Over several decades, Thompson devoted her artistic practice to exploring and expanding the language of
nonrepresentational abstraction.
The angular forms of the figure in this drawing recall his portrait paintings, and the vertical, architectonic marks also reference his cityscapes and
nonrepresentational abstractions.
Not exact matches
Magnetic Fields aims to change this perspective by focusing on
nonrepresentational work by women artists of color, presenting a more complete presentation of American
abstraction than has previously been offered.
Compare their work to Paul Klee (1879 — 1940) or Joan Miró (1893 — 1983) and you will see the difference between
abstraction and
nonrepresentational art.
Stella has some work that are indeed
abstractions yet most is
nonrepresentational.
Perhaps that's why, as Bob Nickas points out in his new book Painting
Abstraction: New Elements in Abstract Painting (Phaidon Press; $ 75), «so many contemporary artists who paint
nonrepresentational pictures reject the notion that their work is in fact abstract.»
Vasily (Wassily) Kandinsky (1866 - 1944) was a Russian painter, teacher, and art theorist who was one of the first artists to explore
nonrepresentational art and, in 1910, created the first totally abstract work in modern art, a watercolor entitled Composition I or
Abstraction.
We will explore topics ranging from the emergence of
nonrepresentational painting to the persistence of
abstraction in contemporary art.
Without the title, the painting would be interpreted as
nonrepresentational gestural
abstraction.
«Liminal Squared» by Julie Mehretu at the Marian Goodman Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman Gallery on W 57 Street, she presents a small number of huge,
nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure
abstraction.
In Linear
Abstraction, the SCAD Museum of Art negotiates the status of
nonrepresentational work as it exists in the 21st century and includes work in various media, including painting, sculpture, photography, and digital formats.
There was constant talk about the formal, the informal, irony, narrative, content,
abstraction, the
nonrepresentational, figuration, realism, popular culture, high art — everything was to be reexamined.
The work in About
Abstraction suggests a kinship with the Abstract Expressionist movement of 1940s SoHo and San Francisco, and illustrates the enduring vitality and power of
nonrepresentational art for well over a century.
The answer, I think, is that Anderson is at heart just as much an abstract painter as he is a figurative one (certain earlier canvases verge on total
abstraction, and a suite of domestic interiors, shown at the Studio Museum in Harlem in 2009, are studded with
nonrepresentational elements).