As the protagonists face off in a conceptual and abstracted mixed doubles match, the epically scaled, Parterre, on
the north wall of the gallery, gives rise to an impossibly arranged and intricately rendered theater audience.
Not exact matches
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda
Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School
of Fine Arts
Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the
Wall, MASS MoCA,
North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum
of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan
Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer
Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists
of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art
Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial
of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps
of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters
of the Earth), IODAC Museum
of Contemporary, Spain Panic, Julie Saul
Gallery, New York Video Jam, Palm Beach Institute
of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross
Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art
Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera
Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art
of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle
Gallery, College
of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway
Gallery, New York Mug Shots, Center for Visual Art and Culture, University
of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
In a corner
of North Gallery A sits a tall, dark - grey concrete
wall.
Please note, two additional works are on view outside
of the Ballroom
Gallery: Adrián Villar Rojas's Two Suns (II)(2015), a monumental replica
of Michelangelo's David, can be viewed in the backstage
of the ground floor theater, and Erika Verzutti's new work, Centipede (2017), hangs on the building's
north wall, beside the parking lot.
Recent group exhibitions include «Magic Mountain,» Museum
of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown
Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum
of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization
of Daily Life,» University
of California, Riverside Sweeney
Gallery, Riverside, CA; «Too much love,» Angles
Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «
Wall Painting,» University
of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum
of Contemporary Art,
North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum
of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.
In 2002, Sean Kelly
gallery presented the first
North American
gallery exhibition
of his work, which comprised
wall installations and sculptural works.
The planar forms
of the building's exterior
walls are articulated with unadorned window openings that on the
north wall, where they are set in deep reveals, mark the levels
of the three main
gallery floors
of the building above grade.
Reenactment in the West
Wall of Sean Kelly Gallery of the Action that Caused a Cannonball to be Lodged in the North Façade of the Keeler Tavern, 2016 cannonball lodged in the wall one of two unique installations the work is accompanied by a signed certificate of authenticity PLi - 225 Photo: Tom Powel Ima
Wall of Sean Kelly
Gallery of the Action that Caused a Cannonball to be Lodged in the
North Façade
of the Keeler Tavern, 2016 cannonball lodged in the
wall one of two unique installations the work is accompanied by a signed certificate of authenticity PLi - 225 Photo: Tom Powel Ima
wall one
of two unique installations the work is accompanied by a signed certificate
of authenticity PLi - 225 Photo: Tom Powel Imaging
The 1962 bequest
of Wall Street investor Chester Dale made the National
Gallery of Art one
of the leading repositories in
North America
of French art
of the late 19th and early 20th centuries.
Clockwise from top left: a conservator's palette; Facilities Manager David Finch touching up the
north wall of the Bonfils - Stanton Foundation
Gallery; Senior Consulting Curator David Anfam with 1944 - N - No.
The most impressive parts
of the installation are the large - scale
wall paintings
of bricks on the
north and south
walls of the
gallery, painted flush with the floor and ending just a few feet below the high
gallery ceiling.
First winner
of the award Nicholas Permain was selected for the prestigious FBA Futures in 2015 and continues to exhibit his paintings across the UK, most recently a solo show in early 2018 at The
North Wall Gallery in Oxford.
She has made Good Vibrations, 1270 minutes, to fill the
North wall of the Watercolour
Gallery so that as you ascend up the central staircase the pulsating Spirograph «cells» slowly reveal themselves.
, Tony Shafrazi
Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir
Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale
of Sydney, Museum
of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli
Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8
Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT
Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art
Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA
Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander
Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the
Gallery and the
Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos
Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The
North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.
Artwork that is part
of the
wall drawing exhibit is seen in a
gallery inside Mass MoCA on Wednesday, Jan. 14, 2015, in
North Adams, Mass. (Paul Buckowski / Times Union)
She was the focus
of the career survey exhibition Jessica Stockholder, Kissing the
Wall: Works, 1988 - 2003 at the Blaffer Art
Gallery, University
of Houston, Texas and the Weatherspoon Art
Gallery, University
of North Carolina, Greensboro.
«Sol LeWitt: A
Wall Drawing Retrospective», a collaboration between the Yale University Art
Gallery (YUAG), MASS MoCA (Massachusetts Museum
of Contemporary Art), and the Williams College Museum
of Art (WCMA) opened to the public in 2008 at MASS MoCA in
North Adams, Massachusetts.
His work has also been the subject
of important group and solo shows throughout the span
of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum
of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center
Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University
of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute
of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum
of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum
of Contemporary Art,
North Adams (2004); The Big Nothing, Institute
of Contemporary Art, University
of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center
of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College
of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute
of Contemporary Art at Maine College
of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the
Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out
of Actions: Between Performance and the Object, 1949 — 1979, Museum
of Contemporary Art, Los Angeles (1998).
He has exhibited extensively throughout Europe and the U.S., with solo exhibitions at Some
Walls, Oakland, CA; Galerie Katharina Krohn, Basel; Centrum Berlin, Berlin; Palacete dos Viscondes de Balsemão, Oporto, Portugal; and Habitat, Kings Road, London, as well as dozens
of group exhibitions worldwide, most notably with Lion and Lamb, London; JiM Contemporani, Barcelona; Kunsthaus, Tosterglope, Germany; ParisCONCRET, Paris; Mass MOCA,
North Adams, MA; Janet Kurnatowski
Gallery, New York; and Pierogi, Brooklyn, among others.
British Icons — James Bond, Twiggy and a Mini — jostle for a position on the
wall with a giant antique map
of North America, creating an effortlessly cool
gallery displaying the owners» personal taste and travels.