> Engine and transmission -
None of the character of a naturally aspirated Porsche flat - six is here, but the turbo engines are impressive none the less.
On road the Q2 has lost
none of the character of its larger siblings.
Not exact matches
While the show has evolved, one thing is still a constant:
None of the
characters are very smart about their money.
He gestures around the office, whose exposed brick walls and reclaimed office furniture give it the
character of an independent company and
none of the feeling
of the corporate giant that now owns it.
And yet
none of the
characters can rest easy.
Most impressively,
none of the
characters mentioned above (Rev Lovejoy excepted) are simply stereotypical tropes; they are mature humans whose faith is an important part
of who they are, but not the only part.
But
none of this is a serious mark against the overall
character of the man, whom Marsh regards with unabashed affection and profound respect.
Unfortunately,
none of that lines up with what has been said about Brian in this thread, and what has been revealed about his
character through his bullshit apology.
None of these
characters, whether they were atheist or not, killed in the name
of a lack
of belief in a god.
But,
none of the original
characters will reprise their roles, and the composition
of the show won't mirror the original real - time episodes format.
The beauty
of the inspired Word is that
none of the
characters except one is very human and susceptible to poor choices.
None of the other
characters you mentioned did that either.
Their evil
character was
none of his doing, and if they entrapped him or gained mastery over him, that was the work
of forces alien to himself.
Even more out
of character are God's words (perhaps significantly not Yahweh's) in verses 11 - 14:»...
none like you has been before you and
none like you shall arise after you... no other king shall compare with you all your days.»
But in
none of these writings is there any sustained attempt to give an eschatological interpretation to the facts
of the ministry
of Jesus apart from His passion, death, and resurrection, even though all three writers are aware that His death was the final expression
of a
character and a moral purpose which displayed itself in His whole incarnate life.
Some sayings
of such a
character are indeed attributed to him in the gospels, but they originated in the faith
of the church — and
none of them even in the primitive church, but in Hellenistic Christianity.
Although Rowling's
characters are convincing and engaging,
none of them is fully three - dimensional.
Instead, they are stable, unchanging in
character, responsible for all the good in the world, and for
none of the evil.
There is an «all or
none»
character about the closure
of the networks
of relationships that define dissipative structures.
But instead
of seeing there the expression
of its suprarational
character, irreducible to this rational proposition, that is to say, the appearance
of a fact truly revealed, he sees there only the expression
of an imperfect construction, which will demand further reductions and which has
none but a pragmatic value.
The quarrels we undertake must be kept in perspective, because
none of those quarrels concerns this holy
character unduly.
Those are not beliefs — not in the biblical sense
of the term «belief» — or if they are a form
of belief they are disconnected from any relevance to you and I.
None of these «so called» beliefs affect much
of what you do with your life — knowing about a virgin birth won't give you the tools to be a better parent — these «beliefs» do not function like that — they are more suppositions about the
character of God.
With the exception
of Jesus,
none of the actors appear to be sterling
characters.
Ambrose, Miz, and Bray all do great
character work, but
none of them are must - see in the ring.
Although several prominent
characters have already died this season,
none of them were listed as an option for this prop bet.
But there were other issues, too,
none so great as that
of his
character.
None of them, from the manager to the board, none have even pledge their «love» for the club... There is no passion and no characters... It is a well run business and the fans, well some, are still willing to back it financially, so en
None of them, from the manager to the board,
none have even pledge their «love» for the club... There is no passion and no characters... It is a well run business and the fans, well some, are still willing to back it financially, so en
none have even pledge their «love» for the club... There is no passion and no
characters... It is a well run business and the fans, well some, are still willing to back it financially, so enjoy?
But in their true
character (or lack
of),
none of them gave Wenger any credit for being the first to raise the issue and neither did they apologise or show any remorse for ridiculing him when he prophetically raised it.
And male
characters did hold these positions, but
none of the female
characters.
(As I point out in the book, a recent study by the National Center for Education Research found that
none of the many large - scale
character - education programs in use in American schools produces any significant positive outcomes.)
While much
of what the book asserts is reassuring — standardized test scores are not determinant; IQ isn't all - important;
character can be taught —
none of it is easy.
It carries such a strong invocation
of the «liberal metropolitan elite»
character - type that the phrase was deliberately employed during the last election by
none other than David Cameron with his jibe about «the same old condescending, bossy, interfering, we - know - best attitude
of the Hampstead socialist down the ages».
Syracuse.com broke a story Sunday that said rumors were swirling about state money for a possible stadium to replace to the Dome, but
none of the primary
characters were sharing their stories.
In case you were wondering,
none of this meandering has any relevance to any
of the principle
characters or plot lines.
If there's any «
character» still on the scene after Tuesday evening, there's
none more
of a
character than his man.
That pride is enduring and transcends any
character flaws exhibited by a 15th century man who is being judged by the enlightened standards
of today
none of which negate a significant navigational achievement.
«The king is like a father with many children and a good father knows that no matter how much they resemble him physically and by
character trait,
none of his children will absolutely share his own characteristics and nature and no two children are alike.
This component
of the signal has a more all - or -
none character, reflecting the all - or -
none character of conscious experience.
It might appear to be a fatal
character flaw, a personality disorder, or willful oppositional behavior, but in most cases, it is
none of those things.
but
none of the claims about our pre-agricultural lifestyle, the basis for the Grok
character, ever had any sort
of endnotes.
Of course, on the list of characters was none other than Audrey Hepburn's Breakfast at Tiffany's character — Holly Golightl
Of course, on the list
of characters was none other than Audrey Hepburn's Breakfast at Tiffany's character — Holly Golightl
of characters was
none other than Audrey Hepburn's Breakfast at Tiffany's
character — Holly Golightly.
None of the
characters are interesting in the slightest, and the dialogue goes from barely adequate to literally terrible to hilariously bad.
None of them matter and their only
character traits is what shows up on their nametag.
In the previous paragraph I called the cast «idiot
characters» instead
of their actual names because
none of them where unique or engaging enough to fucking remember.
Seven ending up with Chakotay (the most dullboringuseless
character in Trek history bar
none) offended me more than anything else in the history
of.
It's no wonder that Aziz Ansari's
character on Master
of None completely nailed the perfect opening line to use on dating apps: Ansari wrote a heavily Examples
of good and bad online dating profiles to attract women and get them to write you or to respond to your first message to them.
On the other hand, this is one
of Werner Herzog's weakest films and
none of the
characters are very likable.
It's crappy old Skylanders,
none of the
characters are recogniseable any more.
I can see why Shirley took this on, the chance in a brief period to create seven different
characters but
none of the vignettes really go anywhere and the viewer is left with a feeling
of indifference.
Even if an hour
of film that is pure
character development is added back in, that doesn't change the fact we're still starting with two - and - a-half hours
of celluloid that has
none to start with.