It's an appropriate pairing, as both Stewart and Ahn (a recent MFA from the Savannah College of Art and Design in Atlanta) impose similar limitations on their processes and work in similar modes of
nonobjective abstraction.
Though working on a diminutive scale as compared to Rosenquist's monumental compositions, Steele draws on rigorous observations of the real world to create fragmented images that waver between recognizable form and
nonobjective abstraction.
Translating an early interest in subjective cubistic forms, his work evolved into
nonobjective abstraction.
Not exact matches
Foremost is the museum's founder, Solomon R. Guggenheim (1861 — 1949), who with support from his trusted advisor, the German - born artist Hilla Rebay (1890 — 1967), set aside a more traditional collecting focus to become a great champion of
nonobjective art — a strand of
abstraction with spiritual aims and epitomized by the work of Vasily Kandinsky.
The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition of roughly a hundred paintings and drawings, charting the early development of the pioneering modernist, who conceived of
abstraction in purely visual terms, quite distinct from the spiritual motivations of early
nonobjective artists such as Kandinsky and Mondrian.
Art critic Jonathan Goodman once wrote that Puder's paintings are «at the cusp between representation and
abstraction, where the overall gestalt is accessible as figuration but also presents itself as a
nonobjective arrangement of forms.»
She continued to push the burgeoning
abstraction in her work and, over the next decade, her imagery evolved into powerful
nonobjective compositions.
Her work engages the history of
nonobjective art — from Constructivism to Futurism — posing contemporary questions about the relationship between utopian impulses and
abstraction.
Of these visionaries, foremost is the museum's founder, Solomon R. Guggenheim, who, with support from his trusted advisor, the German - born artist Hilla Rebay, set aside a more traditional collecting focus to become a great champion of
nonobjective art — a strand of
abstraction with spiritual aims, epitomized by the work of Vasily Kandinsky.
But he was a product of his time and teachers, so in the 1950s he flirted with
abstraction and abstract expressionism, another movement defined in general terms as combining
nonobjective forms with spontaneous, emotion - fueled technique.