Not exact matches
And here's the thing: while I think
none of us would have asked a man like O'Reilly for the sheer volume
of selfhood that musical
artist and writer Amanda Palmer brought to her pivotal keynote address at the Muse this weekend in Boston, I can tell you that a lot
of TOC folks —
even business - side operatives, not
artists — thought that in this man O'Reilly we were seeing what the critic James Wood (also in Boston) has reminded us Walter Benjamin quoted Nicolas Malebranch to call «the natural prayer
of the soul»: attentiveness.
Then I met a bunch
of artists over a period
of time,
none of whom had their own website — or
even a business card!
12 In the middle
of the century, there were only a third as many women as men
artists, but
even this mildly encouraging statistic is deceptive when we discover that out
of this relatively meager number,
none had attended that major stepping stone to artistic success, the Ecole des Beaux - Arts, only 7 percent had received any official commission or had held any official office — and these might include the most menial sort
of work — only 7 percent had ever received any Salon medal, and
none had ever received the Legion
of Honor.13 Deprived
of encouragements, educational facilities and rewards, it is almost incredible that a certain percentage
of women did persevere and seek a profession in the arts.
[4] The proportion
of artists of color was
even smaller, and
none of them were women.
While much has been made
of the «international» character
of this year's shortlist, with
none of the
artists ticking the «White British» box, all represent, in one way or another, what it means to be British today —
even Andrea Buttner, who is actually German.
None of these
artists take on these contemporary issues directly or didactically, but rather make use
of unconventional materials to produce a particular experience
of the work's physical presence, or else to present surfaces that evoke the polyvalent potential
of digital screens to display multiple,
even conflicting, perceptual modes, both sequentially and simultaneously.
The difference now compared to
even a decade ago is that we have
artists like Kondabolu, Jordan Peele and Aziz Ansari challenging the status quo with films and shows like Get Out and Master
of None.