Sentences with phrase «nonobjective paintings in»

The third Calder Gallery at Fondation Beyeler has its focus on Alexander Calder's first nonobjective paintings in dialogue with his sculptures from the 1930s.

The third Calder Gallery at Fondation Beyeler has its focus on Alexander Calder's first nonobjective paintings in dialogue with his...

Not exact matches

Here I found a Korean counterpart, or perhaps an extension, of issues in nonobjective painting that emanated over a historical continuum, from Seoul to New York and from New York to Seoul over the course of decades.

In 1929, Guggenheim and his advisor, German - born artist Hilla Rebay, began collecting his paintings, works on paper, and sculpture in depth for the Guggenheim's growing collection of nonobjective arIn 1929, Guggenheim and his advisor, German - born artist Hilla Rebay, began collecting his paintings, works on paper, and sculpture in depth for the Guggenheim's growing collection of nonobjective arin depth for the Guggenheim's growing collection of nonobjective art.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.

In the following year he began Hoarfrost, a series of nonobjective large - scale paintings on hardboard characterized by all - over white colour and criss - crossed patterning.

The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition of roughly a hundred paintings and drawings, charting the early development of the pioneering modernist, who conceived of abstraction in purely visual terms, quite distinct from the spiritual motivations of early nonobjective artists such as Kandinsky and Mondrian.

Placed together in this show, the two artists do seem very different, stylistically speaking, but they both share a deep feeling for painting, its ability to sustain intellectual and emotional interest in both nonobjective and representational form.

Yet by 1935, just as the New York artists began to seek a regionalist identity for their modernism, Jonson moved toward visually intangible subjects in nonobjective paintings, free of any obvious reference to the natural world.

The most important exhibitions include, in 2003, participations at the Mies van der Rohe - Haus, Berlin and Seeing Red: An International Exhibition of Nonobjective Painting, at the Hunter College / Times Square Gallery in New York City.

In 1913 he began a series of paintings of colored discs that have no reference to any object and are considered hallmark paintings in the evolution of abstract or nonobjective arIn 1913 he began a series of paintings of colored discs that have no reference to any object and are considered hallmark paintings in the evolution of abstract or nonobjective arin the evolution of abstract or nonobjective art.

Because of the complicated manner in which the Norton Simon museum as it presently exists came to be, its holdings include some big abstract paintings from the 1960s despite Mr. Simon's distaste for nonobjective art.

Wassily Kandinsky was one of the most influential painters of the twentieth century, and this text, in which he laid out the tenets of painting as he saw them and made the case for nonobjective artistic forms, is universally recognized as an essential document of Modernist art theory.

Abstract art (sometimes called nonobjective art) is a painting or sculpture that does not depict a person, place, or thing in the natural world.

«My paintings are nonobjective because there's no object in them,» he said.

2003 Bertha and Karl Leubsdorf Art Gallery and Times Square Gallery, Hunter College, New York, New York [Participating in both Parts I («Pioneers of Nonobjective Painting») and II («Contemporary Nonobjective Painting»)-RSB-, «Seeing Red: International Exhibition of Nonobjective Painting» P.S. 1 Gallery, an affiliate of the Museum of Modern Art, Queens, New York, «Site and Insight: An Assemblage of Artists (Curated by Agnes Gund)»

In other words, my primary stride at that time as a painter was to make my painting real even though it was of, shall we say, abstract or even nonobjective nature, to make it terribly physical.

Over the past ten years, Evertz has also curated several critically - acclaimed artist retrospectives and surveys of abstract painting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967 - 2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robertpainting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967 - 2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with RobertPainting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with RobertPainting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).