Both Baldwin and Davis play their roles as the only
normal people in the film with charm and fine comedic timing.
Not exact matches
In this modern day, anyone with a camera, a body, and an internet connection can create an adult movie, and a lot of them are pretty
normal people just
filming what they do normally.
not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to
normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a
film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course,
people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close
in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue
The Potter movies showed us their characters getting older
in real time: unlike Just William or Bart Simpson, Daniel Radcliffe's Potter was going to grow up like a
normal person and never before has any
film — or any book — brought home to me how terribly brief childhood is.
The makeup artists
in Perfect
People do such a remarkable job
in turning the dazzling Lauren Hutton and Perry King into baggy old frumps that, once the characters return to their «
normal» selves, interest
in the story lags and the
film loses its comic momentum.
There may even be
people out there - sane,
normal people in many ways - who don't even know that the Liam Neeson / Catherine Zeta - Douglas - Jones - whatever - the - bloody - hell - she - calls - herself - these - days farrago is actually a remake of what is possibly the most terrifying
film ever made.
His latest hot tip is that director Rob Reiner is looking for someone to be
in his
film, and Dickie becomes obsessed with scoring the role, and while Reiner feels he would be perfect for the part, he also thinks he doesn't have the experiences of a
normal person to truly deliver a genuinely truthful performance, never really having a typical life.
Most
films that explore sadomasochism do so
in ways that can still be appealing and alluring to an audience comprised of
people with relatively
normal, well - adjusted ideas about sex and sexuality, but this is a notable exception.
Don't get me wrong, this
film makes a serious statement about misogynistic behavior and the
people we deem «
normal»
in everyday society.
It's Ozu's unique way of bringing realism to a
film that allows for such speculations: despite his unusual editing style, tatami - level camera placement and generally fixed camera (though it moves more here than
in any Ozu I can recall), everything
in an Ozu
film feels real:
people talk like
normal people about
normal human issues.