Championing what he called subjective photography, Steinert and the Fotoform artists sought to reforge the links between photography's experimental,
nonobjective elements and the inner experience of both viewer and photographer.
Not exact matches
By the late 1940s, Rothko had virtually eliminated all
elements of surrealism or mythic imagery from his works, and
nonobjective compositions of indeterminate shapes emerged.
By 1947 Rothko had eliminated all
elements of surrealism or mythic imagery from his works, and
nonobjective compositions of indeterminate shapes emerged.