Sentences with phrase «nonprofit alternative arts»

'» said Matthew Higgs, the director of New York's oldest nonprofit alternative art space, during its annual benefit on Wednesday night.

Incidentally, the New Museum was one of those nonprofit alternative art spaces born in the 1970s which Colab distanced itself from.

Baran currently co-directs fort gondo compound for the arts ---- a nonprofit alternative art space founded in 2002 ---- which hosts a monthly poetry series alongside other multi-disciplinary programs.

Not exact matches

Janet Borden, Minus Space and Klompching have opened galleries; Smack Mellon remains a nonprofit stalwart; and Art in General, another alternative space showcasing emerging artists, moved from TriBeCa to Dumbo last year.

No wonder the handful of recent entries at Exit Art amount to neither alternative, but rather to Brooklyn nonprofits taking much the form of traditional galleries.

The former alternative arts space was just one project launched under Heiss» nonprofit Institute for Art and Urban Resources Inc..

After 1965, New York's uptown and downtown art scenes increasingly diverged, which led to the flowering of nonprofit downtown alternative spaces.

She is the co-founder and executive director of Autotelic Studios, a nonprofit arts organization that serves the creative community on the northwest side of Chicago by creating affordable studios in alternative spaces.

Drawn to New York — Nesbett with plans to establish the Jacob Lawrence Institute, a mentoring program for young artists, and Bancroft in search of a nonprofit curatorial position — the couple landed in Harlem, on West 144th Street, across from a now - closed bodega that eventually gave its name (and yellow and red sign) to the future alternative art space.

With a roster of recent exhibitions too impractical for mainstream venues — an unauthorized survey of the work of the elusive David Hammons, consisting of Xeroxes taped to wood panels; approximate replicas of Cady Noland's installations; a display of unspectacular everyday objects; and art made by a fictitious Post-Minimalist — Nesbett and Bancroft are reinventing the alternative space at a time when nonprofit galleries and their conventional counterparts are becoming more and more alike.

The exhibition demonstrates the significant changes in artistic practice that coincided with the burgeoning number of art schools and university art departments, nonprofit art spaces, alternative galleries and artist - run spaces and publications that not only provided exhibition opportunities but, in the relative absence of commercial support, also created a community that fostered an exchange of radical forms and ideas.

Beka Economopoulos and Jason Jones are cofounders of Not An Alternative (NAA), a 10 - year - old Brooklyn - based arts collective and nonprofit organization with a mission to affect popular understandings of events, symbols, and history.

The exhibition was curated by Matthew Higgs, the director of the influential alternative nonprofit art space White Columns.

He is a co-founder of Drawing Room KTM, an artist - run studio and learning space and founding member of Srijanalaya, a nonprofit nongovernmental organization dedicated to alternative forms of art education in Nepal.

Recognized as an alternative model, NADA is the only major America art fair produced by a nonprofit, and it remains a longstanding favorite of collectors, dealers, curators, and artists alike.

Priority will be given to applicants who partner with museums, alternative spaces, or other local nonprofit arts organizations to present their projects.

In November of the same year, Brooklyn's nonprofit Pioneer Works hosted the Alternative Art School Fair, with presentations by more than fifty educational initiatives from around the world.

Stefan Kalmár, Executive Director / Curator, and Richard Birkett, Curator of Artists Space, a nonprofit art gallery and arts organization founded in New York by arts administrator Trudie Grace and critic Irving Sandler in 1972, share their insights into the history and current life of this alternative space that continues to set the bar.

His final decades of artistic production paralleled a succession of publishing, nonprofit, and visionary enterprises: in addition to his lithography studio, Francis formed a wind harvesting and alternative energy company in 1975; helped organize the Museum of Contemporary Art, Los Angeles, in 1980; formed the Lapis Press, which focused on eclectic scholarship, in 1984; created a naturopathy - based medical research center in 1987; and founded the Sam Francis Art Museum in 1990 to perpetuate his artistic legacy and support charitable donations.

Not An Alternative is a ten - year - old Brooklyn - based arts collective and nonprofit organization with a mission to affect popular understandings of events, symbols, and history.

«As of fall 2010, all freshmen at Meadows are introduced to alternative models of artistic practice — which includes everything from our own programs in music therapy and our interdisciplinary ensemble, Point, to our community artist partnerships with Big Thought — AND to the basics of how the various arts businesses, both nonprofit and for - profit, work.