By 1947 Rothko had eliminated all elements of surrealism or mythic imagery from his works, and
nonobjective compositions of indeterminate shapes emerged.
By the late 1940s, Rothko had virtually eliminated all elements of surrealism or mythic imagery from his works, and
nonobjective compositions of indeterminate shapes emerged.
She continued to push the burgeoning abstraction in her work and, over the next decade, her imagery evolved into powerful
nonobjective compositions.
Not exact matches
Though working on a diminutive scale as compared to Rosenquist's monumental
compositions, Steele draws on rigorous observations of the real world to create fragmented images that waver between recognizable form and
nonobjective abstraction.