Sentences with phrase «nominated visual effects team»

It briefly shows how the Oscar - nominated visual effects team mapped Cushing's facial features onto the British actor Guy Henry using a combination of «lightstage» motion capture and CGI.

Not exact matches

As well as producing Oscar - nominated visual effects for the movie, Thorne and the effects team also unearthed some unexpected physics, such as that an observer close to a rapidly spinning black hole would see more than a dozen images of individual stars just outside one edge of the black hole's «shadow.»
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
The behind - the - scenes team includes Academy Award ® - winning director of photography Dion Beebe («Memoirs of a Geisha»), production designer Oliver Scholl («Jumper,» «Independence Day»), editor James Herbert («Sherlock Holmes,» «Sherlock Holmes: A Game of Shadows»), costume designer Kate Hawley («Pacific Rim»), and Oscar ® - nominated visual effects supervisor Nick Davis («The Dark Knight»).
The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
He is helped here enormously by a terrific production crew, with many key jobs filled by women including «Mudbound» cinematographer Rachel Morrison, the first female to be nominated for a best cinematography Oscar; the colorful costumes of Ruth Carter; great production design from Hannah Beachler; and generally fine work right on down the line including an awesome visual effects team.
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