age story «Lady Bird.»

Guillermo del Toro's lavish monster romance The Shape of Water fished out a leading 13 nominations, Greta Gerwig became the fifth woman nominated for best director and Mudbound cinematographer Rachel Morrison made history as the first woman to earn a nod in that category in nominations announced Tuesday for the 90th annual Academy Awards.

Plus, watch a video showing how insane it is that cinematographer Roger Deakins has been nominated for 14 Oscars and hasn't won a single one.

Morrison who is the first female cinematographer to be nominated in the history of the Academy talked about capturing the palette for Dee Rees in Mudbound.

Yet it launched the careers of its star, Adepero Oduye, and its director of photography, Bradford Young, the first African - American cinematographer to be nominated for an Academy Award.

Shot mainly in Calgary, Edmonton and Winnipeg and lasting demanding 160 minutes, this «Victorian Western,» as Dominik called it, was shot by the legendary cinematographer Roger Deakins, nominated for the Academy Award no less than thirteen times.

For most categories, only the members of the relevant branch of the Academy may submit nominations — for example, only cinematographers can nominate in the Best Cinematography category, and only directors can nominate in the Best Director category.

Extras include a new interview with Ballard, conducted by critic Scott Foundas; an interview with cinematographer Caleb Deschanel; an interview with photographer Mary Ellen Mark, five of Ballard's short films (the Oscar - nominated Harvest is not included) introduced by the filmmaker, and a trailer.

Academy Award ® nominated Lucien Ballard (The Wild Bunch) was the cinematographer, following the show's development from rehearsal to stage.